NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

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ABOUT ACCES

Home/ABOUT ACCES

ACCES MUSIC CONFERENCE & SHOWCASE FESTIVAL 

ACCES is a premier pan-African platform where music industry players connect, share knowledge, showcase and discover new talent.
ACCES serves as a catalyst for growth, placing a significant emphasis on professionalizing the sector and facilitating access to key success drivers, particularly for emerging musicians and industry professionals.
Since its launch in 2017, ACCES has brought together thousands of industry players in cities such as Dakar (2017), Nairobi (2018), Accra (2019), Johannesburg (2021), and Dar es Salaam (2022 and 2023) and Kigali (2024).

Each ACCES event spans three days and offers a dynamic program with panel discussions, keynotes, live performances, networking opportunities, training workshops, masterclasses, exhibitions, awards, collaborative songwriting camps and more. The program is designed to benefit local participants and visiting delegates who typically represent the entire music value chain, including music distributors, publishers, promoters, bookers, record labels, musicians, CMOs, funders, policymakers and NGOs.

ACCES also serves as the practical learning ground for participants in the Gender@Work program, the pioneering women-only pan-African training initiative offering music business and technical skills to address gender disparity in the African music industry.

OPPORTUNITIES

  • Connect with local, regional and international professionals
  • Showcase your music and gain touring opportunities
  • Discover pan-African, export-ready talent
  • Develop new partnerships and collaborations
  • Join an active network of music professionals on the continent
  • Promote your services/products to a wider audience
  • Gain industry insight and keep up-to-date with the latest trends
  • Share your ideas and knowledge

HISTORY

ACCES started in 2016 as a small feature on the Music In Africa Foundation’s AGM programme in Addis Ababa, Ethiopia, before being launched as a fully-fledged international event in Dakar in 2017.

After Dakar, ACCES was held in Nairobi (2018), Accra (2019), Johannesburg (2021), Dar es Salaam (2022 and 2023) and Kigali (2024), featuring a strong list of influential artists, such as A’Salfo (Ivory Coast), Yvonne Chaka Chaka (South Africa), Mulatu Astatke (Ethiopia), Baaba Maal (Senegal), Sho Madjozi (South Africa), Eric Wainaina (Kenya), Ebo Taylor (Ghana), Mr. Eazi (Nigeria), Nasty C (South Africa), Blinky Bill (Kenya), Blick Bassy (Cameroon), Sarkodie (Ghana), Sway Dasafo (UK), Stogie T (South Africa), Efya (Ghana), Vusi Mahlasela (South Africa), Samini (Ghana), Skales (Nigeria), Busiswa (South Africa), Abidoza (South Africa), Marioo (Tanzania), Thandiswa Mazwai (South Africa) and many more.

HONOURING AFRICAN MUSIC GIANTS

At the 2018 edition, the Music In Africa Foundation introduced the Music In Africa Honorary Award as a way to celebrate the outstanding contribution of notable musicians to their home country’s industries and Africa as a whole. Baaba Maal (Senegal) was the first recipient of the award. His 2017 award was presented to him retrospectively in 2018. Eric Wainaina (Kenya) was given the accolade for the year 2018. Veteran Ghanaian musicians Ebo Taylor and Bibie Brew were each presented the award in 2019. South African legendary musicians Thandiswa Mazwai and Vusi Mahlasela received the 2021 Music In Africa Honorary Award, followed by Saida Karoli and DDC Mlimani Park Orchestra (Tanzania) in 2022. In 2023, the Award acknowledged the outstanding contribution from both the Ministry of Arts, Culture and Sports and BASATA offices in supporting the music sector in Tanzania, and in hosting ACCES 2022 and 2023. In 2024, the Award was received by iconic Cécile Kayirebwa and Muyango, as well as the Ministry of Youth and Arts of Rwanda for their exceptional commitment to the music sector in Rwanda.

LANGUAGE

The ACCES programme is implemented in English, and may offer interpretation services in other languages, depending on the host country.

OVERVIEW

> 2000+ ON-SITE AUDIENCE
> 50+ COUNTRIES
> 100+ PERFORMERS
> 70+ SPEAKERS, FACILITATORS & NETWORKERS
> 150+ TRAINEES
> 2m+ ONLINE AUDIENCE

DATES

ACCES is typically held in November every year.

VENUES

ACCES moves to a different African city every year.

TESTIMONIALS

“This event is an important milestone to discuss and implement effective revenue models, strengthen our copyright societies, and ensure compliance from those that profit from our work. We need governments, organisations and individuals across the continent to join us in this mission.”
Yvonne Chaka Chaka – Artist, activist & philanthropist (South Africa)

“ACCES is shaping up to be the most globally accessible Pan- African music industry conference to gain insight into the opportunities and dynamic music that various African artists have to offer the world.”
Wendy Verwey Bekker – Ditto Music (South Africa)

“The conference reinforced my belief in the power of music to bridge cultures and create eco- nomic opportunities. I left feeling inspired and equipped with fresh ideas to implement at River Oaks Records. ACCES is undoubtedly a must-attend for anyone passionate about shaping the future of music in Africa and beyond. “
David Ashbel, River Oaks Records (Ghana, US, UK)

“First time attending a concert with fire lineup all throughout! A chance to meet some of our favorite artists in person will forever be my highlight! A dream come true.”
Ornella Kayitaba – Sofar Sound (Rwanda)

“The only music industry event that has a specific focus on the entire African continent and not just a region” – Business Daily Kenya

“The most important pan-African event in terms of cross-border cooperation and the exchange of experience and knowledge.” – Frankfurter Allgemeine Zeitung

THEY PARTICIPATED AT ACCES 

Ariel Wayz I A’Salfo I Aurus I Baaba Maal I Banky W I Blick Bassy I Blinky Bill I Cheikh Lô I Didier Awadi I Ebo Taylor I Efya I Eric Wainaina I FOKN Bois I Fid Q I Heavy-K I Marioo I Mr Eazi I Msaki I Mulatu Astatke I Muzi I Nasty C I Obrafour I Octopizzo I Pit Baccardi I Samini I Sampa the Great I Sarkodie I Sho Madjozi I Sway Dasafo I Thandiswa Mazwai I Vusi Mahlasela I Yugen Blakrok I Yvonne Chaka Chaka I Vth Season I Africori I Afrikayna I AFRIMA Awards I Airforce1 Records I Akum agency I Atrack I Bassline Fest I Believe I Black Major I Boomplay I Bridges for Music I British Council I CAPASSO I Chocolate City Group I CISAC I Coke Studio I Colorfol I Content Connect Africa I Dakar Music Expo I Dapper Group I Deedo I Ditto Music I East African Records I Empire I Gallo Music Group I gamma. I Georg-Leitner- Productions I Harmattan Rain I Idol I Institut Français I IOMMA I Kina Music I Lighthouse I Linkfire I Makerverse I Mdundo I Media Sound Hamburg I MLC I Momix I Music Imbizo I Nyege Nyege I On the Corner Records I Pan African Music I Paradise Entertainment & Distribution I Pepsi I Reeperbahn festival I Roxanne I SACEM I Sakifo I SAMPRA I SAMRO Foundation I Sauti za Busara I Sheer Publishing I Simfy Africa I Singeli Festi I Sisso Records I Slikouronlife I Sony Music Entertainment I Sony CSL I Sony Music Publishing I Spotify I Stay Low I Str8Up Vibes I Syllart Records I SxSW I The Orchard I TikTok I Trace I Tunecore I UNESCO I Universal Music I Virgin Music Group I Voice of America I Warner Music Africa I Wasafi Media I Womex I Young Music Boss I Yuma Prod and many more!

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ACCES 2024 AFTERMOVIE
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