NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

IFPI report: Nigerians spend 31 hours per week consuming music

11 Dec 2023 - 14:38

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Nigerians spend an average of 31.1 hours per week consuming music, according to the International Federation of the Phonographic Industry (IFPI)’s just-released Engaging with Music 2023 report, which offers a comprehensive look into global music engagement. 

Nigerians spend an average of 31.1 hours per week consuming music, with artists like Tems fuelling Afrobeats' dominance in the country and beyond.

The new report, based on the responses of more than 43 000 people across 26 countries, builds upon last year’s findings, in which Nigerian music consumers were identified as the most ardent listeners globally, spending an average of 30.4 hours per week.

The report reveals Afrobeats, gospel, pop, R&B and amapiano among the top 10 biggest music genres in the country, with Afrobeats as the most dominant, capturing the hearts of 64% of music enthusiasts. Fans of the genre also demonstrate a commitment to legal music consumption, with 94% actively engaging with licensed audio streaming services. Moreover, Afrobeats enthusiasts emphasise the importance of human creativity in the face of the rising popularity of artificial intelligence (AI) tools, with 87% recognising its essential role in the creation of the genre.

The document highlights a positive trend in Nigeria’s music consumption habits, with 93% of respondents opting for licensed audio streaming services.

Months ago, Spotify announced that the revenues generated by Nigerian artists on its platform had reached ₦11bn (about $14m) in 2022. Revenue generated exclusively from Nigerian artists on the platform, including ‘Calm Down’ star Rema, the most globally exported African artist, experienced a 74% increase, while the number of Nigerian artists earning over ₦5 million in royalties from Spotify witnessed a growth of almost 25%. IFPI figures also show a 63% growth in the overall revenues of the Nigerian music industry from 2021 to 2022.

Another key revelation from the report is the impact of music on the mental health of Nigerians, as 86% of respondents agree that music plays a crucial role in supporting their mental well-being.

Meanwhile, in South Africa, the dance genre amapiano’s popularity is mirrored in the streaming habits of South African respondents, with 76% opting for licensed audio streaming services. Some 74% of amapiano enthusiasts also agree that music is crucial to their mental health, emphasising the genre’s impact beyond entertainment.

Globally, the audio streaming market, especially subscription services, is experiencing growth, with 73% using licensed audio streaming services and a 7% increase in time spent on subscription audio streaming services. Pop maintains its status as the most leading genre, amidst an array of over 700 identified genres by music enthusiasts. On average, fans explore more than eight different music genres, while music is widely cited as a powerful force for mental health and well-being, with 71% acknowledging its importance, and 78% recognising its role in relaxation and stress coping.

However, the prevalence of unlicensed music remains a significant issue, with 29% admitting to using unauthorised or illegal methods to access their favourite songs.

“Music is incredibly important to people’s lives. Engaging with Music shows how fans are seizing the opportunities to listen to more music in more ways than they have ever done before,” IFPI chief executive Frances Moore said. “However, the use of unlicensed music remains a significant issue for the music community, especially as technologies continue to evolve. We need to continue to do everything in our power to support and protect the value of music.”

Access the full Engaging With Music 2023 report here.

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