NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Discover: Audiomack Keep the Beat Going 2024 artists

13 Aug 2024 - 08:44

cc-img flag-img

This month, the music streaming platform and discovery app Audiomack launched its Keep the Beat Going 2024 campaign.

The programme, which aims to introduce talented African musicians on the brink of a global breakthrough to an international audience, features 12 artists from four countries – Nigeria, Ghana, South Africa and Tanzania. 

They are Qing Madi, Muyeez and Majeed from Nigeria, LasmidOliveTheBoy and Reggie from Ghana, Marioo, D Voice and Platform from Tanzania, and Nkosazana Daughter, Tyler ICU and Yumbs from South Africa. They  were selected by the Audiomack team for their hit-making abilities and undeniable star power.

The Keep the Beat Going campaign aims to introduce talented African artists to a global audience.

Through the campaign, these music-makers will connect with new fans worldwide through placements on Audiomack playlists, editorial and social support across all of the streaming platform’s formats and channels, and billboard advertising in Times Square and Harlem, New York City.

Launched in 2022,, the inaugural Keep the Beat Going campaign featured artists who have since made a name for themselves on the international music scene, including Burna Boy, Ayra Starr, Rema, Uncle Waffles, DBN Gogo.

As the new campaign kicks off, Music In Africa takes a closer look at the members of the Keep the Beat Going 2024 class.

Nigeria

Qing Madi

Born in Benin City, Nigeria, Qing Madi rose to public acclaim last year after her standout collaboration with BNXN on the single ‘Olé’. At only 18, the singer followed up ‘Olé’’s success with her self-titled debut EP, which spawned the runaway hit ‘American Love’, and ‘Vision’, the R&B offering currently racking up streaming numbers following a recently released remix featuring American artist Chlöe Bailey.

“My music is the freedom to express myself without limitation – the voice for the people,” Qing Madi says.

Muyeez

First discovered freestyling on Instagram, 16-year-old Muyeez exploded onto the scene in April as the youngest member of his new Vibez Inc collective with his debut single ‘Instagram’ featuring Seyi Vibez. His three EPs, all released this year, have topped the Nigerian charts, an impressive feat for the Lagos-born teenager. He has gone on to drop three EPs all of which have debuted at No 1 on Audiomack.

“I think my music is an experience; an uplifting and energising one. I like the melodies to flow through me and make the listener feel something,” Muyeez said. “I’m excited to be a part of this. Audiomack is doing a great job by spotlighting artists and being a bridge between Artists and their fans.”

Majeeed

Having established himself as a prolific songwriter working with artists such as Tiwa Savage, Seyi Shay and Zuchu, Lagos-born Majeeed came to the fore in his own right with his breakthrough single ‘Yawa No Dey End’ in early 2022. The success built anticipation for his sophomore EP, Cheers to Life, which went on to accumulate more than 25 million streams on Audiomack, earmarking Majeeed as a talent on the cusp of stardom in his native Nigeria. Majeed describes his music as an expression of my reality blending of soul, dancehall and Afropop. “I can call my sound Afro-reality.”

South Africa

Nkosazana Daughter

Born Nkosazana Nolwazi Kimberly Nzama on 6 October 2000, Nkosazana Daughter, is a South African singer and songwriter. Nkosazana gained recognition after she released her 14-track debut album, Uthingo Le Nkosazana, that featured top South African artists such as DJ Maphorisa, Makhadzi, Master KG, Kabza de Small, Tyler ICU, Major League DJz, Young Jonn, Chronical Deep, and others, in June 2023. The album debuted at No 1 in South Africa on Audiomack.

“First, I must say It’s a privilege to be recognised as a promising artist in South Africa, and I’m thrilled to be a part of the Keep the Beat Going campaign,” Nkosazana said. “I must say, to be able to share my message and perspective with a wider audience through this campaign is a dream come true. I hope that my involvement will inspire others to pursue their passions and use their creativity to make a positive impact in the world.”

Yumbs

Born Ayanda Oratile Yumba, Yumbs has gained recognition as one of the artists who have pushed amapiano locally and internationally. Yumbs first made a name for himself by co-producing Musa Keys’ ‘Vula Mlomo’. Since then he has gone on to produce and work alongside artists such as Kelvin Momo, Bien, Major League DJz, DJ Maphorisa, Blxckie and Joe Boy, among others. In May, Yumbs signed a record deal with Warner Music Africa.

“I am so excited to be part of the Keep the Beat Going campaign and would like to thank Audiomack for making this possible for me,” Yumbs said. “Audiomack is doing an amazing job of connecting audiences with African music. This is a huge step forward for African music worldwide.”

Tyler ICU

South African music producer and DJ Tyler ICU, real name Austin Baloyi, is currently dominating the amapiano scene with back-to-back hits. His single ‘Mnike’ is a smash hit, was certified platinum in South Africa and peaked at No 1 on the Audiomack charts. “I feel honoured to have been featured on such a global platform, enabling me to reach out to my fans on a broader scale,” Tyler ICU said.

Ghana

Lasmid

Lasmid rose to public acclaim in his native Ghana as Charger, the rapping winner of the MTN Hitmaker Season 8 in 2019. However, it’s through singing that the Takoradi-born artist would find his greatest success. In 2022, Lasmid showed the world his pop star potential with the infectious ‘Friday Night’. The success of the single spawned a stream of Ghanaian hit releases such as ‘Running’, ‘Bad Boy’ and ‘Puul’, in addition to his standout feature on JZyNo’s ‘Butta My Bread’. In March he signed with Nigerian powerhouse label Dapper Music & Entertainment.

“My music is spiritual, it is a divine food that calms the soul and I’m always inspired by how I was brought up and the things I have experienced throughout my life,” Lasmid says.

Reggie

A founding member of the genre-defining Asakaa Boys drill collective, Reggie’s sonic experimentations led to his breakout lead single ‘Oh Ma Linda’ in April 2023, which earned him a nod for best Hiplife song at the Ghanaian Music Awards 2024. Following up with ‘Sa Me’, another high-powered hit in collaboration with the Asakaa Boys, Reggie’s brand of Asakaa has positioned the Kumasi-born rapper at the forefront of West African hip hop in 2024.

“I get my inspiration from the street and my lifestyle,” Reggie said. “I mostly tell real-life stories in my music and the Keep the Beat Going campaign will help me reach a lot of fans worldwide.”

OliveTheboy

Joel Ofori Bonsu, known by the stage name OliveTheBoy is a Ghanaian Afrobeats singer and songwriter. He is currently signed to Sony Music’s Columbia Records through its subsidiary Bu Vision Entertainment. His debut EP Avana released in May 2023 features the single ‘Goodsin’ which became the most streamed Ghanaian song in first half of 2023 peaking at No 1 on the Audiomack charts in Ghana.

Tanzania

Platform

As one of Tanzania’s brightest up-and-coming talents, Platform, real name Suleman Salim Gao, first savoured success with ‘Fall’, his collaborative single with Marioo. He followed it up with the ‘Ananipenda’, which earned millions of streams on Audiomack. Platform’s budding career began in 2015 when he started writing, and recording with various artists and producers. In 2020, he released his first song ‘Chuki’.

Marioo

Omary Ally Mwanga, known professionally as Marioo, is a Tanzanian singer, songwriter, and music producer. He is known for his hits such as ‘Bia Tamu’, ‘Mama Amina’, ‘Dear Ex’, ‘Raha’, ‘Mi Amor’, and ‘Naogopa’, songs that have made him a household name in Tanzania. He released his debut album The Kid You Know in December 2022.

D Voice

D Voice, real name Abdul Hamis Mtambo, is a Tanzanian music artist born on 10 October 2004 in Temeke, Dar es Salaam. The artist known for his melodic singing style is signed to Diamond Platnumz’s WCB Wasafi records. D Voice’s first EP dubbed Swahili Kid peaked at No 1 on the Audiomack charts in Tanzania and Kenya making him one of the fastest-rising artists in East Africa. In January D Voice was named Audiomack’s African Artists to watch in 2024.

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media