NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

#UK

BLiM report reveals systemic racism in UK

15 Oct 2021 - 10:51

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Black Lives in Music (BLiM) have released the findings of their survey called Being Black in the UK Music Industry Pt. 1, which aimed to gather data on the experiences of music creators and industry professionals.

BLiM CEO Charisse Beaumont.

The report, which is the largest survey of black musicians and music industry professionals in the UK, revealed that many participants had experienced direct or indirect acts of racism in the music industry including hostile working environments, income inequalities and barriers to progression based on their ethnicity.

The report also found that some black artists were either given less studio time compared to their white counterparts, or refused performance opportunities at events or being told to change their musical vision. Black female artists in particular have been told by labels to adopt white/euro-centric standards as they did not know how to promote black female artists.

Key findings were: About 86% of all black creators said that there are barriers to progression. This number rises to 89% for black women and 91% for respondents who are disabled. Over 35% of black music creators have felt the need to change their appearance because of their race or ethnicity, rising to 43% of black female musicians.

In terms of mental wellbeing, about 31% of all black music creators believe their mental wellbeing has worsened since starting their music career, growing to 42% for black women. While 36% of black music professionals believe their mental wellbeing has declined, rising to 39% of black women. Meanwhile, approximately 38% of black music professionals, earn 100% of their income from music compared to 69% of white music professionals. And 57% of black music creators have seen white contemporaries promoted ahead of them despite being more qualified

“The report highlights the racist culture and behaviours in the workplace, financial barriers and lack of investment in black music creators, and industry professionals unable to reach their career goals,” BLiM CEO Charisse Beaumont said. “The report also spotlights Black women being the most disadvantaged across all areas of the music industry and how all of these factors affect the mental health of Black creators and industry professionals.

“The data clearly shows that change is needed across the entire music ecosystem from grass root education, all the way up to record labels. I hope industry leaders read this report and hear the voice of those who spoke out. I hope this report evokes change in the way we do our music business which has greatly profited from Black talent.”

The BLiM Survey also made several recommendations to address the imbalances including transparency around the gender and ethnic pay gap, training programmes to increase diversity in middle and senior management in music companies and investment in grassroots music education.

The BLiM, in partnership with TuneCore, will host a weekly series of webinars called Being Black In The UK Music Industry from 13 October to 3 November. Each week, the report will be dissected by a black creator or industry professional in the UK.

Read the full report here, and interested participants can register for the webinar here.

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