NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Asa and Timi Dakolo nominated for First COSON Award

30 Oct 2015 - 12:34

cc-img flag-img

The Copyright Society of Nigeria has announced nominees for its first award ceremony. Holding 6 November at the Eko Hotel & Suites, Lagos the event has singers Asa, Olamide, Timi Dakolo among others as nominees.

Asa. Photo: Mauro Melis

The duo P-Square, Omawumi, Orezi and Seyi Shay are also included on the nominee list.

Perhaps in a bid to standout in a country with a number of award shows, COSON has gone for the unusual in its naming of some categories. Rapper MI’s ‘Bullion Van’, Korede Bello’s ‘God Win’ and Simi’s ‘Jamb Question’ are in contention in the Most Uncommon Song category. Harrysong’s highlife hit ‘Reggae Blues’ and Kcee’s ‘Pullover’ complete the category. Best Song, a single award in many award-giving ceremonies, is split into Best Song in Melody and Best Love Song. There is also a Song of Songs category.

Newcomers Kiss Daniels and Lil Kesh compete with established artists like Wizkid, and Don Jazzy and his MAVINS crew on the Hottest Song on the Street category. Wizkid’s ‘Ojuelegba’ and Yemi Alade’s ‘Johnny’ are also in contention for the award.

Full list below.

CSAB1 BEST SONG IN MELODY

Woju Composed by Anidugbe Daniel and made popular by Kiss Daniel
Taste the Money (Testimony) Composed by Jude, Peter & Paul Okoye and made popular by P-Square
Aye Composed by David Adeleke and made popular by Davido
Megbele Composed by Omawummi Megbele and made popular by Omawummi
You Garrit Composed by Esegine Orezi Allen and made popular by Orezi

CSAB2 BEST SONG IN LYRICS

Do the Right Thing Composed by Cobhams Asuquo and made popular by Cobhams ft Bez
Wish me Well Composed by Timi Dakolo and made popular by Timi Dakolo
Eyo Composed by Bukola Elemide and made popular by Asa
Ordinary People Composed by Cobhams Asuquo and made popular by Cobhams
Pray for Me Composed by Darey Art Alade and made popular by Dare Art Alade ft. Soweto Gospel Choir

CSAB3 BEST LOVE SONG

Right Now Composed by Deborah Oluwaseyi Joshua and made popular by Sheyi Shay
My Darling Composed by Tiwatope Savage and made popular by Tiwa Savage
Iyawo Mi Composed by Timi Dakolo and made popular by Timi Dakolo
Aye Composed by David Adeleke and made popular by Davido
Awww Composed by Hadiza Blell and made popular by Di’ Ja

CSAB4 BEST GOSPEL SONG

Okaka Composed by Frank Ugochukwu Edwards and made popular by Frank Edwards ft. Victor Ike
Stayed on You Composed by Emmanuel Benjamin and made popular by Eben
Most High Composed by Joseph Omo Ebhodaghe and made popular by Joe Praize
Unstoppable Composed by Bukola Folayan and made popular by BOUQUI
Sound Code Composed by Frank Ugochukwu Edwards and made popular by Frank Edwards ft. Gil, Soltune & Victor Ike

CSAB5 BEST DANCE SONG

Sekem Composed by Innocent UdemeUdofot and made popular by Mc Galaxy
Shoki Composed by Ololade Keshinro and performed by lil Kesh
Bobo Composed by OlamideAdedeji and made popular by Olamide
Shekini Composed by Jude, Peter & Paul Okoye and made popular by P-Square
• Dance Composed by Augustine Miles Kelechi and made popular by Tekno Miles

CSAB6 BEST RAP SONG

Bullion Van Composed by Jude Abaga and made popular by M. I
Alobam Composed by AzubuikeChibuzo Nelson and made popular by Phyno
King Kong Composed by OlanrewajuOgunmefun and made popular by Vector the Viper
Turn Up Composed by OlamideAdedeji and made popular by Olamide
Shots on Shots Composed by PanshakZamani&Michael OwusuAddo and made popular by Ice Prince &Sardokie

CSAB7 MOST UNCOMMON SONG

Bullion van Composed by Jude Abaga and made popular by M. I
God Win Composed by Korede Bello and made popular by Korede Bello
Jamb Question Composed by Simisola Ogunleye & Folarin Falana and made popular by Simi & Falz
Pullover Composed by Harrison Tare Okiri and made popular by Kcee ft. Wizkid
Reggae Blues Composed by Harrison Tare Okiri and made popular by Harry Song ft. Olamide, Kcee, Iyanya & Orezi

CSAB8 HOTTEST SONG ON THE STREET

• Dorrobucci Composed by Michael Collins Enebeli (Don Jazzy), Tiwatope Savage, Sidney Esiri, AyoleyiHannielSolomon,Korede Bello, HadizaBlell and Charles Enebeli and made popular by the Mavins.
• Woju Composed by Anidugbe Daniel and made popular by Kiss Daniel
• Shoki Composed by Ololade Keshinro and made popular by lil Kesh
• Johnny Composed by Yemi Alade and made by popular by Yemi Alade
• God Win Composed by Korede Bello and made popular by Korede Bello
• Ojuelegba Composed by Ayodeji Balogun and made popular by Wizkid

CSAB9 BEST COLLABO SONG

• Dance Go Composed by Innocent Idibia and made popular by 2 Face and Wizkid
• Girlie Oh Composed by Patrick Nnaemeka Okorie and made popular by Patoranking and Tiwa Savage
• Wake Up Composed by Chinedu Okoli and made popular by Flavour and Wande Coal
• Collabo Composed by Jude, Peter & Paul Okoye and made popular by P-Square and Don Jazzy
• Gallardo Composed by Douglas Jack and David Adeleke and made popular by Runtown and. Davido
• Oh Baby Composed by Chidinma Ekile and made popular by Chidinma and Flavour
CSAB10 THE SONG OF SONGS
• Ojuelegba Composed by Ayodeji Balogun and made popular by Wizkid
• My Woman Composed by Patrick Nnaemeka Okorie and made popular by Patoranking and Wande Coal
• God Win Composed by Korede Bello and made popular by Korede Bello
• Surulere Composed by Sidney Onoriode Esiri and Michael Collins Enebeli and made popular by Dr. Sid and Don Jazzy
• Aye Composed by David Adeleke and made popular by Davido

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media