NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

House on Fire launches CollaboNation 2024

13 Feb 2024 - 14:07

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Music professionals, artists and media representatives gathered at AMPD Studios in Johannesburg, South Africa, for the launch of the second edition of CollaboNation, a project that was supported by the Sound Connects Fund (SCF) in 2022.

House on Fire and MTN Bushfire creative director Jiggs Thorne at the CollaboNation 2024 launch in Johannesburg. Photo: Bram Lammers

Initiated by House on Fire in eSwatini in 2022, CollaboNation connects musicians from different African countries through the creation of unique cross-border and cross-genre songs.

“CollaboNation was born out of the COVID-19 pandemic as an answer to the question: in this time of restrictions on travels and physical interactions, how can we support artist brands and arts, mobility while actively stimulating dynamic new work?” House on Fire and MTN Bushfire director Jiggs Thorne says.

The creative team behind MTN Bushfire has thus harnessed the power of collaborations to support artists, capacitate dynamic new African content creation, and thematically bring together the past and the future in a celebration of cultural roots – to validate identity, culture and heritage. More than supporting and connecting artists, CollaboNation also capacitates the region’s music sector through training and mentorship.

At the recent launch in Johannesburg, Thorne took to the stage to talk about CollaboNation’s work and was joined by 2023 collaborators Mokoomba (Zimbabwe) and Morena Leraba (Lesotho). He shared some behind-the-scenes stories while videos of CollaboNation’s first iteration were projected on a screen behind him.

The project’s main objective is “to create something that would be able to sustain itself, beyond SCF funding,” Thorne said. He added that he and his team were in the process of identifying potential partners and funders in order to continue with CollaboNation’s work, and that interest in the project was now coming from beyond Africa, with Latin American artists requesting to collaborate with their African counterparts. This, he said, would open a future of more collaborations within the larger Global South.

This year’s edition has been expanded to all African countries, while the first edition was restricted to the following 9 countries in southern Africa: Angola, Botswana, Eswatini, Lesotho, Malawi; Mozambique, Namibia, Zambia & Zimbabwe.

Morena Leraba said: “As musicians, when we meet at international festivals, we always promise each other to collaborate. We lie to each other when we say our goodbyes at airports, saying we will stay in touch and collaborate, but when we go back to our respective homes, nothing happens. So, CollaboNation is the push artists need to make these collaborations happen.”

Agreeing with Leraba, Mokoomba manager Marcus Gora said CollaboNation provided much-needed logistical coordination that most African artists could not manage on their own. “CollaboNation afforded us the incredible opportunity to connect and work with Morena Leraba from Lesotho, in an environment of mutual learning and respect,” Gora said. “We are extremely proud of the song we recorded, ‘Chisimo’, which speaks to both of our musical styles and our cultural traditions. We were very excited to share this new sound with a global audience. Thanks to MTN Bushfire and the Sounds Connect Fund for making this project possible.”

Music In Africa Foundation director Eddie Hatitye, representing CollaboNation funding partner the Sounds Connect Fund, said: “The Music In Africa Foundation’s Sound Connects Fund team and all the partners involved in this initiative are blown away by the creative output of CollaboNation. We are pleased and excited to see the emphasis on collaboration exchange and sustainability that has been demonstrated throughout this project. Bringing together artists from different countries and different artistic backgrounds to make such compelling creative projects and performances has never been done in this format before.”

In 2023, CollaboNation matched up Mokoomba and Morena Leraba as well as Thobile Makhoyane (eSwatini) and The Hood Brodz (Mozambique). Apart from creating new tracks and their videos, the artists got to perform at MTN Bushfire 2023 and recently at the 17th Marrabenta Festival in Mozambique.

Interested artists can apply for CollaboNation 2024 here before 7 March.

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