NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Berita

Berita

Solo artists
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Johannesburg, South Africa

In operation since:

2012

Contact person:

Berita

BIO

Berita is a multi-award winning singer-songwriter, guitarist and music producer. Berita is the founder of her own recording and talent management company Assali Music.

Berita was introduced to South Africa in 2012 with a stunning debut ‘Thandolwethu’, now revered as a classic South African ballad. Berita has gone on to release three studio albums to critical and commercial acclaim, earning platinum sales and multiple coveted awards. 2020 began with Berita’s much anticipated release of her fourth studio album 'Songs in The Key of Love', album which debuted number 3 on itunes on the 28th of February 2020. The album's leading single Jikizinto peaked at number 1 on the Radio Monitor charts making Berita the first Solo female and independent to have a number 1 record in the new decade.

Noted music career highlights include winning a Metro FM music award for Best African Pop Album (2013), Wawela Songwriter of the year award (2014), Zimbabwe Achievers Award for Music Artist of the year (2016, 2019) Afro-soul Song of The Year Award at the SkyzMetro Awards in her hometown of Bulawayo (2019). Berita’s chart topping 2019 single release ‘Ndicel’ikiss’ the single was picked up for an international Netflix feature film, Holiday In The Wild, starring Rob Lowe and Kristin Davis. Berita maintains an active live performance schedule in South Africa and around the continent gracing festival stages in East and Southern Africa including the Bayimba International Festival (Uganda), Lake of Stars Festival (Malawi), Jakaranda Music Festival (Zimbabwe) and Cape Town International Jazz festival (South Africa).

Known to make classic music that resonates with people of all walks of life ,Berita has touched the hearts of African legends collaborating with the likes of Mama Africa, Yvonne Chaka Chaka, the late world renowned Zimbabwean giant Oliver Mtukudzi, Grammy award winning Hugh Masekela and house DJ icon Oskido. Equally comfortable amongst her peers Berita has released chart topping collaborations with dance DJs Black Motion, Mobi Dixon, Da Capo and renowned hip hop producer PH RAW X.

In 2018 Berita found her independence, establishing her own recording and talent management company Assali Music and touring East and Southern Africa. She has since purchased the masters to her first two albums back, played major festival stages in South Africa and released her fourth studio album. The industry is definitely taking more serious note of her work ethic and the formidable business woman she’s developed into. Berita was honoured along-side the legendary PJ Powers at the 16th annual Moshito Music Conference and exhibition in 2019, which is also known as one of the continent’ biggest music business gatherings.

Berita is passionate about social issues relating to female empowerment and believes in the economic empowerment of the girl child she has collaborated with Yvonne Chaka Chaka the Princess of Africa on a song relating to this. The vision for her record label Assali Music is to develop upcoming female talent. She has worked with notable institutions setting up a Benefit concert with The Almal Foundation, fundraising with The Southern Africa Trust as well as sitting on the panel alongside Mama Graca Machel at the WITS Business School on advocacy around philanthropic responses to social issues.

Berita has become a veritable fashion figure, with her ladylike sense of style. The musician is known for her signature african print headwraps usually paired with African designers outfits. Her sense of style is an extension of her music - bold, authentic and Proudly African.

Berita’s style represents in many ways the fulfillment of the dreams millions of mothers and grandmothers have for their daughters, modest. It's easy to see how designers by the likes of Athenkosi ZA, Khosi Nkosi, Rich Factory, Levi’s Haus Africa , Mmuso Maxwell, Imprint and Kisua have built tangible working relationships with the musician.

Beyond the music, Berita’s life story is that of a pan African millennial and one worth elaborating on. She was Born and raised in Zimbabwe. Her real name is Gugulethu Khumalo. Berita is her mother’s name, a name she cherishes and decided to use as her stage name in honour and celebration of her mother Berita Khumalo the woman who birthed and natured her.

Growing up in Zimbabwe Berita was introduced to music through the circular sounds of Oliver Mtukudzi, Majaivana, Andy Brown, Chiwoniso Maraire and the previously popular genre of Urban grooves. Sounds from South Africa frequently featured in Zimbabwean playlists this is how Berita discovered Brenda Fassie, Yvonne Chaka Chaka, Soul Brothers, Lucky Dube, Mafikizolo and Bongo Muffin.
Due to the economic and political inconsistencies in Zimbabwe in the mid 2000s, Berita had to immigrate with her family to New Zealand where her parents sought greener pastures and found work as dairy farmers. The inherent challenges of living in the diaspora as a first generation immigrant and the pop sounds on radio at the time inspired Berita to pick up guitar and begin writing songs.

In 2012 Berita moved to South Africa to pursue tertiary studies at Walter Sisulu University in the Eastern Cape Province. This is when she began performing and recording music, these songs would be the foundation of Berita’s first album. It’s been a blissful 7 years thus far, Berita continues to blaze ahead in her own lane with an authentic blend of sweet Afro-soul music.

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