NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

CMOs

Music licensing and the value of copyright

29 Oct 2021 - 09:23

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By Melissa Waltz

Independent musicians across the African music scene – in places like South Africa, Kenya, Nigeria, Zimbabwe, Tanzania, Ghana and more – do not always understand the legalities that go along with producing and owning their music. The legal aspects within the African music industry, like anywhere else in the world, can be challenging to understand. In fact, such complexities often induce anxiety in independent musicians, particularly when they are unsure of the consequences when signing with labels or distribution services.

All music creators should be aware of the licences at play when they release their music.

Knowing your rights as an independent artist is crucial in helping you collect the right amount of money owed to you for your original work. Music licensing, which goes hand in hand with copyrighting music, can also feel like a highly complex process.

Many questions arise when producing music that gets licensed commercially: What type of licences are there? What does each one mean? What are the benefits of licensing music? With ever-growing digitisation and risk of losing your rights to your music, it is more important than ever to understand the value of copyright and how music licensing works.

As an African musician who creates original tracks, you should have insight and understanding when it comes to copyright and music licensing options. In this article, I break down the aspects of owning music, how to go about licensing your original music, what types of opportunities exist for you, and why you should consider music licensing for your copyrighted works.

What is a music copyright?

A music copyright is the author’s right to property of their work. There is recognition of ownership of the work, respect for the integrity of the work, and the author has exclusive rights to the use of their work in any capacity. The rights include any performance or reproduction of that music, so that they are adequately compensated.

Copyright laws protect your original musical with two separate and distinct creations. The first is the musical work, or the composition (melody and lyrics), and the second is the sound recordings or the final mix and master of that musical composition. The musical track’s particular version could be on any recording medium, including WAV/MP3, vinyl album, disc, etc.

What is music licensing?

Suppose anyone other than the original author or publisher of the music wants to use a copyrighted work in a particular way. In that case, they are required by law to seek permission from the copyright holder and obtain the licences required to do so. A music licence permits the third party to exploit the copyrighted music in exchange for some type of compensation (usually a fee). Typically, a producer, music supervisor, or other creative will want to use the original music for a project, be it an advertisement or in the background of a feature film.

Some licences are negotiated between the copyright holder or independent musician (‘author’) and a third party. This is known as ‘voluntary licensing‘. Other permits are provided by copyright laws in various countries, which is when the licensing party can use the music without negotiated permission, which is more commonly referred to as ‘compulsory licensing.’

What types of music licences are there?

There are some differences in the types of music licences that can be acquired. Below is a breakdown of the three major types:

Synchronisation licence

Also known as ‘sync’, this licence is for any producer or music supervisor who wants to use your song in a media format such as film, TV, ads, video games, movie trailers, etc. This kind of licensing has been known to yield big returns for music creators, especially when their musical works are picked up by big productions with big budgets.

Master licence

This works in tandem with the sync licence and permits the usage of a musical recording. For example, if the music is a cover of another song, the new master licence will reference the song’s new recording instead of the original version.

Mechanical licence

As an independent musician, you will need this if you want to record someone else’s music, such as doing a cover, so that the songwriters and composers will receive their fee if you decide to sell. The same goes if someone wants to make a separate version of your original musical work.

When planning to licence your music, you should register your music with a collective management organisation (CMO). These organisations are there to secure your copyrighted works and collect performance royalties that are owed to you as an author or independent musician who created the original track.

Another critical factor you should keep in mind when licensing original work is that your recording should be the master recording, as in, the final production of the music.

How do payments work when you licence your music?

The way that the fee structure works for licensing is broken down as follows:

Exclusive licence

With this type of licence, you are not paid a straight fee upfront. However, you share the rights to a pre-recorded song or track with a publishing company, and you keep all of your author’s share of the royalties paid. In some cases, the publishing company may want to rename your track’s title so that it can claim the money, but this still allows you to preserve the rights for the original master.

Partial buyout

This allows you, the author, to receive an upfront fee to create a specific track or song, and then a percentage of the sync fee as well, and also all of the writer’s share from the CMO. ‘Writer’ refers to anyone who contributed to the lyrics or melody (typically, you), and the ‘author’ is anyone that might own the music copyright for the recording (also you, the musician).

Non-exclusive licence

With a non-exclusive licence, you permit the use of your music but can shop that same music around in other locations. In other words, it is not limited to just one sole use for the same music. The time constraint of these deals is a maximum of about five years. When your music is used, you set an agreed amount for the publisher to obtain, and you will still retain all of the writer’s share.

The benefits of copyright and licensing original music

Independent musicians are always performing and working hard the get more visibility and exposure for their music and brand. If you copyright and allow distribution of original works through licensing, you have the benefit of significantly expanding your network.

Possessing the musical education and knowledge of copyrights and licensing can help you make the best decision for your original musical compositions. Independent African musicians can establish strong careers by creating relationships with producers, music supervisors and film directors who may want to utilise their talent for various projects. As a result, your music can be heard by the masses and in turn help to grow your following and fan base.

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Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

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