NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

10 influential African musicians of the 2010s

26 Dec 2019 - 16:34

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African popular music has shown a new vibrancy this decade, capturing diverse musical styles and transcending borders to become one of the hottest topics among fans and industry professionals alike. This is largely due to the emergence of trendsetting artists who made significant progress and lasting contributions on the continent in the past 10 years.

Cameroonian singer Charlotte Dipanda.

The 10 names below, chosen by our editorial teams in five African countries, are not necessarily the top selling artists on the continent, but instead possess the foresight and influential clout to turn the gaze of the rest of the world towards Africa.

Their skilfully developed craft has had a far-reaching impact not only in their home countries but around the world. Against the backdrop of rapid technological advancements that have altered the way the music industry functions, it is worth noting that these artists managed to find success during a challenging time. This is most notable in the proliferation of music streaming services that have disrupted traditional models, shifted the way music is consumed and made several revenue sources, such as physical album sales, redundant.

Considering the above, we have compiled a list of 10 artists who have helped shape the African music scene in the past decade.

Diamond Platnumz (Tanzania)

With a career spanning over a decade, Diamond Platnumz has transitioned from a humble bongo flava newcomer to a globally recognised Afropop heavyweight. His 2018 album A Boy From Tandale is proof of his evolution as a composer and performer. He has also managed to inspire a cultural movement and an ardent fan base of the artists signed under his Wasafi label. There is no doubt that Diamond Platnumz’s success has defied the odds in terms of style, sound, reach and influence.

Charlotte Dipanda (Cameroon)

In 2008, Charlotte Dipanda released her first studio album and since then the singer has imposed herself as a diva on the Francophone scene. Last year, she marked 10 years in the industry with the release of her fourth album Un jour dans ma vie. She has collaborated with big names including Manu Dibango, Lokua Kanza and Yemi Alade, with whom she recorded the global hit ‘Sista’.

Sjava (South Africa)

Sjava, born Jabulani Hadebe, came onto the music scene mid-decade with his debut album Isina Muva. His traditional approach to hip hop fuses isicathamiya, maskandi and trap, giving depth and meaning to his music in the African context. He has also made waves in the US, with a credit on the Black Panther soundtrack. Sjava has garnered multiple awards in South Africa, and his global impact and relevance in music was affirmed when he clinched the coveted Viewers' Choice: Best International Act accolade at the 2018 BET Awards.

Maître Gims (DRC)

From his beginnings in the Sexion d'Assaut hip hop crew to his solo career, Maître Gims has experienced a meteoric rise in the past decade. With three successful studio albums, international acclaim and many awards, Gims is a model of success for artists in Africa and the diaspora.

Wizkid (Nigeria)

The Nigerian star who never fades, Wizkid's single ‘Holla at Your Boy’ released in 2010 gave him instant stardom at the age of 19. In 2016, he achieved true international recognition through his collaboration with Drake on the hit ‘One Dance’. His collaboration resumé is impressive and includes Beyoncé, R2bees, Akon, Femi Kuti, Tiwa Savage and Skepta, among many others.

Bobi Wine (Uganda)

Ugandan politician, businessman, philanthropist and musician Bobi Wine is considered as one of the most censored artists on the continent. His music has been banned in Uganda and his concerts have been cancelled by the Yoweri Museveni-led government. For over a decade Bobi Wine has used his music, activist network and social media influence to speak out about corruption and crackdowns on opposition politicians in Uganda. His fame and appeal have given the presidential hopeful recognition beyond his home country and in 2019 he made it on Time magazine's list of the 100 most influential people in the world.

Sauti Sol (Kenya)

A decade deep into their career, Kenyan boy band Sauti Sol – led by Bien-Aime Baraza and anchored by Willis Austin Chimano, Polycarp Otieno and Savara Mudigi – has established itself as the most consistent pop group in the East African country. The band's music boasts powerful vocals infused with catchy guitar riffs and solid drum rhythms. Sauti Sol has seen success at the MTV Africa Music Awards, Soundcity MVP Awards Festival, and the African Muzik Magazine Awards, among many others.

Die Antwoord (South Africa)

The Cape Town-formed US-based group could possibly be South Africa’s biggest cultural export of the 2010s. Die Antwoord's lyrical content is performed in Xhosa, Afrikaans and English, and the rap-electro outfit’s craft draws musical and visual inspiration from ‘Zef culture’ – a movement described as modern and trashy. But beyond all its perceived gaudiness, taboo imagery and controversy, the group has worked with highly respected artists like cartoonist Anton Kannemeyer and photographer Roger Ballen to create a totally original take on South African culture. Die Antwoord released its debut album $O$ in 2009 (rereleased in 2010) alongside the music video for ‘Enter the Ninja’, which drew much attention around the world, especially in the US. The album was followed by an additional three albums under the band's 2011-formed Zef Recordz. The House of Zef, Die Antwoord's forthcoming album, is scheduled for release in 2020.

Oumou Sangaré (Mali)

Oumou Sangaré, also known as The Songbird of Wassoulou, is one of the greatest modern Malian female singers alongside fellow countrywoman Fatoumata Diawara, who must be mentioned here. Sangaré has introduced her music to the most prestigious stages in the world and is the winner of several awards including a Grammy. Despite coming from a tough local music industry, Sangaré has established herself as an exemplar of success and emissary of peace.

Tiwa Savage (Nigeria)

The African music scene would have been short-changed had the multi-talented Tiwa Savage not ditched a career in accounting. Her debut album Once Upon a Time released in 2012 catapulted her career to the top. Before that, the pop singer and songwriter had made immense behind-the-scenes contributions, lending her backing vocals to prominent artists such as Mary J Blige, George Michael, Kelly Clarkson and the late Whitney Houston, among many others. The prolific artist consistently made waves throughout the decade and amassed ground-breaking achievements such as being the first woman to win the MTV Europe Music Awards' Best African Act accolade in 2018 and signing a deal with Universal Music a year later.

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