NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Inside Malawi’s Lake Of Stars

19 Oct 2015 - 14:05

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Lake Of Stars has long been a musical haven in Africa. People follow the road to Mangochi from various directions, speaking different tongues. At Lake Of Stars, whites become blacks and blacks become whites - you cannot separate or differentiate.  

Toya Delazy. Photo: Lake Of Stars

Even though this was my third Lake of Stars, the excitement this festival brings to those who have attended or are planning to attend is simply electric. As Malawians awaited the beginning of the country’s favorite annual festival, and as weeks of waiting slowly turned to days and then hours, you could hear tongues wagging and see fingers tweeting about Lake Of Stars. Hearts and souls were thirsty for entertainment.

The festival finally kicked off on Friday 25 September. The first night was in one attendant’s opinion the “unexpected hit” of their entire weekend. South African house group Uhuru left the people continually jiving and sweating during a high-energy performance that included world-famous hits like ‘Y-tjukutja’, ‘Ungowami’ and ‘The Sound’. Toya Delazy followed with a blend of hip-hop and house. She pumped up the crowd and bust open the hearts of local Romeos and Juliets with her hit ‘Love is in the Air’. This was followed by a spectacular expression by local hip-hop icon, Gwamba, whose execution left almost everyone rapping along, even if they clearly didn’t speak the local Chichewa.

People barely noticed the sunset as their hearts were shining with non-stop excitement and good vibes. A few hours before these sunset performances on the main stage, festival attendees had already been blown away by showcases from fusion artist Trappa, Konkalazi, VJ Ice, Dan Lu and George Kalukusha, a local pop singer whose lyrics and music have made him a favorite among all those who have seen him perform.

After the Friday party came to a close, the following two days kept the same spirit going. The weekend included a fashion show, a rendition of the Vagina Monologues, as well as performances from artists like Botswana’s Zeus and trap-pop brothers bFake, whose satire and sense of humour kept everyone laughing. One can't describe the weekend without remembering the incredible Lusibilo Band and Zimbabwean globetrotters Mokoomba, whose performance skills made them firm favourites among the locals.

Award-winning Scottish group Young Fathers’ name may not have been so familiar before the fest, but as soon as they began their soundcheck, everyone could not help but nod their heads in appreciation to the amazing vocals and deep lyrics that they delivered.

As the final day started fading, reminding people that good things never last, local urban musician Sonye hit the stage in the early hours of Monday morning with a spectacular performance. Sonye’s voice was hijacked by the crowd that seemed to have memorized all of his songs. His last song for the night, ‘Tsika’, was definitely a good end to the festival, leaving all the girls in booty-shaking mode and the guys in awe.

After such an intense three days of good music, the only conclusion I can make is that Lake of Stars is surely worth the excitement and thrill. The diversity of the crowd, as well the great line-up of artists, is the magic that keeps this event consistently near the top of lists of the best music festivals in Africa.

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