NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Bob Marley Festival to revive Rwanda’s reggae scene

04 May 2016 - 15:31

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Rwanda's capital Kigali is set to enjoy the best reggae from the region when a festival in honour of Jamaican legend Bob Marley takes place from Wednesday 11 to Friday 13 May at the One Love Club garden.

Members of Rwanda's Strong Voice Band. Photo: www.newtimes.co.rw

The Bob Marley Festival will feature local groups Strong Voice and Kwanda Band, along with Burundi's Lion Story, RasClan Entertainment from Uganda and a German trio known as Dub Armada.

The event marks the anniversary of Marley's untimely death on 11 May 1981. "One Love is organizing an event for Bob Marley Day every year," said Leo Ludemann, part of the organising team. "This year it was mainly the initiative of Lion Story and Strong Voice to organize this day. However there were many artists who were interested in playing, so beyond just celebrating the Bob Marley Day we are using this opportunity to revive the One Love Festival and subsequently Kigali’s reggae scene. Therefore we have developed a small-scale festival that will run over the course of three days. If everything works well, we will try to keep organizing the event on a yearly basis with a possibility of hosting a bigger festival in 2017."

Though most popular music genres in Rwanda today emerged after the 1994 genocide, specifically hip-hop and R&B, as well as gospel and Afrobeat, reggae has not yet established a firm footing on the Rwandan music scene. The three-day event is in line therefore with the organisers' aim to promote reggae in Rwanda by showing people that the genre is alive and well, as well as giving space for cultural exchange in general.

"We want to unite the Rwandan reggae community and pay tribute to Bob Marley, who is still one of (if not the most) influential reggae artists of all time," emphasizes Leo, who also plays saxophone in Dub Armada. He adds that there are only a few bands playing regularly in Kigali, so the city lacks a vibrant live music scene - something he says is also noticeable in the rest of Rwanda, and which this event will help to rectify.

Performing acts

One of Burundi’s famous and popular reggae acts, the 11-man band Lion Story is well-known for their songs that deal with issues such as corruption, political killings and harassments of members of political parties and civil society members. Following the political unrest that descended on Burundi in mid-2015 after President Pierre Nkurunziza's decision to run for another term in office, members of the band were forced to seek refuge elsewhere for fear that they would be victims of the growing repression that followed the elections. Already long before the elections, in early 2015, Lion Story had received regular threats because of the sharpness and openness of their lyrics.

Strong Voice is a family band. Originally known as Kidz Voice, the reggae ensemble is made up of five siblings (three brothers and two sisters). After having struggled to find platforms to showcase their talent, the band was able to write 14 songs and record them at Dreamland Studios in Bujumbura, the capital of Burundi. Titled African Child, their album was released in July 2011. In mid-2013, the siblings took a decision to change the name of the band from Kidz Voice to Strong Voice. Since then the band has continued to write songs and perform in and out of Rwanda. In 2015 the band performed at the DOADOA East African Performing Arts Market in Uganda.

Kwanda was formed in 2006 and is made up of Cub Lion, Francis Nubuhoro, Fabrice Babano and Jovial Imanzi. They create music with a message of humanity and unity, in a world that is becoming increasingly disconnected and virtual. The band (whose name means 'to grow') use reggae to spread this message of peace and to encourage communal growth.

Dub Armada was founded recently when three young musicians from Germany met in Rwanda. Alex Riedel, Konrad Vogt and Leo Lüdemann are all at different stages of life but uniting them is their love for music. Driven by this passion and their ability to improvise, the trio had the idea of combining electronic music with live instrumentation. Dub Armada’s style varies from dub to techno; an uncommon yet refreshing concept that they plan to refine and develop.

Entrance to the Bob Marley Festival will cost 3000 FRW (US$3.85) on Wednesday (from 4pm) and Friday (from 6pm), while Thursday's events are free. On Wednesday couples get in for a discounted rate of 5000 FRW ($6.40), while on Friday the price includes food and drinks.

The proceeds from the festival will go towards the Mulindi-Japan One Love Project, an initiative that provides artificial limbs and IT training to people with disabilities in Rwanda.

For more information about the festival visit the Facebook event page.

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