NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Tutorials

Guitar lesson 1: Basic finger exercises

10 Nov 2015 - 14:21

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Practicing technical hand and finger exercises is very important for developing a good technique.

The first exercise in this tutorial focusses on developing the flexibility of your fret hand. This will help you to avoid back problems as well as overstraining the hand while at the same time making it much easier to play chords or lines in a relaxed and fluent manner. After this, there are two simple but important exercises for both the fret and pluck hands, which if practiced regularly will help you to develop fluency and precision in your playing.

Girum Mezmur.

Exercise 1: Fret Hand Wrist Flexibility

Sit in an upright position and hold the nut fret of the guitar with your first finger and thumb. Move the elbow of your hand in circular motion as indicated on the diagram below while loosely holding the nut fret with your finger and thumb. Repeat the circular motion until the Fret hand is relaxed, wrist loosens and the movement feels effortless. Put the following diagram under the elbow of your left arm and match the movement of your elbow to the arrows moving in clockwise direction.


Exercise 2: Down-Up picking exercise

In addition to finger picking, the plectrum or 'pick' is widely used when playing acoustic and electric guitar. It has become customary for guitar players to use both their right hand fingers and the pick to strum and pluck the guitar. Use down and up picking consistently for the following excercise.

Note: Π = Down, V = up

Hold the pick lightly between the thumb and first finger of the right hand and play gently. Now start to gradually tighten your grip on the plectrum. Notice the change in volume and intensity of the sound you produce. Then gradually loosen your grip while still playing until the pick is about to fall out of your hand and and observe the change in volume. Keep repeating this exercise until you have established good right hand flexibility and can control your dynamics by tightening and loosening your grip using the plectrum. Pay attention to keeping the tempo consistent!


Exercise 3: Hammer-Ons and Pull-Offs - left-hand plucking exercise

Hammer-Ons and Pull-Offs (also known as Guitar Slurs) are very important techniques for creating a smooth transition between two different notes.

  • Hammer-On: After a note is plucked the next note will be hammered or slammed on the fingerboard by another finger of the fret hand.
  • Pull-Off: Position the two active fingers in the fret hand on the fretboard and after plucking first note pull finger down to produce the next sound.

To prepare independence and flexibility in the fret hand, we start with a short pulling exercise on the E string (1st string).


1 2 3 4 4 3 2 1


Exercise 4: Hammer-On & Pull-Off exercise for the fret hand in 4/4

Both Hammer-On and Pull-Off techniques can be done between any two finger combinations.


If you spend a short amount of time practising these exercises regularly, you will loosen and relax your fret hand and will soon notice a noticeable improvement in your playing technique. Exercises that are limited to one or two strings are worth doing at all stages of your development as a player.

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