NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Africa Day playlist: Celebrating the spirit and splendour of Motherland

24 May 2024 - 13:36

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“I never knew of a morning in Africa when I woke up that I was not happy.” This verdict by the great American novelist and journalist Ernest Hemingway may seem exaggerated – until one experiences the continent first-hand, that is. Africa’s adventures of culture and spirit, will always leave a unique, charming mark on those who have encountered her.

Yemi Alade.

Observed annually on 25 May, Africa Day honours the formation of the Organisation of African Unity, which later became the African Union. The day is dedicated to celebrating African unity and heritage.

Ahead of the big day, here is a carefully curated selection of songs that continue to shape Africa’s comprehensive narrative; a perfect opportunity to delve into the continent’s rich musical heritage, told by respected artists across the continent and beyond.

The playlist accommodates a diverse range of motifs, from Yvonne Chaka Chaka’s celebration of a bold identity to Wiyaala’s unpacking of the continent’s resource paradox, as well as Annie-Flore Batchiellilys’ poignant longing for home and Bob Marley’s timeless call for unity and collective strength.

‘Made in Africa’ by Stephen Marley ft. Wale

Featuring Nigerian-American rapper Wale, the sobering and yet hopeful record by Stephen Marley, son of reggae icon Bob Marley, is taken from his Revelation Part 1: The Root of Life album. It reaffirms Africa as the birthplace of humanity, weaving through a complex history while highlighting resilience and the importance of knowledge about our past as the one true path toward self-determination.

‘Motherland’ by Yvonne Chaka Chaka

South African singer-songwriter Yvonne Chaka Chaka earned the title ‘Princess of Africa’ in the 1990s. Decades later, she has, without question, ascended to the office of queen or its equivalent, a fearless, graceful presence, and among Africa’s most important cultural voices. It is no wonder that her 1989 classic ‘Motherland’, with its celebratory energy and uplifting message, remains one of the most beloved tracks about the continent.

‘Africa’ by Wiyaala

Ghana’s Wiyaala, self-titled the ‘Lioness of Africa’, grounds her work in pan-Africanism. This commitment shines through in her statements, fashion and songs. Her dance-driven track ‘Africa’ laments the continent’s ironic plight  –  teeming with resources but often discussed in the context of poverty.

‘Akwaba’ by Magic System, Yemi Alade and Mohamed Ramadan

Football is one of Africa’s unifying forces, with the continent producing some of the world’s most talented players. The Africa Cup of Nations, the continent’s most coveted competition, is always a major event. It serves as a battleground for supremacy and consistently generates some of the biggest anthems. By the time hosts Ivory Coast lifted the trophy for the third time in February, ‘Akwaba’, the official anthem featuring Ivorian pop band Magic System, Nigeria’s Yemi Alade and Mohamed Ramadan, had firmly established itself in that enviable catalogue.

‘Bring Him Back Home’ by Hugh Masekela

The collapse of apartheid was due to a number of factors, including the work of creatives. The late South African jazz legend Hugh Masekela’s ‘Bring Him Back Home’, for instance amplified the call for change, contributing to the momentum that led to the release of Nelson Mandela, a paragon of African unity, in February 1990. The song was also famously performed live at Paul Simon’s 1987 Graceland concert in Zimbabwe, featuring legends like Miriam Makeba, Ray Phiri and Ladysmith Black Mambazo.

‘Afrique Mon Toit’ by Annie-Flore Batchiellilys

On this subtle, guitar-led ballad, Gabonese star Annie-Flore Batchiellilys reflects on her departure from Africa for love. Touching on universal themes of sacrifice and longing, she grapples with loneliness, finding solace in the thought of embracing it. Yet her heart longs to return to Africa’s warmth and happiness, guided by the power of love to overcome obstacles and find home again.

‘Ifrikya’ by Labess

On their 2014 song ‘Ifrikya’, Quebec-based Algerian band Labess extols a continent that has mastered the art of survival, saluting fallen heroes and victims of political oppression.

‘Radio Africa’ by Latin Quarter

The lyrics to the British band Latin Quarter's top 20 single ‘Radio Africa’, released in 1985, criticises ongoing struggles in African nations, including apartheid, unequal aid and economic hardships. It also highlights how financial control hinders progress, yet underscores resilience in the fight for true independence.

‘Mama Africa’ by Akon

‘Mama Africa’, taken from Senengalese-American singer Akon’s Konvicted album and ferried on enchanting reggae rhythm, expresses love for Africa, urging listeners to experience its beauty firsthand. Akon highlights Africa’s history, resilience and culture, emphasising unity and forgiveness.

‘Africa Unite’ by Bob Marley and the Wailers (1979)

The message in Bob Marley’s 1979 classic is straightforward. Divided, there’s no hope for the. African continent. It finds the reggae icon delivering a fervent plea for unity, via particularly impassioned lyrics, which continue to serve as a timeless reminder of the value of collective strength.

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