NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Fans can now use Sony songs on Facebook

16 Jan 2018 - 10:44

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Two big global companies, Sony and Facebook, have agreed to allow Facebook users to post music from the record label onto the social media platform without infringing on copyright.

Facebook users can now upload songs from the Sony Music catalogue. Photo: Shutterstock

While the deal is expected to make users happy, it benefits music professionals as well. Musicians will be able to earn royalties from such uploads. The agreement extends to Instagram and Oculus, both of which are owned by Facebook. How these royalties will be calculated and how much will go to artists has not been disclosed by either company.

“We are thrilled that in signing this agreement Facebook recognises the value that music brings to their service and that our songwriters will now benefit from the use of their music on Facebook. We are looking forward to a long and prosperous relationship,” Sony chairperson Martin Bandier said.

The agreement, which is seen in some quarters to be a response to YouTube, spans territories, meaning African Facebook users can upload songs published by Sony, with artists such as the Senegalese-American singer Akon earning royalties.

The general manager of Sony Music West Africa, Michael Ugwu, spoke to Music in Africa about what the deal means for Nigerian artists and Facebook users.

“It is more a publishing deal so Sony/ATV was at the core of the discussions,” he said, adding that, the deal “is a big step in combatting copyright infringement as well as allowing our artists to earn royalties from both Facebook and Instagram".

"Users can now legally upload music to their videos from the Sony/ATV catalog, so they are free to give their videos the soundtrack they feels suits it best," Ugwu said.

Concerning African acts, Ugwu said: “It’s a multi-territory deal so local users in Nigeria should also be able to include Sony/ATV catalog music in their videos and these artists will generate royalties. For local artists, the deal would cover music from local creators signed to Sony/ATV Music Publishing”.

It is unclear whether such acts as Wizkid, Ali kiba, Davido and Tekno, all of whom have inked Sony deals, are in a position to earn royalties from the deal should their songs go on Facebook. As it stands, neither of these acts are listed on the songwriter page of the Sony/ATV website.

In expanding its music reach, Facebook is said to be looking at acquiring publishing rights from Warner Music Group. In December last year, the social media company reached an agreement with Universal Music Group Publishing.

Facebook's head of music business development, Tamara Hrivnak, expressed excitement at the new development, saying the deal will "deepen connections between friends and fans”.

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