NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Interview: Uganda’s Jemimah Sanyu ready to take on the world

23 Nov 2015 - 13:41

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Born in Jinja, the source of the Nile in eastern Uganda, singer Jemimah Sanyu has been tugging on Ugandan heartstrings since the release of her breakthrough single ‘Ziba Amaaso’.

Jemimah Sanyu. Photo: Facebook

Her extensive musical journey over the past 13 years has seen her grace the stages of numerous regional platforms, including Bayimba Festival, Last Band Standing, Jazzville (where she hosts ‘The Sanyu Talks’) and Blankets & Wine, as well as DOADOA Performing Arts Market and Selam Festival in Addis Ababa, Ethiopia. Following energetic performance with her band Unit 446 at nearly every major festival around the country, Jemimah has earned a reputation as ‘The Stage Gladiator’. In the process she has collaborated with some of the top African singers and rappers, like Navio (on ‘Amaaso Go Googera’), Joanita Kawalya (of Afrigo Band) and Juliana Kanyomozi, among others.

Her debut solo album, Amaaso Go Googera, is a mature and honest studio album co-produced by Legend P at Fenon recording studio, where it was recorded in a mere five days. This delicately moving album delivers the thoughtfully personal and often heart-wrenching sincerity of an artist who music forces you to fell, with a voice impossible to ignore.

Jemimah and her band were recently invited to showcase their talents at Visa For Music (VFM) in Rabat, Morocco, the premier music industry conference for North Africa and the Middle East. She took some time to chat to Music In Africa….

Getting started

The singer explained that she started singing while at school. After studying computer literacy at university, she joined a church choir, where she was soon discovered by talent scouts in the local industry, including producer Nash and hip-hop heavyweight Navio, who soon set her off on the road to stardom. She formed her own backing band, Unit 446, the name coming from the date of the band’s formation: 4 April 2006.

“I worked with many people behind me,” Jemimah explains. “They found me in church and realized ‘Jemimah, a music career is more than just about singing in church choir, it can be a career’. I really loved it from the word go, but I didn’t realize I could be someone big, someone people can listen to - not only back home, but even all over the world. So I was pushed by these producers. They took me to the studio and we started recording songs. We started a band… I also went for ‘I’m a Ugandan’, a big project in Uganda, done by over 30 Ugandan musicians. It was very big, it was about patriotism.”

In 2010 Jemimah’s hard work paid off with the hit ‘Amaaso Go Googera’ (in 2010). The song, literally translated as ‘Your eyes speak’ gives a simple yet powerful message that most people can relate do. Jemimah explained: “You advertise a lot of things, the eyes don’t lie. For example, when you’re in love with someone, however much you pretend, your eyes will never betray you, so I talk about that in the song… It was a very big hit.”

Jemimah calls her music Afro-fusion, as it fuses different African languages with modern instruments like keyboards and guitars. Although she began singing in church, she said she is not tempting to venture into gospel territory. “I tried it at first, but things were different back then. Most of the audiences in Uganda were not interested in gospel… I think I have a bigger vision. I’m a God-fearing lady, but I think there are bigger issues to focus on – issues like war, sickness, political problems - that we must discuss. My mission is to try and turn all that into positivity. Most people think we are dying, doing bad, we are suffering, there is no one to help us. My voice is totally different. I’m a positive person, to show the whole world that everything is OK… All we have to do is to believe, because we’ve got the talent, we’ve got it all. I’m here to show people that we are growing, we are powerful, we are fighting for ourselves.”

Going global

Jemimah now has her sights set beyond the Ugandan music industry and on continental or even global success. “At first I was only focusing on Ugandan music, with the songs we were doing, the languages we were using, and even the production. I think I’ve grown now, we are getting there. Studios from abroad are calling us to start recording with them, which is a better sound from our Ugandan sound, but still staying original. I went to Selam Festival in Addis, and the people were really interested in the kind of performance we were doing. That was last year, in 2014. That was the first big festival outside of Uganda. Those people were really interested, they loved our sound, the energy…”

Jemimah is quick to credit the support and encouragement of numerous people in the Ugandan music industry, particularly Faisal Kiwewa, director of the Bayimba festival and DOADOA conference in Uganda, who accompanied her to Morocco, as well as producers Legend P and Nash.

Looking ahead, Jemimah says she is looking to tour more. “I have to show the whole world that we have talent in Uganda.” Meanwhile, she is also hard at work on a new album. “I am back in studio working on a second album. I’ve not yet settled on a name, all the songs are beautiful. I think we just have to sit down and come up with a name after all the tracks are recorded. It’s a little too early to tell, it might take more than a year still. We need more time in studio.”

In an industry still largely dominated by males, Jemimah is setting an example for Ugandan women. “Back home the man is the head of the family, and women do follow what the man says, so that thing has always dominated everywhere. Even when it comes to live bands, you find few women. It’s very rare, it’s always men (playing instruments). But I’m happy that I’m seeing a few women coming up… We really have to try to prove to the whole world that we can do it. We have to go the extra mile, to show that women can do this. We are powerful. We are getting there.”

Asked to elaborate on her advice for young female musicians, Jemimah said: “You have to fight, this is a battlefield. If you don’t believe in yourself, no one will ever believe in you. If you don’t take that first step, no one will take your hand and take you to the other steps. So it’s a hassle, but you have to be strong. But if you know that you have the talent, you have to fight, you have to push yourself there. Everything will work out in the end, the moment people see that you’re a fighter. That’s why they call me a gladiator, I don’t give up!”

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