NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

EndSARS: Protestors return to Lekki Toll Gate for anniversary

20 Oct 2021 - 11:35

cc-img flag-img

Droves of Nigerians including popular musicians are gathering at the Lekki Toll Gate to commemorate the one-year anniversary of the deceased protesters who were gunned down by security forces during the hastag #EndSARS Lagos protest last year.

Falz.

This is in spite of an earlier warning by Lagos state commissioner of police Hakeem Odumosu “in view of the volatility of the present situations in the country, and the breakdown of law and order which the planned protest might cause.

“The command wishes to use this medium to warn the youth, groups, or associations planning such protest to jettison the idea forthwith. The police in the state will not fold their arms and allow some misguided elements disrupt the peace and serenity currently being enjoyed in the state.”

Multiple arrests have already been made at the heavily guarded venue.

During Falz’s performance at the 2021 Felabration festival on Sunday, the rapper, who had been highly vocal during last year’s protests, urged people in the country to disregard police intimidation and come out in commemoration of those who lost their lives. The artist said that he would lead a memorial car procession through the toll gate on Wednesday morning.

On 20 October last year, DJ Switch, who had been caught up in the massacre, shared live footage of the shootings, which drew attention to the incident. “They shot peaceful people, they just shot us for nothing,” she told her Instagram followers. “Please record this. Look at bullets, bullets everywhere, people are picking it from the floor. Please record this and share. We were able to escape because we went under a truck.” DJ Switch soon had to go into hiding, citing threats on her life.

Speaking at the Oslo Freedom Forum in Miami on 4 October 2021, the singer-activist accused Nigerian leaders of being “afraid of a thinking, innovative and collaborative working Nigeria. They are afraid of every young Nigerian who, against all odds, have made it for themselves.” Citing Fela Kuti’s 1977 song ‘Zombie’, DJ Switch also likened the Nigerian army to “mindless zombies following idiotic orders. “Today we honour them because they have sacrificed their very existence for a cause bigger than all of us,” he said. “They live forever in our hearts. We will never ever forget.”

At a conflict resolution forum on Tuesday organised by the Ministry of Youth and Social Development, Lagos State governor Babajide Sanwo-Olu called for reconciliation with young people in the state, reaffirming his belief in them.

“Today is a day of reconciliation and it is about our teeming youths. This is the moment to create a common ground and take ownership of our future. We have, indeed, assessed what we have passed through as a people; it’s now the moment to come together and build our lives together. This event is about aggregating all the conversations of the millions of youths that have been represented here. All of us have agreed that, when we work together, we can build a resilient society we will truly be proud of. We will continue to build, engage and work with our young people.”

Meanwhile, Human Rights Watch says victims of last year’s violent crackdown are still awaiting justice: “Nigerian authorities should clearly demonstrate that they are serious about holding those responsible for abuses against protesters to account,” Human Rights Watch Nigeria researcher Anietie Ewang said. “Failure to pursue justice will strengthen the culture of impunity and reinforce the perceptions that brought protesters to the streets in the first place.”

Musicians such as Runtown, Tiwa Savage, MI Abaga, Olamide, Wizkid, Davido and Burna Boy, among others, have taken part in the #EndSARS movement. The campaign, which has now expanded to include demands of social justice, improved economic opportunities and accountable governance, started out as a call for police reforms, including the dissolution of the Federal Special Anti-Robbery Squad (FSARS), commonly known as SARS. The unit had been accused of human rights violations including extortion, unlawful arrests and shootings.

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media