NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES has stamped its authority as Africa’s leading music trade event. At the 2019 edition in Accra, the conference brought together more than 1 200 delegates from about 50 countries on the continent and beyond. The conference also hosted 76 showcasing artists from Africa and the diaspora, who got to perform for an influential audience at two top live venues in the Ghanaian capital. Apart from live showcases, the event features panel discussions, presentations, exhibitions, pitch sessions, Q&A sessions with prominent musicians and visits to key music industry hubs in the host city. Many of these activities will be planned for ACCES 2021, with the ACCES team already exploring a tailor-made programme that will cater for the specific needs of the local music industry amid the pandemic. ACCES is organised by the Music In Africa Foundation, a non-profit and pan-African organisation, in partnership with Siemens Stiftung and Goethe-Institut.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at claire@musicinafrica.net. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Mary Anibal

Mary Anibal

Academies, Solo artists
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Harare, Zimbabwe

In operation since:

1 Jan 2020

Contact person:

Mary Anibal

BIO

Mary Anibal is a Zimbabwean award-winning singer, songwriter, mbira player, activist, and music educator who has been inspiring audiences with her unique blend of folk and traditional music that reflects the rich cultural heritage of Africa, particularly Zimbabwe. With a growing reputation as a leading voice in Afro-fusion music, Mary captivates audiences with her powerful voice, masterful mbira playing, and infectious energy.

As a passionate advocate for women's rights, Mary uses her platform to promote social justice and empower women through her music and activism. Her commitment to creating positive change is reflected in her work, inspiring a new generation of young women to pursue their dreams and stand up for their rights.

Mary's professional journey began in 2016 when she started working as a session musician, playing the mbira for various artists. However, it was her performance at the Harare International Festival of the Arts (HIFA) in 2017 alongside Soa Roy from Madagascar and Forest Jam that marked a significant turning point in her career. This experience not only showcased her talent to a wider audience but also solidified her position as a rising star in the Zimbabwean music scene.

In 2023, Mary won the prestigious Zimbabwe Music Award for Best Traditional (Chinyakare/Chimurenga), a milestone that recognized her exceptional talent and dedication to her craft. Her international breakthrough came in August 2023 when she headlined the Habari Africa festival in Toronto, Canada, marking a pivotal moment in her career and introducing her music to a broader global audience.

Since then, Mary has gone on to perform at other prestigious festivals, including the Sauti Za Busara Festival in Zanzibar, Tanzania, and the Masa Festival in Abidjan, Côte d’Ivoire. In 2025, she headlined the Festival Abidjan Capital Du Jazz in Côte d’Ivoire, further cementing her reputation as a leading figure in Afro-fusion music.

In September 2024, Mary released her debut album "Maria Wenyu," a landmark moment in her Afro-fusion journey. The album is a testament to her dedication to her craft and her commitment to promoting African culture through music. Building on the momentum of her album, Mary released a new single titled "Bhonzo" in April 2025, showcasing her continued creativity and artistry.

Currently, Mary is on tour in Germany and Switzerland, bringing her unique sound to new audiences and sharing the richness of Zimbabwean music and culture with the world. With her passion, talent, and dedication, Mary Anibal continues to inspire and captivate audiences globally, solidifying her position as one of the most exciting and innovative artists to emerge from Zimbabwe in recent years.

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