NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Ghana: Police investigate Shatta Wale over shooting prank

19 Oct 2021 - 10:29

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Ghanaian police are investigating dancehall star Shatta Wale after multiple associates falsely claimed that the artist had been the victim of a drive-by shooting at East Legon, in Accra on Monday night. 

Shatta Wale.

The prank seemed to be a response to recurring doomsday prophesies on the ‘Aready’ star’s life, the latest being a 28 September prediction by a local pastor Stephen Akwasi Appiah on Accra 100.5 FM that the musician would be gunned down on 18 October, in the same fashion as South African reggae legend Lucky Dube, who was killed by armed robbers in Johannesburg in 2007.

In 2019, police in Ghana expressed concern about a trend of death prophecies by religious persons, noting that “such prophecies had the tendency of breaching public peace and causing fear and panic in the country. The police administration is therefore cautioning these persons who make such pronouncements to be mindful of the security implications of their utterances.”

The country was thrown into a state of panic after known associates of Shatta Wale, including personal assistant and public relations officer Nana Kojo Owusu Koranteng alias Nana Dope, brands manager Iddriss ‘Deportee’ Yussif and Ara-B, an artist under the singer’s SM4LYF Records, shared posts on social media suggesting that Shatta Wale was admitted at a local hospital after being shot by unknown gunmen.

“If not [for] the fact that he was driving prepared, it would have been too bloody,” Koranteng posted on Snapchat. “Those circulating the video should kindly stop! I believe the king is gonna come out alive and okay! Keep him in your prayers! They can never bring a good man down. Thanks to all those calling to check up, the king is still at the emergency ward receiving treatment. The gunmen are still on the run. Thanks to Ghana Police.”

Yussif wrote on Facebook, seemingly confirming the incident: “So true true the pastor make them shoot Shatta Wale [sic]. Right in front [of] me at East Legon, you did this to Shatta Wale.”

Hours later, Ghana Police Service issued a statement saying that they had “launched an investigation into the matter including making contacts with some of his close friends and family members and all of them claim not to have knowledge of his whereabouts or the alleged incident.

“A team has visited the house of Shatta Wale and he cannot be found there. Over the last few hours, the police have searched and continue to look for Shatta Wale at hospitals in Accra.”

As the night went on, the absence of passer-by accounts and Shatta Wale’s notoriety for public antics, led many to dismiss the news as a promotional stunt in support of the artist’s forthcoming album Gift of God, which has been delayed since 2020 due to COVID-19 lockdown restrictions. Many also condemned him for sparking fear and panic in contravention to Section 208 of Ghana’s Criminal Code of 1960, which states that a “person who publishes or reproduces any statement, rumour or report which is likely to cause fear and alarm to the public or to disturb the public peace knowing or having reason to believe that the statement, rumour or report is false is guilty of a misdemeanour.”

In the early hours of Tuesday, Shatta Wale made a statement on social media berating “false prophets” for causing him psychological trauma, adding that Appiah’s pronouncement had thrown him into a state of “violence since no one in this country cares.”

He continued: “So the police of this country want to tell me none of them saw those threatening statements online to take action? This pastor said [on] 18 October, ‘Shatta Wale will be shot’, and you want to tell me you didn’t see from your cybercrime department nor did you hear or come across anything like that online?

“I won’t wait for Ghana Police to call my father and tell my father his son got shot this afternoon. I won’t wait for Ghana’s stupid media houses to spread the news to my fans about me being shot because all we wish in this country is for dead people and funerals. If my life can be threatened and there is no law to take actions on that then I guess I will do what is right in the eyes of God.”

The musician also apologised to his family, team and fans for the stress his action put them through.

This is not Shatta Wale’s first public scandal involving a firearm. In 2017, the musician was widely criticised after a video of him firing warning shots into the air at his home was published on social media. At the 2019 Vodafone Ghana Music Awards, Shatta Wale was involved in an onstage scuffle with then arch-rival Stonebwoy, which saw the latter brandishing a pistol on stage. The feuding pair was suspended from the awards scheme and reinstated earlier this year.

Meanwhile, Shatta Wale is readying the release of GOG Chaff, a precursor EP to the new album.

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