NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Emerging Sierra Leone: MB Salone

14 May 2021 - 18:11

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Already in his young career, US-based Sierra Leonean producer and audio engineer MB Salone has drawn critical praise for his unique production style, which falls under the Afrobeats/Afro-fusion rubric. 

MB Salone.

Take ‘Winna’, his new single featuring colleague Alex Marley, for instance. The self-produced track houses everything from Afrobeats to elements of hip hop, R&B and dancehall. The song was published independently on major digital stores on 14 May. It debuted at number seven on the US iTunes Chart in the Worldwide category.

Born Mohamed Bailor Barrie, MB Salone is also behind 2018’s Da Plug, a 16-track beat tape characterised by heavy cultural elements, groovy bass and a radio-friendly mid-tempo bounce. The project also honours a number of MB Salone’s biggest production influences such as Johnny Juliano, Pharrell Williams and Dr Dre.

A year earlier, ‘Shorty Right There’, which he co-produced for Baltimore-renowned rapper Lil Key, was featured on MTV Network’s My Super Sweet 16 programme. This year, the artist foresees even bigger feats.

Music in Africa spoke to MB Salone as part of our ongoing Emerging series, which spotlights exciting new talent from Africa. The musician discussed his sound, experiences as a diaspora artist, forthcoming projects and vision for Sierra Leone’s music industry.

Music in Africa: How would you describe your sound and who are some of your influences?

My sound is universal, I’m attracted to so many different genres and vibes. Some of my influences are 2Pac, Jay-Z, Nas, Buju Banton, Whitney Houston, Michael Jackson, Wizkid, Davido, H.E.R and Drake.

How would you describe your experiences as an artist in the diaspora?

I represent Sierra Leone to the max even though I was raised in the US I love the interaction I get from fans in Sierra Leone and I make sure I tap in with them regularly via Instagram, Facebook and Whatsapp.

What do you think of the current state of the music industry in Sierra Leone?

Sierra Leone’s music industry is on its way up and I’m proud to be one of the artists taking my country’s sound to an international stage. I love what Kao Denero has accomplished with being the ambassador of music for Sierra Leone, I also love the diversity in the art amongst my peers.

From a production standpoint, what do you think Sierra Leonean artists can do to harness the current explosion of African music globally?

I think we would have to come with a sound that is recognised by the world but also add our own touch of creativity to the mix so that people can know the origin of the sound.

What would you say is your unique contribution to Sierra Leone’s music landscape currently?

My unique contribution is my production style – no one does what I do with beats.

Are there Sierra Leonean producers you would like to collaborate with?

Yes, I’d like to collab with Sus Beats, his beats are really nice too. I want to collaborate with as many Sierra Leone producers as possible.

Aside from being a producer, you’re also an artist manager, blogger and social media marketer. How would you say these other disciplines have advanced your career?

Honestly, I would not be where I am today if I didn’t learn all of those different skill sets. In this landscape, you have to go for what’s yours and take it. Nothing is handed, especially if you have no budget. Being a producer alone wasn’t working for me, So I decided to learn what I needed to know about graphic design, photography, editing and so many other things. It led me to where I am now.

Has COVID-19 affected your creative process at all?

COVID-19 hasn’t really affected my work in a negative way. I work at the studio pretty much all day.

What can fans expect from your forthcoming EP and what is your vision for it?

My EP will consist of a mix of upbeat and slow tempo slappers all produced by me, the vision is to create a skip-free vibe that listeners can enjoy.

Aside from the EP, what other plans do you have in 2021?

The music video for ‘Winna' and more. I plan on having my first show in a few months too. Details coming soon.

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