NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Ethiopia’s Henok Mehari working with Cynthia Morgan at Coke Studio

19 Jul 2016 - 11:45

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Nine years after he last toured Kenya, Ethiopian singer and producer Henok Mehari is back in Nairobi to take part in the continental TV show Coke Studio Africa, where he will collaborate with Nigeria’s Cynthia Morgan on a unique fusion of Ethiopian and Nigerian music.

Ethiopian artist Henok Mehari. Photo: www.addisfortune.net

Music In Africa spoke to Henok recently to find out more about his work.

“It feels great to be back in Nairobi!" he said. "My participation at Coke Studio Africa is really timely. After the release of my album 790, I have been encouraging my band the Mehari Brothers that we need to forge newer working relations with other artists outside Ethiopia. Coke Studio Africa is thus a timely opportunity to explore and find out what other artists are doing and how we can work together.”

While in Kenya, Henok will collaborate with Nigerian singer Cynthia Morgan, whose music is a fusion of pop, hip-hop and dancehall. She shot into limelight following the release of two hit singles, ‘Don't Break My Heart’ and ‘Lead Me On’, which received massive airplay and positive reviews.

“I am happy to be part of the Coke Studio Africa platform. I am excited to be among Ethiopia's pioneer participant at Coke Studio Africa, " says Henok.

"I hope this will be a way for me to start communicating with other artists from other African countries, as well as connect with other producers. I hope this will lead to more opportunities and that in future we can come back as a band to participate at Coke Studio Africa."

New album

A talented musician, songwriter and producer who has also worked on various film soundtracks, Henok is best known for his role in the Mehari Brothers Band, along with his of brothers Robel, Lwam and Halal, who follow in the footsteps of their late father Mehari Abraha, who was also a musician. Henok and Robel are both graduates of Yared School of Music, the leading institution of higher learning for music in Ethiopia. Henok graduated with a major in piano, while Robel was a clarinetist but later took up guitar to become of the best guitarists in the country. Having a background in gospel music, Henok made his professional debut at the age of 24 with the Express Band.

This year has already been an eventful one for the Ethiopian artist, who released his second album, 790, in April. It comes 12 years after his debut album, Éwnetegna Fiqir, was released in 2004. Henok says the title of the new album was inspired by his childhood house where he grew up. “I was picking names for the album but I wasn't happy with any of the song titles. I then asked myself when the musical journey began for my brothers and me. We come from a very musical family: our father was a singer-songwriter while our mother was a dancer-choreographer. As children we grew up in a neighbourhood where the houses were numbered and ours was 790. I realized this is where it all began, hence the album title,” explains Henok.

With the new album already on the market for a few months, Henok says that audiences is finally starting to warm up to the music. “The music my brothers and I do is a bit modern, it is both Afro-fusion with elements of European music. It thus means the audience takes time before they can fully embrace it."

Two singles from the new 15-track album, 'Ewèdishalèhu’ and ‘Yenenesh’, are getting onto local radio charts and have attracted plenty of positive comments online, with fans hailing the album's "very new and fresh sound".

Looking beyond Coke Studio Africa, Henok is excited to get back to Ethiopia, where he will start working on a nationwide tour to promote the new album. He hopes to then take their music to the rest of the world. “We hope that the tour of the nine cities will begin in October,” notes Henok. "Immediately after this tour we look forward to touring the US and Europe."

New hope for Ethiopian pop bands

The Mehari Brothers started off backing artists like Zeritu Kebede and have also worked with other leading Ethiopian acts, including Teddy Afro, Johnny Ragga and Eyob Mekonnen. Before the Mehari Brothers emerged on the Ethiopian scene, singers usually received the most attention at live shows, with bands relegated to a back-up role.

“In 2006 when we started out we were seven," explains Henok. "The seven of us were always performing on the stage, and people in Ethiopia had not witnessed this kind of energy on stage. We therefore started the 'band culture', where bands are no longer subjected to the background but are the centre of action and attention. After that we saw many bands emerge. I believe we brought about this kind of change.”

Indeed more pop bands are emerging out of Ethiopia and are attracting global attention for their music - for example, Jano Band and Fendika.

Henok adds that while Ethiopia is better known for its Ethio-Jazz and traditional genres, modern popular music is still not given much attention. "As Ethiopian artists we don't lack the talent but we have been isolated when it comes to popular modern music,” he observes.


Henok & Mehari Brothers’ album 790 is available on CD and online via websites such as iTunes, Amazon.com, Google Play and Spotify.

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