NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

ACCES 2022: Working towards building a sustainable pan-African music market

14 Dec 2022 - 10:12

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The Music In Africa Foundation (MIAF) held another successful ACCES music conference on November 24, 25 and 26 – this time in Dar es Salaam, Tanzania.

A'Salfo (Ivory Coast) speaking at ACCES 2022. Photo: @jozeyphotography

The fifth edition of ACCES brought together hundreds of music industry professionals from Africa and beyond to get up close and personal with the local music industry, which welcomed the pan-African conference to the East African country for the first time.

The Dar es Salaam edition was hailed by many delegates as a well-curated and inclusive industry event for African music. Featuring a much-improved exhibition hub space and a dynamic showcase and conference programme, ACCES drew a strong list of influential players from different countries, including players from prominent companies like Spotify, Ditto Music, Universal Music, Sheer Publishing and Electromode, among many others. Over the three days, delegates – some of whom travelled by bus from as far as the DRC – came under one roof to network, share information and work together towards streamlining the music industry in the region. The conference also offered a wide range of curated activities for participants, including workshops, pitch sessions and awards.

“Dar es Salaam was the perfect host city for ACCES 2022 and we couldn’t be happier about the enthusiastic reception of the local industry and our newfound partners, who were instrumental in making this event a resounding success,” MIAF director Eddie Hatitye said. “Apart from educational and information-sharing sessions designed to upskill our attendees, we’re also hearing that a number of showcasing artists are already being booked to perform internationally. This has always been our main aim at ACCES – to provide opportunities for African music professionals, such as musicians and music creators, to take their careers to the next level.”

ACCES is a music industry event that goes to a different African city every year to foster partnerships and new business connections between industry professionals such as artists, talent managers, festival organisers, record label executives, digital distributors and media practitioners.

This was the second time ACCES took place in East Africa, after the conference went to Nairobi, Kenya, in 2018. ACCES was also held in Dakar, Senegal (2017), Accra, Ghana (2019) and Johannesburg, South Africa (2021).

Showcases and honorary awards

As is ACCES tradition by now, the 2022 event began with live music performances that were the culmination of a thorough curatorial process, which began in early 2022 via an open call targeting musicians based in African to apply to showcase in Dar es Salaam in front of international talent buyers and various other music industry players. Some 14 acts and more than 70 individual artists were selected by an ACCES curatorial committee comprising six professionals working across the African music industry.

The musical acts that gave memorable performances at the Brake Point Makumbusho live venue on opening night were TaraJazz Zanzibar (Tanzania), Kalam (Burkina Faso), Flying Bantu (Zimbabwe), Barnaba (Tanzania) and Ylb International (Tanzania), who were followed on Day 2 and Day 3 of the showcase programme by the equally captivating Tofa Jaxx (Tanzania), Oumar Konate (Mali), Vitali Maembe (Tanzania), BCUC (South Africa), DJ Joozey (Tanzania), Joyce Babatunde (Cameroon), SinaUbi Zawose (Tanzania), Wamwiduka Band (Tanzania) and Sholo Mwamba (Tanzania).

But the biggest highlight on opening night, for those who find it important to pay homage to legends that helped shape music in their country, was when Tanzanian musicians Saida Karoli and DDC Mlimani Park Orchestra were awarded the Music In Africa Honorary Award.

The award has become an essential part of ACCES and affords the MIAF an opportunity to shine a spotlight on musicians who are integral to the story of African music. In 2017, Baaba Maal was the first musician to receive the award for his immense contribution to Senegalese and African music. Since then, it has been awarded to Eric Wainaina (Kenya, 2018), Ebo Taylor (Ghana, 2019), Bibie Brew (Ghana, 2019), Vusi Mahlasela (South Africa, 2021) and Thandiswa Mazwai (South Africa, 2021).

The conference

The ACCES 2022 conference programme took place at Julius Nyerere International Convention Centre (JNICC) where about 50 speakers took part in presentations, panel discussions, Q&A sessions and workshops to discuss the latest developments in the African and global music industries. The conversations centred on the entire music ecosystem, including digital, copyright, live music, artist management, mobility, education, revenue streams, and more.

Notable speakers at the conference included musician and Magic System Foundation chairperson A'Salfo (Ivory Coast), Sony Music Publishing Nigeria managing director Godwin Tom (Nigeria), Spotify head of music in sub-Saharan Africa Phiona Okumu (South Africa), musician Octopizzo (Kenya), TuneCore head for West and East Africa Chioma Onuchukwu, Gallo Music Group general manager Rob Cowling (South Africa), producer Mr Sakitumi (South Africa) and Universal Music Africa head of label and publishing Pit Baccardi, among other big industry names.

JNICC was also the location for ACCES 2022’s exhibitions, where leading music companies and cultural institutions showcased their services and products to about 1 130 ardent delegates representing 45 countries, who attended the conference to network and connect with relevant professionals and organisations. Companies and organisations that exhibited at ACCES 2022 included the Copyright Society of Tanzania (COSOTA), Ditto Music, The Orchard, Sheer Publishing Africa, Art for Social and Economic Development in Africa (ASEDEVA), the Southern African Music Rights Organisation (SAMRO), Action Music Academy, TuneCore, Boomplay and many others.

“ACCES provides a focussed music space where music professionals from different areas of the industry can come together and find opportunities for their careers or for the careers of the creatives they represent,” MIAF projects officer Claire Metais said. “We saw many independents with a thirst for knowledge coming to ACCES to hear about the current state of the music industry and what it could look like in the near future. This was the more theoretical side of the conference, as it were, while our workshops on production and music in media gave participants practical knowledge about the music-making craft itself. All in all, ACCES 2022 was a far-reaching event that had something for anyone interested in improving their knowledge and skills. We also hope that these key conference talks can lead to policy changes to improve the lives of musicians in Tanzania and the whole of Africa.”

Empowering women

The MIAF’s Gender@Work programme, which is held in conjunction with ACCES, was another strong element at the Dar es Salaam edition. The programme is a pan-African initiative aimed at upskilling and increasing the participation of female professionals in the African music sector, and its current focus is to develop skills in stage management.

This year, 14 participants went through intensive workshop sessions in the week leading up to the conference, after which they worked directly with artists, artist managers, stage managers, stagehands, sound engineers, lighting engineers and other production service providers who brought the ACCES stage to life.

“The training covered a wide range of modules including festival planning, stage design, sound engineering, stage lighting, traditional instruments and technical rider analysis,” Gender@Work lead facilitator Carine Tredgold said. “The girls received a ‘tool box’ of templates and scheduling guides to use in their future careers. The modules also offered advice on how to address social issues and gender imbalances in order to develop professional recognition in our industry. It was a real privilege to watch these girls grow in confidence every day and bond into an incredibly efficient and supportive team that went on to manage all aspects of live music production for ACCES 2022. A big thank you the Music In Africa Foundation for this amazing opportunity. What an impact it has made on these young professionals; you will most certainly see them shining brightly in the future!”

The next edition of ACCES will take place in 2023. Visit the ACCES official website for venue updates.

View the ACCES 2022 gallery here.

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