NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

First batch of artists to watch live at ACCES 2026

17 Aug 2026 - 13:13

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The ninth edition of the Music In Africa Conference for Collaborations, Exchange and Showcases (ACCES) will return from 28 to 31 October 2026 at The Forum in Bryanston, Johannesburg, bringing together music professionals from across the continent for four days of networking, knowledge exchange and live performances.

Sun-El Musician, Mary Anibal, Fimfim and Pilani Bubu.

The conference will take place at The Forum, The Campus, in Bryanston on 29 and 30 October, while the expanded showcase festival and ACCES Industry Nights will take place at venues across Johannesburg from 28 to 31 October.

Recognised as one of Africa’s leading music trade events, ACCES brings together artists, executives and music professionals from across the continent and beyond for networking, knowledge exchange and live performances. Below is the first batch of artists confirmed for ACCES 2026.

Experience these exceptional artists at ACCES Industry Nights – intimate live performances curated for the people moving music in Africa. Get your tickets here.

Sun-El Musician (South Africa)

Sun-El Musician, born Sanele Sithole, is a South African DJ, producer and songwriter known for his melodic Afro-house sound. He rose to prominence with ‘Akanamali’, featuring Samthing Soweto, and followed with hits including ‘Sonini’ and ‘Bamthathile’. His acclaimed albums Africa to the World and To the World & Beyond have earned multiple awards and platinum certifications. In 2026, he headlined Red Bull Symphonic: Afro House, Our Home in Johannesburg, further cementing his influence on South Africa’s electronic music scene.

Sylent Nqo and The Noisemakers (Zimbabwe)

Led by award-winning guitarist and composer Sylent Nqo, also known as the “Guitar Sangoma”, the band blends Afro-jazz, rock and indigenous Zimbabwean music. Known for their dynamic stage performances, they have appeared at festivals including Standard Bank Joy of Jazz and Hard Rock Cafe events across Southern Africa.

Chakires et le groupe Oulanga (Réunion/Comoros)

Drawing inspiration from the musical traditions of Comoros and Mayotte, Chakires et le groupe Oulanga combines jazz, reggae and m’godro rhythms while promoting cultural exchange through community projects and artist development initiatives. Their performances balance acoustic intimacy with audience participation.

Philani Bubu (South Africa)

Singer, composer and multidisciplinary artist Philani Bubu has built a reputation for blending jazz, soul, funk, poetry and spoken word into deeply expressive performances. Her career includes collaborations with the Maya Angelou estate on the orchestral production Hope Springing High – Still I Rise and an appearance on Cameroonian artist Blick Bassy’s Bikutsi 300 album. Her performances combine storytelling with musical experimentation, making her one of South Africa's most distinctive contemporary voices.

FimFim (Ghana)

Producer, rapper and singer FimFim has become one of Ghana’s emerging alternative artists by blending hip hop, Afrobeats and local musical influences. His energetic performances and genre-fluid approach have helped establish him within Ghana's contemporary music scene.

Abavuki (South Africa)

Celebrating 25 years together in 2026, Cape Town Afro-fusion outfit Abavuki has become renowned for its energetic live performances. Originating from Langa, the group has toured extensively across Europe and Asia, performing in countries including Germany, Belgium and China. Their latest studio album, The Right Key, continues their signature blend of African rhythms and uplifting melodies.

Francis Soal (South Africa)

Singer, songwriter and producer Francis Soal, born Benjy de Kock, is known for crossing musical boundaries. His debut album, Hindsight 2020, combines progressive rock, jazz, reggae and blues, while his production credits include projects by Kujenga, Internet Athi, Kitso Seti, Sun Quintet and Nobuhle Ashanti.

Rorisang Sechele (South Africa)

Afro-jazz vocalist Rorisang Sechele brings an emotionally driven performance style centred on healing, affirmation and hope. Her latest album, The Seed, explores themes of resilience and self-discovery. She has appeared at events including Jazz in Jozi by Concerts SA, the Basadi in Music Awards and The Express Show.

Mary Anibal (Zimbabwe)

Zimbabwean singer-songwriter Mary Anibal combines traditional Zimbabwean music with contemporary influences while incorporating indigenous instruments such as the mbira into her performances. She has appeared at international festivals including Sauti za Busara in Zanzibar, Habari Africa Festival in Canada and MASA in Côte d'Ivoire.

The SN Project (South Africa)

Alternative artist The SN Project blends R&B, jazz, funk and neo-soul into a contemporary sound that has earned collaborations with artists including Manana, Zoe Modiga, Keorapetse William Kgositsile and Thando Zide. His performances continue to establish him within South Africa’s growing alternative music scene.

The Joy (South Africa)

Vocal group The Joy rose to international attention through viral performances on TikTok before appearing alongside Doja Cat at Coachella 2024 and on The Jennifer Hudson Show. Their recent single, Precious, combines Afro-soul and Afrobeats, showcasing the harmonies that have become their trademark.

Giuliette Price (South Africa)

Cape Town-based jazz singer Giuliette Price has become recognised for intimate, emotionally charged songwriting. Following her debut EP Rather Lie in 2024, she released Anxiously Preoccupied, further establishing herself as one of the country’s emerging jazz voices. She has performed at the Cape Town International Jazz Festival, National Arts Festival and UCT Jazz Festival.

Akra (Ghana)

Alternative four-piece Akra combines rock with African musical influences to create what the band describes as Afro-rock. Their music reflects urban life in Accra through songs including ‘Why You Do Me So’, ‘Accra We Dey’ and ‘Shege’. They have previously performed at the Accra Indie Film Festival, FRA!ternity Festival and Nyamme Mma Festival.

Additional ACCES 2026 artists and programme details will be announced weekly. Visit the ACCES website for updates.

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