NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Cypher to promote hip-hop at Swaziland’s first Fête de la Musique

20 Jun 2016 - 15:20

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In the Southern African kingdom of Swaziland, most aspiring musicians have limited performs to showcase their talents, particularly for upcoming acts. Swazi artists often also struggle to market themselves, partly due to the high costs of shooting videos, a vital avenue of marketing in today’s music industry.

Swazi rapper Calliber will headline the Mbab'City Open Mic session. Photo: supplied

This state of affairs has led a group of Swazi music enthusiasts to create an avenue where artist can regularly hone their skill among a network of like-minded individuals. Mbab’City Open Mic is a grassroots initiative created by SwaziRapCypher for budding hip-hop artists to showcase their skills.

The initiative aims to unearth, develop and mentor emerging artists in Swaziland by creating a space for regular networking, performing and creative exchange; to market and showcase hip-hop in Swaziland in an increasingly global and competitive world; to foster the spirit of creative collaborative effort amongst peers in the fields of film, music, art, design and marketing; to build a database of local talent; and to revitalize urban youth culture, particularly in the capital city of Mbabane.

The SwaziRapCypher venture is driven by two young minds, Mlandvo Mamba and Mfundvo Dlamini. It is a sister project of the Street Corner Cypher in Cape Town, South Africa, run by the hip-hop collective Cape Town’s Finest and founded by Mlandvo Mamba alongside Bronze Bibi Cyriaque, a filmmaker from DRC resident in Cape Town.

After three trial events in Cape Town in 2014 and 2015, the first edition of the Mbab’City Open Mic was held on Sunday 24 April this year at the Checkers Shisanyama in Mbabane. Local beatmakers, MCs, poets, singers, instrumentalists, record labels, promoters and music enthusiasts were all invited to the free event, which ran from 12pm to 6pm to accommodate even young artists who don’t normally get a chance to perform in nightclubs.

Part of the event takes the form of a cypher - an improvised rap performance done by two or more artists - as a way to share and sharpen rapping skills where each rapper takes a turn while the others look on and cheer. It is a great way to network and compare skills and also test out new verses without the use of a studio or the intimidation of a huge crowd. The performances are then filmed by the SwaziRapCyper team, to be uploaded to online platforms and distributed on social media as an effective marketing tool for the artists involved and for Swazi hip-hop in general.

A pilot episode, dubbed SwaziRapCypher ‘Episode 0’, was shot earlier this year at the Mbabane Coronation Park as a prelude to the official launch of the SwaziRapCypher series. It features local talent Souldier Within, Sulis, Qibho Intalektual, MP and Omar Ze Great rapping over a beat produced by Subjamz.

The next Mbab'City Open Mic event is set to take place on Saturday 25 June and will coincide with the uploading of 'SwaziRapCypher Episode 1' onto Youtube which is the first official edition in the video series.

The event takes place as part of the international Fête de la Musique, a global initiative in which nations all over the world (including South Africa, Cameroon and Burkina Faso) to mark World Music Day, taking place for the first time in Swaziland at the local Alliance Francaise on 25 June from 11am to 4pm.

According to organiser Mlandvo Mamba, “There will be a Fête de la Musique for the first time in Swaziland and SwaziRapCypher will be hosting Mbab’City Open Mic as a component of the day’s programme. Three artists that are part of our open mic database - poet Fish, vocalist PK and Christian rapper Calliber (aka The Berean Emcee) - will feature in the main segment of the festival as headlining performers and we will be hosting the normal open mic to open up the day’s activities.”

For updates or more details, keep an eye on the Alliance Française de Mbabane Facebook page or email Mlandvo Mamba at [email protected].

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