NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Kenya’s Ciano Maimba to stage solo show at Goethe-Institut

14 Nov 2016 - 10:59

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On 25 November, The Music In Africa Foundation and Goethe-Institut Nairobi will stage a second concert aimed at providing a platform for up-and-coming local talents to showcase their skills. The concert follows on from a similar concert held in February 2016.  In concert will be Ciano Maimba, one of the most promising young artists in the country.  

Ciano Maimba. Photo: Facebook

“My music is greatly influenced by soul, RnB and jazz. My lyricism employs a lot of imagery and poeticism because the only way I can make the personal experiences and beliefs I sing about more accessible to the general public is through sonic and verbal images rather than saying everything verbatim,” Maimba says.

Born and raised in Nairobi, Maimba is an artist making inroads into the Kenyan music scene. A student of Microbiology and Biotechnology at Kenya’s University of Nairobi, Maimba says he got into music involuntarily.

“I got into music subconsciously. Even though music has always been a part of my life, I became more aware of its power when it pulled me out of a dark period in my life while in high school,” he says without divulging further.

In 2016, he took part in the continental music competition, Airtel Trace Music Star, where he emerged second runner up at the Kenyan finals. The competition was won by Tonya Ahenda who represented the country at the continental finals held in Nigeria. Even though he didn’t win the competition, Maimba says he learned valuable lessons.

“Airtel Trace Music Star opened me to the realities of the music industry. I created valuable networks as well as learnt about my voice.”

Additionally, Maimba says that the greatest lesson he learnt was the art of negotiating for contracts. “I learnt to always ensure that there are papers to any deal being negotiated regarding my music and/or anything affiliated to my image and likeness and my sound as a whole. And to ensure that each contract is comprehensive and properly drafted.”

The concert

According to Maimba, the concert will symbolize a pivotal point in his musical career. “I have played a number of shows but never one where I am the main featured artist. In a way this is my first solo concert that will enable my fans experience my music.”

[audio:https://soundcloud.com/w_ciano_m/peace-like-a-river-flows autoplay:0]

Speaking further about his music, Maimba says his ultimate goal is to remind people of the oneness of all things and to eventually unite mankind through his songs. Recently, Maimba worked on a single, ‘Peace like a River’, which was recorded by the shores of Lake Oloiden in Naivasha, Kenya. As a budding artist with little resources the song was recorded entirely on his phone. Maimba says with technology advancing day by day, there is no excuse for an artist not to put out their work. The move to record the music on phone was to prove that anything is possible.

While this is his first solo show, Maimba has performed at various festivals in Kenya including the Sondeka Festival and Rift Valley Festival as a side act. He has also staged an assortment of concerts at the Alliance Francaise and a couple of intimate shows around Nairobi and its environs. The platform offers him a chance to build his live performances and he says he is looking forward to staging shows out of Kenya.

Commenting about the music industry, Maimba says it has not been easy to break into the Kenyan music industry, especially being a solo act. However, he notes that Nairobi is undergoing a renaissance period in the art scene and thus a wider array of art forms are being appreciated more than they used to be.

Challenges

As a solo act Maimba says it has not been easy to secure shows as bookers are more inclined to take an artist that plays with a full band more seriously. However he says that has not deterred him from pursuing a solo music career.


The concert is free to members of the public and kicks off at 7pm on Friday 25 November at the Goethe-Institut Nairobi, located on Monrovia Street in the Central Business District.

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