NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Dj Kampire

Dj Kampire: I am a self-taught electronic DJ

13 Jul 2018 - 06:47

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One of Uganda’s finest electronic music Djs, Kampire has been praised and embraced by many as a new star on the horizon. Born Kampire Bahana the talent is known across the region for her energetic sets of African themed electronic music, which can be heard across her releases such as Amani to African Bass Cultures, Resident Advisor x Nyege Nyege 2017 and it’s a thing.

Dj Kampire says women’s position in electronic music is unequal to that of men.

Like most DJs in the region, Bahana is self-taught, using a controller and a laptop with Virtual DJ, she has relentlessly stirred Uganda's electronic music scene to become more ambitious and fiercely soar heights.

“I am mostly self-taught but I owe a lot to other DJs who were cool enough to share tips with me. Growing up my dad listened to a lot of Soukous, Rumba and Kwaito on TV and radio so I found myself surrounded by music,”.Bahana said.” I'm Ugandan but i lived in Zambia for 16 years. Experiencing both countries gave me a pan African appreciation for African music.”

Today, she is employing her cross cultural childhood experience in her sets, representing a truly new kind of musical experience which gives her electronic music an African taste. She believes the uniqueness of her sets paved way for her to begin performing solo in Uganda before crossing borders and eventually begin touring outside the continent.

“When I have a performance, my goal is to first make people dance regardless of their cultural background or age,” Bahana said. “My sets nod towards a shared musical history that my generation, the youth, experienced in the time before the internet made things much more accessible. Other than East African classical sounds I also feature artists such as Yvonne Chaka Chaka, Golden Sounds, Etat Major and Yeli fuzzo.”

The disk jockey has always been musical but only took up Djing three years ago and she is not shy to admit that being a part of Femme electronic, a platform for female DJs created by Uganda’s DJ Rachael to address the severe gender imbalance in the electronic music scene and Nyege Nyege, a recording studio, record label and annual festival which provides a platform for East Africa's ripening electronic music scene, and fostering a cultural dialogue with the rest of the world, really gave her career a kick.

While Bahana notes that the number of Djs producing electronic music in Kampala has mounted to meet the demands from the consumers, a majority of whom are the youth, she says there are fewer women who are being mentored in the Djing career.

“I firmly believe that women’s position in electronic music is unequal to that of men, and I wish to showcase women and East African artists whose work often falls outside of mainstream genres but still create an irresistible tempo on the dance floor,” she said.” But there are lots of other really cool underground producers and DJs in Kampala and beyond like Catu Diosis, Slikbak and Faizal Mostrixx who are making fantastic music.”

Earlier this year, DJ Rachael who is also East Africa’s first female disk Jockey, gave a talk at the TEDxEuston in the UK on the future of electronic music in East Africa. She revealed that as much as the electronic music scene in East Africa was slowly picking up, women were still underrepresented and she said this was attributed to sexist stereotypes perpetuated in the music scene.

Dj Rachael said she hopes the platforms available will encourage more women to take up interest in the genre. Such platforms include Boutiq Electroniq parties which usually happen monthly and run alongside the Nyege Nyege Festival and regular club events such as Kenya Nights' Sip and Dip, The social and Kalabash which play music from across Africa such as Kuduro, balani, coupe-decale and Soukous.

Bahana agrees with Rachael but notes that the few women who have taken up this genre have redefined themselves to become a force to reckon with.

When asked about how she sees the future of electronic music in Uganda, Dj Kampire responds with a teeming hope for what is to come: “You will only see a growth in the diversity of musical output coming out of Uganda and more appreciation for traditional genres that don't get mainstream attention in Uganda and globally. You will also see more women."

Bahana is currently on her European tour which begun on 15 June at the Sonar festival in Barcelona. She has since performed in Toulouse, Athens, Brussels, Den Bosch, Amsterdam, Lyon, Kelbum, London, Newcastle and Edinburg. She has two more shows in London and Marrakech on the 20 and 29 July respectively before returning to Uganda for the Nyege Nyege Festival in Jinja on 8 September.

To listen to Dj Kampire click here.

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