NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Almaz to debut at Kenya’s weekly music showcase, Thursday Nite Live

17 Nov 2016 - 12:43

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On the evening of Thursday 17 November, Kenyan singer Mary Hamboga Matufi, alias Almaz, will make her debut performance at the weekly event, Thursday Nite Live at Choices in Nairobi. Thursday Nite Live is an initiative of Roots International, and has for the last five years brought outstanding musical acts from East Africa and beyond to the Kenyan audience. The weekly showcase seeks to promote and provide a much-needed platform for indigenous Afro-inclined music.

Kenyan singer Almaz. Photo: www.newpittsburghcourieronline.com

Almaz is a sultry singer and has overcome varied music industry odds to pursue a solo career, which she embarked on in early 2010. She has been on the Kenyan music scene for more than a decade.

“I started off singing background vocals (BGVs) for numerous house bands along the Kenyan coast. After successive years singing behind the shadow of other artists, I finally opted to boldly step out into the spotlight as a recording artist,” Almaz told Music In Africa.

Some of the artistes she has shared the stage with in the past include Suzanna Owiyo, Nairobi-based Burundian artist Kidum, American rock guitarist Markus Kamau, Zimbabwean mbira player Queen Mashie, Makadem, and Iddi Achieng among others. She has also worked with various bands. Almaz describes her sound as Afro-fusion with elements of Afro-Jazz. While she draws influences from around the world, the core element of her music is a distinctive African touch. After years of singing live, Almaz is ready to make her music available to fans who can’t make it to her performances. She says she is finishing work on her debut album dubbed Muyogi.

Work on the 12-track Muyogi should be completed by the end of November. “I have re-worked some of my singles such as ‘Nakuota Wewe’, which she says was produced under the Grandpa Records label. ‘Nakuota Wewe’ (I dream of you) was released in 2014 and the artist says it was more inclined to Grandpa Records’ style.“All the credits of that beautiful song are mostly owed to Grandpa’s producer Jilly Baby however my debut album is more of me and my style of music, hence the need to rework it,” Almaz offers. Initially the album was set for release in 2015 but the artist is ensuring that the album will be ready this year.

Speaking about her show at Choices, Almaz says: “my performance at Choices will be my first-time. I’m excited and looking forward to a thrilling concert to entertain my fan base and lovers of Afro-music.”

With BGV’s adoption of different styles, depending on the artist they are working with, Almaz says it was an important platform for her to develop her skills as an artist. She, however, laments that it is difficult for BGV’s artistes to be treated seriously.

“As a BGV, it is often difficult to get recognized as a talented singer. Fans want to see you at the fore front to take you serious. This is what inspired me to pursue a solo career.”

Almaz sings in French and sprinklings of English, and has a preference for her indigenous Pokomo dialect and also Swahili. She says she is working on several projects right now, however she cannot reveal more at the moment other than it includes collaborations with well-known Kenyan musicians and several more from different countries.

A keen cultural promoter, Almaz hopes that the world can experience the culture and the voice behind her Pokomo communal roots through her music. “I'd like to share this heritage, inspire and heal the world through my music.”


The show begins at 8:00pm and is free to the public. For more information visit the event’s page

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