NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

Chaque année, nous fournissons des informations générales afin de guider les participants dans la préparation de leur voyage. En plus de ce site, des mises à jour importantes seront envoyées par e-mail à tous les délégués inscrits. Assurez-vous de vous inscrire dès que possible. Pour plus d'informations, veuillez contacter [email protected] Continuez à consulter cette page pour plus d'information.  

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

Pour les praticiens et les organisations culturels et créatifs opérant en Afrique australe, l’accès au financement reste un défi majeur. La pandémie de COVID-19 a également eu un impact massif sur les politiques gouvernementales, les dépenses et l’économie en général, et a vu les dépenses consacrées à la culture reléguées plus bas dans la liste des priorités. De plus, les industries culturelles et créatives citent régulièrement quatre domaines principaux où l’investissement est nécessaire pour la croissance : une visibilité accrue, la mobilité incluant l’accès à de nouveaux marchés, le financement et les structures de soutien.

Music In Africa Live
Music In Africa Live

MUSIC IN AFRICA LIVE Lancé en 2020 pour une durée de 3 ans, Music In Africa Live est une initiative visant à soutenir l'écosystème de la musique africaine face aux contraintes imposées par la pandémie de COVID-19 ; le projet a été lancé par la Fondation Music In Africa (MIAF) en partenariat avec le ministère fédéral allemand des Affaires étrangères, Siemens Stiftung et le Goethe Institut. Plus de 30 aides sont disponibles dans le cadre de la troisième édition de Music In Africa Live, dans 3 catégories :  showcases, renforcement des compétences et plaidoyer, en conformité avec les modalités énoncées.

Instrument Building And Repair Project
Instrument Building And Repair Project

The overarching objective of Music In Africa Foundation’s Instrument Building and Repair (IBR) project is to encourage the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous African instruments. Background In 2014, the Music In Africa Foundation (MIAF) identified as one of its focus areas for development the need to encourage young people from music and music-related sectors to consider instrument-making as a career. This need extended itself from the recognition that the making of traditional African instruments is not a widely practiced skill and seems to be limited to the older generation. Traditional African instrument makers are also few and far between, making communication and logistics between teachers and learners an obstacle. When instrument building workshops take place, budgetary constraints do not allow teachers or learners the time to explore the finer details of an instrument. Based on these observations, the MIAF designed and piloted the first IBR workshop at the Dhow Countries Music Academy (DCMA) in Zanzibar in February 2015. In 2016, the foundation received funding from the South African National Lotteries Commission to implement a much bigger version of the project in Johannesburg. The project drew participants from five African countries. 25 students from South Africa, Ghana, Senegal, Kenya and Ethiopia were trained on how to build and repair musical instruments. The instruments that they made were: Traditional Instruments: Umakhweyana and Marimba Conventional Instrument: Dulcimer guitar The workshop culminated in a traditional instruments concert at the Wits Theatre in Johannesburg. It is the MIAF’s aim to roll out similar workshops in as many African countries as possible over the next few years. Objectives Developing awareness of musical instrument makers in Africa with a view to promote their work to a wider global audience. Facilitating the sharing and transfer of skills in indigenous instruments between countries on the continent. Encouraging the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous instruments. Helping instrument makers develop their careers. Fostering the rapid monetisation and sustainable development of instrument-making and repair in Africa. Promoting constant exchange of ideas, expertise, experiences and know-how among instrument makers in Africa. Facilitating the identification of existing gaps in the field with a view to contribute new solutions. Facilitating the transfer of knowledge and skills of indigenous instruments between younger and older generations. 2020 edition The MIAF has also announced that multi-instrumentalist and instrument maker Joe Makhanza will facilitate one of the workshops on the building of the kamale ngoni instrument. Kamale ngoni is a kora-like, stringed instrument that originated in West Africa. The instrument contributed to the rise of Wassoulou music in the 1970s and 1990s. Makhanza was born in Giyani in South Africa's Limpopo province. He completed a bachelor of music degree and a post-graduate diploma in arts marketing from Wits University. He is currently completing his masters in ethnomusicology and is a part-time lecturer in African music studies at Rhodes University. He plays the kora, mbira, valiha, masenqo, xiwewe, ngoni ba and xizambi, among others. He also manufactures the aforementioned instruments. The MIAF will confirm more trainers who will join the workshops as well as the other instruments that will be featured in the 2020 IBR programme.  Apply to participate here. Connect with us on Twitter, Instagram and Facebook, and subscribe to our monthly newsletter. The Music In Africa Instrument Building and Repair project is funded by the National Lotteries Commission. It is implemented in partnership with Siemens Stiftung, Goethe-Institut, Wits Theatre and Kaya FM.

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Young stars dominate as nominees revealed for SA Music Awards

Accueil/Non classé/Young stars dominate as nominees revealed for SA Music Awards

With a wide variety of genres sharing the spotlight, five acts lead the pack with an impressive four nominations each: Afro-soul newcomer Nathi, house supremo Black Coffee, rising rappers Riky Rick and Emtee and sultry songbird Zonke Dikana 

Young blood features strongly in this year’s nominations, with three of the five Album of the Year nominees being breakthrough artists – Emtee, Nathi and DRC-born pop-folk sensation Tresor – who willl be competing against seasoned campaigners Francois van Coke and Black Coffee. The same three young guns will also vie against Riky Rick and Fifi Cooper in the Best Newcomer category.

Artists and bands that have been singled out for creative excellence this year by bagging three nominations each include jazzman Marcus Wyatt and the ZAR Jazz Orchestra, house trio Mi Casa, DJ Mobi Dixon, Afro-soul songstress Zahara, Tresor and Afrikaans rockers Van Coke and Karen Zoid.

The race for Best Male Artist is guaranteed to be a closely fought one, with globe-trotting superstar Black Coffee and influential rock rebel Van Coke hoping that experience will see them triumph over newbies Nathi, Riky Rick and Emtee. In the Best Female Artist category, the three Zs – Zoid, Zonke and Zahara – will battle it out for top honours with Fifi Cooper and Judith Sephuma.

Adding a pan-African spin to this year’s awards, West African stars Burna Boy, Patoranking and Stonebwoy feature on tracks nominated in the Best Collaboration category.

In the Best Music Video of the Year category, ‘Ayadelela’ by iFani and ‘Fuseg’ by Riky Rick ft. Cassper Nyovest and Anatii are up against videos from Al Bairre and PH Fat (‘Caviar Dreams’), Jack Parow and Freshlyground (‘Army of One’), and Monark’s ‘Negatives Deluxe’

[video:https://www.youtube.com/watch?v=RWtaCfk0v9c autoplay:0]

 

The contenders for this year’s awards were announced amid great excitement and anticipation in Soweto, Johannesburg on Thursday 21 April.

The Passenger Rail Agency of South Africa (PRASA), official transport sponsor of the SAMAs, ferried the VIP guests and media on the Metrorail Business Express to the Soweto Theatre, a landmark venue in Jabulani in the heart of Soweto, for the nominations “reveal”. Guests were escorted into the venue and then entertained by young performers from the Morris Isaacson High School, the school that 40 years ago played a major role in the Soweto Uprising of 1976.

SAMA Chairperson Refiloe Ramogase welcomed everyone with a poignant speech about the stance that the annual awards have taken this year with the statement that “The Future is Here”. “Soweto not only serves as a reminder of the selfless bravery of our youth 40 years ago, but also reminds us that actions motivated by yesterday, taken today, set the course for the tomorrow. If one is bold enough, one can change not only the course of history, but the course of the future, » said Ramogase.

“This is the dawn of a bold new horizon within the Industry: the mass adoption of technology, the rise of the independent label, the endless stream of new distribution channels, seemingly limitless opportunities for cross-genre collaboration, virtual reality concerts on your phone, digital maskandi, urban Gospel – all indicators of the transformation of our musical landscape,” added Ramogase.

Hosted by the Recording Industry of South Africa (RISA), the 22nd annual South African Music Awards will take place on Saturday 4 June for the first time in Durban, at the coastal city’s International Convention Centre (ICC),

Durban’s mayor James Nxumalo said: « For us as the City of Durban, we are very excited to host the SAMAs. The City of Durban has worked hard to build its brand, and our partnership with the SAMAs will further strengthen the position of Durban as the number one tourism destination in the country and one of the best in the world. As the City of Durban we are ready to welcome the music and entertainment industry to Durban, the warmest place to be!”  

[video:https://www.youtube.com/watch?v=EXosVJNmZhA autoplay:0]


 The full list of nominees for the 22nd SAMAs are as follows:

Album of the Year

  • Francois van Coke  – Francois van Coke    
  • Emtee – Avery 
  • Nathi – Buyelekhaya  
  • Tresor – VII
  • Black Coffee – Pieces of Me

Duo or Group of the Year

  • Desmond & the Tutus – Enjoy Yourself
  • Witness the Funk – Finding Nomusa        
  • Marcus Wyatt & the ZAR Jazz Orchestra – One Night in the Sun
  • Junior Taurus & Lady Zamar – Cotton Candy
  • Big Nuz – For the Fans   

Female Artist of the Year

  • Judith Sephuma – One Word      
  • Zahara – Country Girl    
  • Fifi Cooper – 20Fifi  
  • Karen Zoid – Drown Out the Noise 
  • Zonke – Work of Heart

Male Artist of the Year  

  • Nathi – Buyelekhaya  
  • Black Coffee – Pieces of Me  
  • Riky Rick – Family Values
  • Emtee –  Avery 
  • Francois van Coke – Francois van Coke

Newcomer of the Year

  • Riky Rick  – Family Values
  • Emtee – Avery 
  • Tresor – VII       
  • Fifi Cooper  – 20Fifi  
  • Nathi – Buyelekhaya  

Best Rock Album           

  • Desmond & the Tutus – Enjoy Yourself
  • Francois van Coke – Francois van Coke
  • Shortstraw – Youthless
  • Karen Zoid – Drown Out the Noise
  • Saarkie – Reisiger                 

Best Pop Album 

  • Tresor – VII
  • Lakota Silva – Pop: The Mix Tape
  • Loki Rothman – The Way Back
  • Can Skylark – Overdrive
  • Vincent Bones – Shaded Soul

Beste Pop Album (Afrikaans)   

  • Karlien van Jaarsveld – My Hartjie
  • Brendan Peyper – Stop, Wag, Bly Nog ’n Bietjie
  • Vaughan Gardiner – Sit Vanaand op Herhaal
  • Pierre Rossouw – In my Bloed
  • Suzanne – Vuurbestand                               

Best Adult Contemporary Album        

  • Judith Sephuma – One Word
  • Watershed – Watch the Rain
  • Karen Zoid & Various – Republiek van Zoid Afrika Vol. 2
  • Kahn – Salt
  • Josie Field & Laurie Levine – Tigerlily                

Beste Kontemporêre Musiek Album   

  • Elvis Blue –  Êrens in die Middel van Nêrens
  • Andriëtte – Pêrel vir ’n Kroon                   
  • Neil Somers – Hierdie Hande
  • Bok van Blerk – Sing Afrikaner Sing
  • Stiaan Reynierse – Sonde

Best African Adult Album         

  • Dizu Plaatjies & Friends – Ubuntu: The Common String
  • Kabomo – Sekusile
  • Thiwe –  Soul Therapy
  • L’wei Netshivhale – Mudzimu washu
  • Jessica Mbangeni –  Busisiwe: Tribute to the African Heroines       

Best Alternative Album 

  • Petite Noir – La Vie Est Belle/Life is Beautiful
  • Sannie Fox – Serpente Masjien
  • The Plastics  –  In Threes
  • Moonchild Sanelly – Rabulapha!
  • Die Heuwels Fantasties – Ja. Nee. Lekker (Deluxe)                   

Best R&B/Soul/Reggae Album

  • Nathi – Buyelekhaya
  • Zonke – Work of Heart
  • Olwethu – Imbewu
  • Zahara – Country Girl
  • The Muffinz – Do What You Love                   

Best Rap Album 

  • Emtee – Avery
  • Kid X – 3 Quarter Pace
  • Da L.E.S – North God
  • Riky Rick – Family Values
  • Zakwe – Impande               

Best Kwaito Album        

  • Big Nuz – For the Fans
  • Dbn Nyts – Believe
  • Kabelo Mabalane – Immortal Vol. 3
  • DJ Bongz – Game Changer
  • Mzansi – North Coast Vibe                                

Best Dance Album         

  • Black Coffee – Pieces of Me
  • Mi Casa – Home Sweet Home
  • Mobi Dixon – Tribal Soul Special Edition
  • DJ Merlon – Original Copy
  • Junior Taurus & Lady Zamar – Cotton Candy                                 

Best Traditional Faith Music Album    

  • TYGC Family – The Journey Begins
  • Worship House –  Project 12 Praise Live
  • Worship House – True Worship 2015
  • Dumi Mkokstad – Ukhona Uthixo
  • Various Artists – Women in Praise                           

Best Contemporary Faith Music Album         

  • Ntokozo Mbambo – Spirit and Life
  • Mark Counihan – To the Brave Ones
  • Mahalia Buchanan – Redeemed to Worship
  • 24 Skies – Endless Anthem                    
  • Benjamin Dube – Sanctified in His Presence                                                 

Best Maskandi Album

  • Imithente – Ichakijana
  • Thokozani Langa – Khuzeka Mshana
  • Shwi no Mtekhala – Bazali Bami
  • Buselaphi – Gabi Gabi
  • Phuzekhemisi – Woze Durban                 

Best Jazz Album

  • Marcus Wyatt & the ZAR Jazz Orchestra – One Night in the Sun                                         
  • Nduduzo Makhathini – Listening to the Ground
  • Benjamin Jephta Quintet – Homecoming             
  • Amandla Freedom Ensemble – Bhekisiwe
  • Bokani Dyer – World Music                              

Best Classical and/or Instrumental Album

  • Wouter Kellerman – Love Language
  • Guy Buttery – Guy Buttery
  • Deep South – Heartland
  • Cape Consort – Christoph & Sebastian           
  • KwaZulu-Natal Philharmonic Orchestra – Mintirho ya SJ Khosa           

Best Live Audiovisual Recording

  • Jimmy Dludlu – Live at Emperors Palace
  • Krone – Krone 2
  • Ntokozo Mbambo – Spirit and Life
  • Neyi & Omega – Friends in Praise
  • Benjamin Dube – Sanctified in His Presence              

Best Collaboration

  • Dbn Nyts ft. Zinhle Ngidi & Trademark – ‘Shumaya’
  • Shekinah x Kyle Deutsch – ‘Back to the Beach’
  • AKA ft. Redsan, Burna Boy & Stonebwoy – ‘All Eyes on Me’
  • Major League DJz ft. Cassper Nyovest, Okmalumkoolkat, Riky Rick & Carpo  – ‘Slyza Tsotsi’
  • Khuli Chana ft. Patoranking – No Lie                                      

Best Music Video of the Year

  • Jack Parow & Freshly Ground  – ‘Army of One’
  • Riky Rick ft. Cassper Nyovest & Anatii – ‘Fuseg’
  • Al Bairre & PH Fat – ‘Caviar Dreams’
  • iFani – ‘Ayadelela’
  • Monark – ‘Negatives Deluxe’                                   

Best Produced Album of the Year

  • Zahara – Country Girl
  • Mi Casa – Home Sweet Home
  • Sannie Fox – Serpente Masjien
  • Mark Counihan – To the Brave Ones
  • Zonke – Work of Heart                                 

Best Engineered Album of the Year

  • Black Coffee – Pieces of Me
  • Brendan Peyper – Stop, Wag, Bly Nog ’n Bietjie
  • Zonke – Work of Heart
  • Mi Casa – Home Sweet Home
  • Marcus Wyatt & the ZAR Jazz Orchestra – One Night in the Sun                 

Best Remix of the Year

  • DJ Sliqe – ‘Do Like I Do’ Remix
  • AKA – ‘Baddest Remix’
  • Mobi Dixon – ‘My Sugar’
  • Mobi Dixon  – ‘Never Let Me Go’ Remix
  • The Fraternity – ‘Bheka Mina Ngedwa’ Amplified

The shortlist of nominees for the Amstel Record of the Year will be announced on SABC1’s Live Amp this Friday 22 April, with the public being invited to vote for their favourite song of 2015.

Certain other categories don’t have nominees and their winners will be announced at the awards ceremony. These include the special International and Lifetime Achievement Awards, the Best-Selling Mobile Music Download categories (Best Selling Album, DVD, Mobile Music Download, True-Tone, Ring-Back Tone and Full-Track Download), as well as the SAMPRA Award for Highest Airplay of the Year.

For updates and more details, visit the SAMA website.

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