NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Overviews

How to make a living as a musician in Uganda

23 Sep 2015 - 14:39

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By James Propa

Music promotion is one of the most important aspects of becoming an established musician. The process never stops, even after a musician is considered established, and largely determines the level of success an artist can achieve. 

Eddy Kenzo during a media interview. Photo: www.ugandandiasporanews.com

Many artists might have good music but it only plays in a few bars around their location, simply because they don’t know the right methods to use in order for their music to cut across the whole nation - or better still, the world. This overview text will attempt to explain what an artist needs to do so that their music reaches a large portion of the country and the continent. It will also explore what artists need to do to avoid becoming so-called “one-hit wonders” and instead stay relevant in the industry. In doing so it explores the specific context of Uganda, although much of what is discussed is relevant anywhere.

Understanding your audience

As an artist and for the team of people helping you, there is a need to understand the audience you are making your music for. This will help you understand the line you are supposed to take. After understanding your audience, you need to know which artists you are competing with for that particular audience - what kind of music are they making and what are their strong points? This will help you put out songs that can compete in the market.

Understanding your audience makes you know the radio stations, TV stations, nightclubs and bars that play your kind of music. Musicians often spend money trying to get airplay on radio and TV stations that do not even play their kind of music. For example, every aspiring musician wants their music to play on NTV The Beat[i], but that show does not play Kadongo Kamu or Band Music, so why would an artist doing these styles of music even bother trying so hard to get their song on NTV The Beat. There are more appropriate shows like Oluyimba Lwo on Bukedde TV[ii], which will play your song.

Approaching the media

One of the most challenging things for an artist is to approach presenters. This is because most rising musicians have always been told that you need a lot of money to get your song played on radio and TV. In reality, however, this is not the case. Many successful musicians have made it without needing to spend so much money. The best way to get the attention of any presenter is by creating relationships, not based on money but rather on friendship and loyalty.

There are many established radio DJs – such as Herbie K of Metro FM, DJ Wilbur of Ssuubi FM and DJ Jacob of Dembe FM, as well as TV personalities like Douglas Lwanga of NTV[iii] - who will not ask for money but rather appreciate good work and be willing to support it. The best way to get hold of these people is to approach them before their TV or radio show, introduce yourself and then make an appointment to meet another day to bring them your music. As a musician, whenever you are leaving your house you must keep a copy of your music with you. This is your career and you should always be prepared, because you never know who you might meet that day.

Radio and TV interviews

When is the right time to do an interview with major radio or TV shows that host musicians?

It is always good to let your song play on both radio and TV for at least two weeks so that you can get to know the momentum your song is taking. Then you can start getting hosted for interviews. You should keep in mind that however small the radio or TV station is, it is important if it plays and promotes your genre.

The major radio shows that host musicians include Uganda One hosted by Herbie K on Metro FM[iv]; Africa Koona hosted by DJ Jacob Omutuuze on Dembe FM[v]; and Africa Mukidongo on Ssuubi FM hosted by James Propa, DJ Nick and Lwasama[vi]. Those are some of the shows that typically host upcoming musicians and play music from upcoming musicians. TV shows that host upcoming musicians include NTV The Beat host by Douglas Lwanga[vii]; Jam 101 hosted by Calvin Da Entertainer on UBC TV; and Katogo hosted by Jaxta on Record TV[viii] These are some of the radio and TV shows that a rising musician should focus on to get an interview. Most of them are versatile and play a wide range of genres.

When a song starts getting airplay on TV and radio (or even before it does), there has to be good distribution of the song around the country to music and video libraries, music promoters’ computers and more. This is how your music is going to get heard.

A musician should make sure that when people want to get music on their mobile phones, they can get it either from online sources or on the ground from promoters themselves. Ugandan music is usually downloaded from local platforms like Hipipo[ix], Howwe[x] and BigEye[xi]. There are also international platforms where you can upload your music like Soundcloud[xii], MP3skull[xiii] and many others.

On the ground in Uganda, there are music promoters who know where to take an artist’s music so that it can disseminate to different parts of the country. Some of the best of these on-the-ground promoters include Kim Lee[xiv], Ram Singles[xv], Cool Kats[xvi] and Chris[xvii].

Live performances

Live performances at music festivals and nightclubs help people to become familiar with your image and sound. It also helps artists to get spotted by music promoters and media personalities, who can help build your career. The main thing an upcoming musician should always remember is that this is business. You have many competitors, so it is seldom easy to get onto big stages at major events.

Even if you fail 10 times to get there, keep trying! At most popular live music events (for example the Campus Nights at Club Silk and Amnesia in Kampala), artists have to book well ahead of time. But at many music events, upcoming musicians perform for an hour or two before the main event begins. So always try to be at the venue ahead of time so that you get on the list of performers, even if it’s an opening slot.

How to survive after your first hit song

If you’re a new artist who has released a debut hit that has taken over the music scene and is playing on every countdown chart, every nightclub and street corner, that’s when your career really becomes challenging. You receive a lot of advice from so many people. Some of this advice is good; some is misleading. The challenge is to know what to do next and what song to release. One of the biggest mistakes many newly successful artists make is to let go of the team they had at the start. This is a mistake because these are the people who understand you the best.

The best way to move forward with your career is to get the right information. Talk widely to experienced people who understand music trends, for example the established media personalities who host or produce music shows. If most of them give you similar advice, then this is probably what you will need to do to survive. Be hungry for knowledge and never be too proud to ask for advice.

Following the above advice will not guarantee you success, but with the right amount of talent, hard work and some luck, it can help to establish you as a professional musician in Uganda’s thriving yet highly competitive music industry.

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