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Uganda: Nyege Nyege returns to the Nile for 11th edition with Wakaliwood collaboration

Uganda: Nyege Nyege returns to the Nile for 11th edition with Wakaliwood collaboration

Burna Boy to headline halftime show at NFL’s first Paris game

Burna Boy to headline halftime show at NFL’s first Paris game

Suno faces another class-action lawsuit over alleged 2025 data breach

Suno faces another class-action lawsuit over alleged 2025 data breach

SA: Mawhoo to bring Secret Garden live experience to Durban in November

SA: Mawhoo to bring Secret Garden live experience to Durban in November

Pax Nicholas of Fela Kuti’s Africa 70 returns with ‘Mind Your Business’

Pax Nicholas of Fela Kuti’s Africa 70 returns with ‘Mind Your Business’

British-Ghanaian rapper Sway DaSafo dies aged 44

British-Ghanaian rapper Sway DaSafo dies aged 44

Long Story Short named Apple Music’s Up Next artist for South Africa

Long Story Short named Apple Music’s Up Next artist for South Africa

SA: SOL Distro marks first year with more than 1,000 artists, R1m in royalty payouts

SA: SOL Distro marks first year with more than 1,000 artists, R1m in royalty payouts

Spotify adds control to exclude kids’ music from personalised recommendations, Wrapped

Spotify adds control to exclude kids’ music from personalised recommendations, Wrapped

UMG sues DistroKid over alleged copyright infringement, deceptive practices

UMG sues DistroKid over alleged copyright infringement, deceptive practices

SA: Free the Jazz to showcase emerging talent on Heritage Day

SA: Free the Jazz to showcase emerging talent on Heritage Day

SA: Bontle Modiselle, Robot Boii and Baba Mthethwa to host Scorpion Kings Live

SA: Bontle Modiselle, Robot Boii and Baba Mthethwa to host Scorpion Kings Live

NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Music In Africa
Home / Magazine / News
News

Kgalagadi Jazz Festival brings joy to the desert this Easter

Music In Africa Foundation By Music In Africa Foundation

16 Mar 2016 - 13:14

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South Africa’s Northern Cape province is the country’s largest in terms of size, but the smallest in terms of population. Though covering nearly a third of the country’s land, it is home to only around 1.1 million people (about 2,2% of the country’s population).

Namibian star Elemotho will perform at the first Kgalagadi Jazz Festival in Kuruman, South Africa.

At the same time, the province has enormous cultural, natural and historical relevance, including as the home to many of the indigenous people of the country, the Khoisan, and as a gateway to neighbouring Namibia and Botswana.

To put this often-overlooked region firmly on the musical map, the inaugural Kgalagadi Jazz Festival will take place on Easter Saturday 26 March at Wrenchville Stadium in Kuruman from midday until late.

The festival is the latest event to focus on jazz in South Africa and looks set to be the province’s answer to the Cape Town International Jazz Fest taking place the following weekend, the annual Joy of Jazz in Johannesburg and the recent International Jazz Extravaganza in Durban. It comes at a time when South Africa's live jazz scene struggles to sustain itself and local jazz artists battle to get any radio airplay.

Scheduled to perform at this historic event is an impressive line-up of talent both young and old, including top stars from neighbouring countries. Headlining will be young Afro-soul sensations Zahara and Nathi, the legendary Stimela and Letta Mbulu, both of whom found international success in the 1980s, and jazz heavyweights in the form of saxophonist McCoy Mrubata and guitarist Selaelo Selota. Also on the bill are Blue Chili from the nearby town of Kathu, Ndingo Johwa (aka Satjilombe) from Botswana and Elemotho, one of Namibia’s greatest musical exports.

Elemotho is the first Namibian musician to win the RFI Discoveries Awards (in 2012). He has released three albums to date, most recently Ke Nako (it’s time).

Guitarist and singer Ndingo Johwa, meanwhile, is a legend of Botswana's ‘Ikalanga jazz’, having released seven albums to date, most recently a Best Of compilation in 2011.

Tickets for the festival are on sale for R160 from Computicket, at the door for R180 or R550 for VIP access. For more details visit the Kgalagadi Jazz Festival Facebook page.

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