NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Kwesta, Amanda Black rule SAMAs 23

29 May 2017 - 12:36

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Kwesta and Amanda Black were the big winners with four awards each at the 23rd edition of the South African Music Awards (SAMAs), which was held at the Sun City Superbowl near Rustenburg on Saturday night. 

Kwesta walked away with four awards

Real name Senzo Mfundo Vilakazi, Kwesta won in the Best Collaboration Album, SAMPRA Highest Airplay of the Year, Best Rap Album and Best Male Artist of the Year categories. He won the Best of the Year accolade for his album Dakar II, which features the hit single ‘Ngud’.

Amanda Black, through her debut album Amazulu, won the Best Newcomer of the Year, Best Female Artist of the Year, Best R&B/Soul/Reggae Album and Best Album awards. In second position was dance pair Black Motion with two awards in the Best Duo/Group of the Year and Best Dance Album categories.

Nasty C, who earlier topped the nominations list, walked away with the Record of the Year Award. The young rapper was stripped of a double nomination for Best Video of the Year. This after the Recording Industry of South Africa (RiSA) received a number of enquiries about the release of the artist’s ‘Don't Do It’ and ‘Good Girls’ videos. RiSA then ruled that the videos had in fact not met the deadline.

Nigeria’s Patoranking was crowned Best African Artist, a category added to the SAMAs for the first time in 2017.

Here is the full of winners (in bold):

Best Newcomer of the Year

  • Amanda Black
  • Soul Kulture
  • Babes Wodumo
  • Sketchy Bongo
  • Nasty C

Best Album of the Year

  • Kwesta – Dakar II
  • Amanda Black – Amazulu
  • Black Motion – Ya Badimo
  • Nasty C – Bad Hair Extensions
  • Thandiswa – Belede

Best Duo/Group of the Year

  • Black Motion
  • The Soil
  • Jaziel Brothers
  • Soul Kulture
  • The Parlotones

Best Female Artist of the Year

  • Amanda Black
  • Lebo Sekgobela
  • Babes Wodumo
  • Kelly Khumalo
  • Thandiswa

Best Male Artist of the Year

  • Kwesta
  • Dr Tumi
  • Musa
  • Nasty C
  • Nathi

Best Rock Album

  • Albert Frost – The Wake Up
  • The Sweet Resistance – Where There Is Hope
  • Lost & Found – Lost & Found
  • Richard Stirton – Middle Ground
  • The Parlotones – Trinkets, Relics & Heirlooms

Best Pop Album

  • GoodLuck – The Nature Within
  • Matthew Mole – Run
  • Locnville – Taste The Weekend
  • Sketchy Bongo – Unmasked
  • TiMO ODV – Origins (Digital Edition)

Beste Pop Album

  • ADAM – Hoogtevrees
  • 4Werke – 4 Warm
  • Dewald Wasserfall – Jy Is Die Storm
  • Kurt Darren – Sal Jy Met My Dans
  • Snotkop – HKGK

Best Adult Contemporary Album

  • Hugh MasekelaNo Borders
  • Majozi – Fire
  • Elvis Blue – Optics
  • Mango Groove – Faces to the Sun
  • Msaki – Zaneliza: How The Water Moves

Beste Kontemporêre Musiek Album

  • Joshua na die Reën – Die Wêreld Binne My
  • Adam Tas – Patatas en Pyptabak
  • Coenie de Villiers – Emoji
  • Refentse – My hart bly in ‘n taal
  • Ricus Nel – Ouskool Boerseun

Best African Adult Album

  • Soul Kulture – Ngeliny'ilanga
  • Dumza Maswana – Molo
  • Kelly Khumalo – My Truth
  • Nathi – Umbelelo Wam
  • Nozipho – Thando

Best Alternative Music Album

  • Native Young – Kings
  • Arno Carstens – Die Aandblom 13
  • Chris Chameleon – Firmament
  • Somerfaan – Alien Boogie Stuff
  • Tailor – Trust Part 1

Best R&B Soul Reggae Album

  • Amanda Black – Amazulu
  • Afrotraction – Love and respect
  • Brenda Mtambo – So Much More
  • Karabo – Matters of the heart
  • Tima Reece – 9

Best Rap Album

  • Kwesta – Dakar II
  • A Reece – Paradise
  • Khuli Chana – One Source
  • Nasty C – Bad Hair Extensions
  • Stogie T – Stogie T

Best Kwaito Album

  • Dr Malinga – Goodwill
  • Babes Wodumo – Gqom Queen Vol 1
  • Bullistic – N.W.O (New World Order)
  • Taylor K – Paper Chase
  • Trademark & Zinhle Ngidi – Trademark & Zinhle Ngidi

Best Dance Album

  • Black Motion – Ya Badimo
  • DJ Clock – The 5th tick
  • Durbans' Finest – Durbans’ Finest – Reloaded
  • Mobi Dixon – Live The Music
  • NaakMusiQ – Born to Entertain

Best Traditional Faith Music Album

  • Spirit Of Praise – Spirit Of Praise Vol 6
  • Deborah Fraser – Uhambo
  • Sfiso Ncwane – Wethembekile Baba
  • Teboho – Nkutlwele Bohloko
  • Zaza – Blowing the horn of chronicle

Best Contemporary Faith Music Album

  • Khaya Mthethwa – The Dawn
  • Dr Tumi – Heart of a king
  • Dr Tumi – Love and grace
  • Lebo Sekgobela – Restored
  • We Will Worship – Mmuso

Best Traditional Music Album

  • Dr Thomas Chauke Na Shinyori Sisters – Shimatsatsa No 34: Xiganga
  • Candy – Easy Come Easy Go
  • Mmaausi – Monna Oa Sokelwa
  • Qadasi & Maqhinga – Lashis' Ilanga
  • Shabalala Rhythm – Yebo Ngiyavuma

Best Maskandi Album

  • Khuzani – Inyoni Yomthakathi
  • Imfez'emnyama – Monalisa
  • Imithente – S’yawuvala Umlomo
  • Shwi noMtekhala – Kwabhalwa Etsheni
  • Thokozani Langa – Amabrazo

Best Jazz Album

  • Nduduzo Makhathini with Umgidi Trio and One Voice Vocal Ensemble – Inner Dimensions
  • Darren English – Imagine Nation
  • Dave Reynolds & Pops Mohamed – Live in Grahamstown
  • Sydney Mavundla – Luhambo
  • Thandiswa – Belede

Best Classical Instrumental Album

  • Charl du Plessis Trio – Baroqueswing Vol. II
  • Bongani Radebe – Buyelekhaya Sax Rendition
  • Imilonji KaNtu Choral Society – And Then I Heard a Voice by SJ Khosa
  • The Voice of Angels – The Voice of Angels Volume 2
  • University of Pretoria – Love and War

Best Afro-pop Album

  • Vusi Nova – Vusi Nova
  • Jaziel Brothers – Jaziel Brothers
  • Musa – Musa
  • Robbie Malinga – Robbie Malinga
  • The Soil – The Soil

African Indigenous Gospel Album

  • Living In Christ Legends – Living in Christ Legends
  • Amadodana Ase Wesile – Amadodana Ase Wesile
  • Jerusalema E Ncha – Jerusalema E Ncha
  • Lejwe la Motheo – Lejwe la Motheo
  • T.C.C.C. Mass Choir – T.C.C.C. Mass Choir

Best African Artist

Live Audio Visual Recording Album

  • Khaya Mthethwa – The Dawn
  • Joyous Celebration – Joyous Celebration 20 – Part 2 – The Alumni
  • Joyous Celebration – Joyous Celebration 20 Live at The Moses Mabhida Stadium
  • Krone & Various Artists – Krone 3 DVD
  • Spirit Of Praise – Spirit Of Praise Vol.6

Best Collaboration

  • Kwesta – ‘Ngud’
  • Black Coffee – ‘Your Eyes’
  • Kwesta – ‘Mayibabo’
  • Miss Pru – ‘Ameni’
  • Musa – ‘Mthande’

Best Music Video of the Year

  • Miss Pru – ‘Ameni’
  • Khuli Chana – ‘One Source’
  • Nasty C – ‘Don't Do It’
  • Nasty C – ‘Good Girls’
  • Reason ft AKA & Khuli Chana – ‘Yipikayay’

Best Produced Album

  • Sjava – Isina Muva
  • Afrotraction – Love and Respect
  • Brenda Mtambo – So Much More
  • Matthew Mole – Run
  • Rubber Duc – The Secret Sun

Best Engineered Album

  • Arno Carstens – Aandblom 13
  • The Soil – Echoes of Kofifi
  • Mango Groove – Faces To The Sun
  • Jesse Clegg – Things Unseen
  • LeAnne Dlamini – Warrior

Best Remix of the Year

  • Vic – ‘Wena Wedwa (MusicCraftMAN Mix)’
  • Distruction Boys – ‘Wololo (Dbanj Remix)’
  • DJ Mizz – ‘Close to You (Mizz Afro Remix)’
  • Evida – ‘The Woods (Evida Remix)’
  • Kyle Deutsch – ‘Can't Get enough (Official Remix)’

Record of the Year

  • Nasty C
  • AKA – One Time
  • Amanda Black – Amazulu
  • Babes Wodumo – Wololo (featuring Mampintsha)
  • Black Coffee feat Shekinah – Your Eyes
  • DJ Clock feat Prom Knights – Wolves
  • Kwesta – Ngud
  • Locnville – Cold Shoulder
  • Matthew Mole – Run
  • Miss Pru DJ – Ameni

Best Selling DVD of the Year

  • Joyous Celebration 20

Best Selling Digital Artist

  • Sfiso Ncwane – Ngipholise Nkosi

Best Selling Album of the Year

  • My Hart Bly In ‘n Taal – Refentse

CAPASSO Best Selling Digital Download Composer’s Award

  • Sfiso Ncwane – Ngipholise Nkosi

Highest Airplay of the Year

  • ‘Ngud’ – Kwesta

International Achiever

  • Pretty Yende

Lifetime Achievement

  • Rebecca Malope
  • Don Laka
  • Babsy Mlangeni

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