NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Introducing Freak de l’Afrique, Germany’s Afro-house DJ duo

16 Aug 2017 - 13:00

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A strain of African music has received a twist in faraway Germany. In the capital Berlin a group of artists is producing music in a sub-genre called Berlin Afro-house.

Freak de l’Afrique has released its first single 'Mama Eh'. Photo: MR

While pop music made in Ghana and Nigeria has found a place in American and British music, music from other parts of Africa is being incorporated into sounds from continental Europe.

As a statement from the German record label Man Recordings puts it: “You wouldn´t associate the techno focussed city [of Berlin] with an African diasporic community nor with the rhythmical magic tracks that currently emerge from countries such as Angola, South Africa or Mozambique … but very well connected group of DJs and party promoters recently put Berlin on the international Afro-house map.”

The DJs have already found a local following with monthly parties tagged The Afro House Experience or Black Paper, which are spearheaded by DJs Mista Wallizz and Cambel Nomi, both of whom have now released their first single as a duo called Freak de l’Afrique. Their single ‘Mama Eh’ is described by its producers as a “club banger" in which "you hear the best of Afro-house clashing with the melodies of UK grime and the grumpy attitude for which Berlin has become internationally known”.

Although recording an official single has happened this year, the DJs' Afro-house fascination began in 2011 when Walizz stumbled upon the sound during a visit to Angola and "immediately fell in love with it" . Although aware of South Africa's dominance in the production of house music on the continent, the duo pitched their tent in Angola. "The Angolan house style is what influences our sound. It is much more based on African drums and tribal vocals as opposed to the style of South African house music," the duo said.

They are also familiar with the fledgling house scene as it exists in Botswana, Namibia and Morocco. And Nigeria, they say, is "a very important market", as they cut their teeth playing Afro-pop before going into Afro-house. They express some admiration for Niniola, a Nigerian act who mixes pop and house.

The DJ pair elected to shoot the video for 'Mama Eh' in Angola, partly because Wallizz is married to an Angolan and also because "the way Angolans dance to house music is unique and powerful." The result is a video featuring a group of dancers dancing in an open area in Luanda. The bright and playful video sees Wallizz try to fit in among the dancers, but he gets ejected, ostensibly because his moves aren't quite up to the Angolan standard.

The official 'Mama Eh' single has received a 26 August relase date, upon which it will be accompanied by two remixes, both helmed by artists based in Africa—DJ X Trio from Luanda and Jowaa from Ghana. In the future, the Freak de l'Afrique will remix Adel Tawil´s 'Eine Welt, eine Heimat' which features Senegalese great Youssou N´Dour and Mohamed Mounir. There are also plans involving more infusions of music from Africa into Europe.

"We´re aiming to bring our soundsystem show to different countries," the DJs said. "At the same time we are also busy creating more Afro-house and Afro-pop events throughout Germany. We'd like to bring the latest trends from the different African music scenes to German nightlife."

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