NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Interview: JM International’s Matt Clark

13 Sep 2023 - 14:33

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From 18 to 22 September 2023, music professionals from around the world will convene in Harare, Zimbabwe, for the JMI Global music conference, where they will share ideas on how music can best empower young people in the global creative industry and build joint projects that connect young musicians across borders. The event comes at a time when the Zimbabwean creative scene is undergoing several challenges, chiefly economic ones magnified by the state of the country’s crippled economy.

JM International programmes and marketing director Matt Clark.

Music Crossroads Zimbabwe will play host to the global conference, which will feature music executives, musicians, producers, festival managers and instrument makers from over 40 countries. The event will focus on performances, keynote addresses, workshops, panel discussions and more.

With a few days before the event kicks off, we spoke with JM International programmes and marketing director Matt Clark about how they intend to host the event, what they hope to accomplish, and how the event will benefit Zimbabwe’s creative sector.

MIA: How prepared are you to host the JMI Global annual music conference in Harare?

Matt Clark: We’re all set and good to go. After a fantastic first visit in May, we have worked hard over the last months, together with our colleagues from Music Crossroads Zimbabwe, to prepare an exciting programme for both local and international delegates alike. We will be showcasing some fantastic young musicians, bringing together creative thought leaders from Africa and beyond, and hope to create a unique space for inspiration, dialogue and collaboration.

Why did you choose Harare as a host city?

This will be the first time in the 78-year history of the event that we are bringing the JMI Global to Zimbabwe. As a global youth music network, JMI places great importance on being active in all world regions. The last time the JMI Global took place on the continent was in 2010 in Tanzania, so it was high time it made a return to Africa. Harare is also the birthplace of our Music Crossroads programme (established in 1997), and thus the bid was naturally received with great enthusiasm when pitched by Melody Zambuko, Music Crossroads Zimbabwe’s director, to JMI’s Annual General Assembly. Zimbabwe is globally renowned for its rich musical traditions, vibrant people and beautiful landscapes – all ingredients that helped make the choice an easy one.

What do you seek to achieve with this event and do you have any theme for the 2023 edition?

The aim of every JMI Global is to connect those working with youth and music around the world in order to foster inspiration, collaboration and exchange, creating opportunities for young people to develop through music across all boundaries. JMI’s work lies at the intersection of youth, music, education and development, thus the conference's themes and topics naturally flow from these sources, blending with influences from the host country and region. We will be discussing the role that music can play in shaping the future of young people in Africa and beyond, defining the elements required in order to create sustainable music ecosystems where youth and culture may thrive.

As JMI Global, which areas do you think the event will benefit the Zimbabwean community?

The JMI Global music conference provides the opportunity for local cultural professionals to connect with their international counterparts from over 40 countries, to share knowledge, build new cross-border music projects and expand their professional networks. With concerts planned throughout the week, we’re excited to offer Zimbabwean audiences some truly unique music experiences, for example, the first-ever Ethno Zimbabwe, an ensemble that brings together 30 young musicians from over 15 countries and cultures to play music from their countries in new and exciting arrangements. A large delegation of international cultural operators means providing important exposure to local music acts and the potential for international tours and collabs. Finally, we are certain that our delegates look very much forward to discovering all the sights, tastes and sounds that this stunning country has to offer.

Based on the previous editions, what challenges have you faced in hosting the JMI Global annual music conference?

There are the typical challenges of organising any music event of this size, but luckily we have a dream team on the job and have received fantastic local support from the National Arts Council of Zimbabwe and our partners in Harare. Things are now lined up to be an unforgettable music experience!

You visited Harare as part of the JMI Global preparatory delegation earlier this year. How do you envision the Zimbabwean music landscape contributing to the conference’s success?

While in Harare we had the opportunity to meet with important stakeholders from across the cultural sector, view beautiful locations, witness phenomenal music and enjoy the world-famous Zimbo hospitality, all of which we now look forward to sharing with our delegates from around the globe! The team and students of the Music Crossroads Zimbabwe Academy have been working hard to prepare for the visit, and are ready to put on a show that celebrates Zimbabwe’s phenomenal cultural heritage: past, present and future!

The full conference programme is available here.

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