NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

WOMEX goes virtual this month

01 Oct 2020 - 12:54

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The Worldwide Music Expo (WOMEX) is one of the most important industry events of the year, providing a platform for players in the international music business to network and discover new talent from around the world. The history of the expo goes back to 1991 when it was part of the Berlin Independence Day celebrations, before adopting the name WOMEX in 1994. The event is organised in a different European city each year and the hosting rights are arranged through a bidding process.

WOMEX director Alexander Walter says there are advantages to hosting a virtual music trade event.

The 26th edition is poised for a high turnout after the organisers announced a virtual programme from 21 to 25 October to allow delegates around the world to participate from the comfort of their homes. The event was initially planned to take place in Budapest, Hungary, but the organisers cancelled the event due to the COVID-19 pandemic.

This October, the WOMEX team alongside Hungarian partner Hangveto, will offer five days of conference sessions, presentations, network meetings, performances, film screenings, interviews and talks. Some of these activities will be happening on location in Budapest, the extent of which will be determined by the COVID-19 regulations at the time of the event.

"The digital hemisphere indeed has some advantages: people who can't travel for whatever reason can now join and participate as delegates, and the same applies, for instance, to certain parts of the programme," WOMEX director Alexander Walter told Music In Africa.

"It certainly is easier to bring together an online panel with speakers from all corners of the word than in a physical space. Visas, borders, travel restrictions and budgets are no longer relevant for participation – and that is what makes a digital edition so exciting."

The WOMEX showcases will feature performances by musicians from around the world as well as some personal insight into the acts through Q&A sessions. Representing Africa are Alogte Oho & His Sounds of Joy (Ghana), Djazia Satour (Algeria/France), Fanfara Station (Tunisia /US/Italy), FOKN Bois (Ghana/Romania/Hungary/UK), Fulu Miziki (DRC/Uganda), Madalitso Band (Malawi), Ti'kaniki (Reunion/France) and Urban Village (South Africa).

Elsewhere, the WOMEX Club Summit will showcase club sounds and electronic music from across the world. Participating groups from Africa include Guedra Guedra (Morocco), MC Yallah & Debmaster (Uganda/Germany) and Studio Bros (São Tomé and Príncipe/Portugal).

The WOMEX conference, meanwhile, will address the global music scene's most pressing topics, with many discussions covering the challenges arising from the COVID-19 pandemic. There is already a list of panels and presentations available for attendees, with additional panels and speakers set to be announced in the run-up to the event.

British folk singer and traditional music specialist Sam Lee will sit on the No Music on a Dead Planet panel, which will expound on what the music industry can do to help reverse climate change. Lee believes that musicians can help bring more focus to the global catastrophe. "Musicians and the activities we make have an evident impact through the emissions we produce within our activity like any other industry," he said. "However, the positive link is that music has a direct and indirect ability to educate and inform audiences about the impact of the climate crisis and tell stories of how our lives will be affected."

A total of 21 international films will be streamed from 15 to 25 October as part WOMEX's film programme. African films to look out for include Berlin Bamako All Stars (2020), Birth of Afrobeat (2019), Contradict (2020), Taxi Waves (2019) and Kinshasa Beta Mbonda (2019).

Meanwhile, Hungarian artist Monika Lakatos is the recipient of the WOMEX 2020 Artist Award for her long-term dedication, faith and commitment to the Roma culture and community. The award recognises artists who embody artistic distinction, dynamism and creativity by using music as a medium of positive change. Previous recipients from Africa include the late Bi Kidude (Tanzania), Staff Benda Bilili (DRC), the late Hugh Masekela (South Africa), the Mahotella Queens (South Africa), Cheikh Lô (Burkina Faso) and Oumou Sangaré (Mali).

Additionally, the Professional Excellence Award has been awarded to French organisation L’Atelier des Artistes en Exil for its advocacy and commitment to defending the rights of artists in exile. The award is given out to an individual, group or organisation that has achieved musical excellence, cultural significance, advocacy and activism, lifetime achievement and commercial success without compromise.

On receiving the award, L’Atelier des Artistes en Exil director Judith Depaule said: "It is important for L’Atelier des Artistes en Exil to gain recognition beyond French borders, especially for exiled artists who suffer mobility problems. The WOMEX 2020 award will benefit the members of L’Atelier des Artistes en Exil in their restructuring by offering them new professionals opportunities.”

Registration for the virtual event is ongoing.

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