NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Dogu: My Africa projects are about conscious hip hop

14 Aug 2018 - 16:45

cc-img flag-img

In September 2017, German producers Dogu of Ancient Astronauts and Lee Bass of Afro-futuristic group Gate Preto were invited by the Nyinomugisha Niyabo Foundation to conduct production, self-management and music business workshops in northern Uganda.

The Rhythm is Life workshop in northern Uganda. Photo: Alexander Wurm

The two visited several towns where they interacted with upcoming rappers. Beguiled by the local talent, the two producers decided to record a few hip hop- and reggae-inspired tracks, which culminated in the 24 July release of Rhythm Is Life, a compilation aimed at promoting the unknown rappers from northern Uganda.

The success of Rhythm Is Life paved the way for Ancient Astronauts to embark on an East African tour dubbed Zik Zak alongside some of the artists that were featured on the compilation. The same artists will be part of the Zik Zak album alongside German-based percussionists from Togo, Guinea and Senegal. The album is scheduled for an early 2019 release.

Music In Africa spoke to Dogu about his latest projects and experiences in Uganda.

MUSIC IN AFRICA: What stood out from the participants during the workshops in northern Uganda?

DOGU: There were many really talented artists who came to the workshops but they had no knowledge about the music business. Most of them needed a manager to promote them but we showed them ways in which they could package themselves to appear professional.

What are some of the tips that you shared with the participants?

We encouraged them to develop an online presence by creating a website that incorporates all relevant information. We also showed them that recording and production do not always need expensive studios and microphones. For example, we recorded them in a bus and behind a youth centre.

Were the songs featured on your recent compilation, Rhythm Is Life, written during the workshop?

Most of the lyrics were written during the workshops and also recorded there while some lyrics were written after, but they were inspired by the workshop tour. The music, however, was composed and produced in Germany by my music partner Kabanjak.

What's special about the Zik Zak album?

The special thing about it is that we're not only collaborating with African artists but also work on a fair basis with them. There will also be nine or 10 different African countries represented on the album. The music is also conscious with positive messages.

Which East African artists will be featured?

We're featuring Uganda’s MC Yallah, Blessed San and Brazen Rule. We also have Kongoloko (Congo), Shoeshine Bwoy (Kenya), Olho Vivo (Mozambique), Postman L and Blaze 5th (South Africa/Mozambique), and Art Melody (Burkina Faso). The percussionists we recorded in Germany for the album are from Senegal, Guinea and Togo. We are working closely with East African Records Studio in Kampala.

Have you had a chance of listen to current East African hip hop? What is your opinion of it?

Most of the hip hop I heard on mainstream media is way too commercial. It's mostly like the commercial hip hop you see in Europe or the US. It's all about the bling, big ego, hot chicks and big cars. This has nothing to do with the real hip hop culture, which is supposed to pay respect to the art form and culture of the people.

How different are your releases from mainstream hip hop?

We rap on hip hop and reggae beats with conscious and positive messages. Our music itself is a mixture of analogue and electronic sounds with a boom dub element to it. We aim not at the charts but at a worldwide audience that is interested in timeless, quality music and rappers who really have something to say.

Have any participants engaged in any project after gaining knowledge in Uganda?

Some of the participants have contacted me and showed me links to their new SoundCloud page or website. Brazen Rule, who was a workshop participant, is now working on new music that will be released under my record label.

Zik Zak tour dates:

17.08 – Distant Relatives, Kilifi, Kenya
19.08 – Firefly, Bagamoyo, Tanzania
20.08 – Red Monkey Lodge, Zanzibar
21.08 – Gerry's Bar, Zanzibar
23.08 – Slow Leopard, Dar es Salaam, Tanzania
24.08 and 25.08 – Ongala Music Festival, Dar es Salaam, Tanzania

Listen and download Rhythm Is Life here.

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media