NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Home / Artists & Industry / Christopher Duigan
flag-img

Pietermaritzburg, South Africa

In operation since:

1991

Contact person:

Christopher Duigan

BIO

South African concert pianist CHRISTOPHER DUIGAN has been recognised as a 'South African piano icon' (Classic Feel June 2009). He has performed extensively with all leading South African orchestras in a repertoire of more than 25 works for piano and orchestra. In recital he has developed a popular following through his innovative presentation and programming of a broad and eclectic taste in music.

Recent major projects include a six concer tour with GIO Orchestra in Spain in April 2016 and March 2017. This featured Duigan's own compositions, stemming from a highly productive collaboration with Spanish virtuoso saxophonist David Salleras, INDIGO (2015) and MIDNIGHT BLUE (2016). In December 2018 Salleras and Duigan were soloists in Yoshimatsu's 'Cyberbird' for solo saxophone, piano and percussion with the Orquestra des Valles at the Palau de la Musica in Barcelona, one of the world’s most prestigious concert venues. They repeated this performance at the Endler Hall for the Woordfees in Stellenbosch in February 2019 with a national broadcast on KykNet TV.

In recent months Christopher has established a massive online presence with twice-weekly livestream sessions during the COVID-19 lockdown. Since March 2020 he has reached unprecedented audience locally and internationally with recitals and informative performance sessions detailing his interest in the vast piano repertoire and his enthusiasm for the instrument. These can be followed at his website www.musicrevival.co.za

Christopher Duigan developed a large following in South Africa through the broadcast of his recordings which are frequently aired on ClassicFM (Johannesburg) and Fine Music Radio (Cape Town). In 2010 he became one of only six pianists in South African history to be invited to be a 'Steinway Artist', joining an exclusive company of renowned international musicians.

Based in the KwaZulu-Natal Midlands he is committed to promoting concert performance, both his own and those of others. As producer and director of the widely acclaimed MUSIC REVIVAL (established in 1997) he presents and collaborates on more than 100 concerts annually. Major projects now include a monthly KZN-tour of concerts plus the annual Classic Music Festival in Franschhoek, performances at various venues in Cape Town and Johannesburg and occasional regional concerts in association with the KZN Philharmonic Orchestra .

As soloist Christopher has appeared in performances with orchestra including Rachmaninoff Concerto No. 2 (Cape Philharmonic Orchestra- Cape Town City Hall), Liszt Piano Concerto No. 1 and Totentanz (Johannesburg Philharmonic Orchestra - Linder Auditorium) and Gershwin's Rhapsody in Blue and (KZN Philharmonic Orchestra - Durban City Hall).

Major recent recital engagements include those at the Brooklyn Theatre in Pretoria, Casa Labia in Cape Town, Steinway Hall in London, in Mexico City and at the National Arts Festival (Grahamstown) and Hilton Arts Festival.

Christopher Duigan began piano studies with Anette Kerkovius in Pietermaritzburg at the age of seven. He continued his studies at the University of Natal with Italian concert pianist Isabella Stengel from age 14, graduating with a B.Mus (cum laude). He furthered his studies at the University of Cape Town with Lamar Crowson and Albie van Schalkwyk, graduating with an M Mus (Performance) in 1994, and later at the Royal Northern College of Music (RNCM) in Manchester with Brazilian virtuoso Arnaldo Cohen. At the RNCM he was awarded the Professional Performer's Diploma (PPRNCM) and won first prize in the prestigious RNCM Recital Prize for Pianists. In addition he received the UNISA Overseas Scholarship Competition (1994), Crossly/Kramer Scholarships for International Study from UCT, 1st prize and Gold Medal in the Adolph Hallis Piano Competition (1996), awards for the best South African pianist in the UNISA International Piano Competition (1996), Gold Medal in the Pan-African Concours de Musique, and the Cape Town Symphony's prestigious Joseph Lan Award for his performance of the Bartok Piano Concerto No 3 (1994). He has participated in master classes at Dartington Summer School with Stephen Kovacevich and at the Mozarteum, Salzburg.

Christopher Duigan is a Steinway Artist.

Photos

No photos available

Music

Coming soon

Videos

Coming soon

Social Networks and Websites

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media