NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Afropolitan Vibes holds first paid concert in Lagos

25 May 2016 - 21:36

cc-img flag-img

On 20 May, minutes after the Nigerian singer Aramide left to applause, Skales, a rapper, came onstage as horns from Jay-Z's ‘Roc Boys' blared from the concert speakers.

Mike Okri performing at Afropolitan Vibes. Photo: AV

The scene was Friday night at the May 2016 edition of the monthly Lagos concert Afropolitan Vibes, which celebrated its third anniversary in March. It was also the first paid edition of the show, after three years of a free show except for the 500 naira ($3) fee for entry to the Freedom Park, Lagos Island venue. This was an altogether important development that cut the crowd by a casually incalculable percentage. No longer the sweaty jumpy arena from prior editions, the Freedom Park grounds had room for any attendee wishing to perform a mini-elaborate dance.

Skales started off with the song ‘I'm for Real’, his mickey mouse patterned outfit a tad curious for a rapper - although in the years since his signing to Banky W’s EME record label and his exit from same, he has remade himself as someone “who can rap and who can sing” as declared on 2012's 'Baddest Boy'.

“When you hear me sing,” he called out, “I need you to follow me, even if you go chop mouth." Another song went by and finally, it was time for his major hit, ‘Shake Body’. "This song means a lot to me," he said, then began to sing,

Perhaps because it was sung live, it lacked the bounciness of the studio version. It proved adequate in persuading the crowd to dance, enough that as the Afropolitan Vibes tradition goes, a girl climbed the stage to ‘shake body’, as the song implored.

“Thank you very much,” Skales said as the song wound down. "God bless you guys." And he was gone, sharing a manly handshake and hug with Ade Bantu.

“Afropolitan Vibes make some noise,” said the tall, skinny Bantu bandleader, as he proceeded to lead a few songs. "For our next guest,” followed the music interlude, “we've been trying to get him for three years. We all grew up on his music."

The guest, Mike Okri, singer of several hit songs in the 80s, showed up in a white traditional outfit, a chain around his neck and chubbier than the slim man on the back of his cassettes all those years ago. His songs were a kind of human carbon dating: the people who could sing after him the words, “hear your papa, hear your mama, life go better for you" were of a certain age, from an era before the 90s.

"What's your name?” Okri asked a lady who got onstage, ready to dance.

"Shola," said the lady, a well-known Afropolitan Vibes faithful.

And then the song started. Titled ‘Omoge’, roughly translated to young pretty girl, the song was the tune to a certain generation’s youth. The lady, as she had done many times before, began to move, gyrating gracefully in time to the song, as Okri’s arm clung to her shoulder. Members of the Lagos literati present laughed knowing the joke in the scene playing before them: Shola was Lola Shoneyin, a poet, novelist and the convener of Ake Festival, a popular international book festival taking place yearly in Nigeria. A few years ago, a report on the Afropolitan Vibes concert dubbed her ‘the twerking novelist’.

Dancing over, Shoneyin slipped back into the crowd and Okri performed ‘Rhumba Dance’ and closed with ‘Time na Money.’

Having witnessed a good show, the audience moved to a live DJ playing contemporary pop tunes elsewhere on the Freedom Park grounds, chatty, with no audible complaints over the new 1500 naira ($8) gate fee. Ade Bantu’s partner, Abby Ogunsanya, could be seen holding a bag. Asked how the concert’s first paid show went, she responded, as she counted some notes, “It went well.”

It was dark, but a smile may have passed across her face.


The Afropolitan Vibes concert takes place on the 3rd Friday of every month. Venue: Freedom Park, Lagos. Gate fee: 1500 naira ($8)

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media