NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Overviews

The live music scene in Rwanda

15 Oct 2015 - 10:22

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By Dean Karemera

A few years ago, Rwanda was not a hotspot for live music entertainment. On weekends, city folk (particularly the youth) would hop on a bus to neighbouring countries like Uganda or Burundi just to have fun - but that is now fast changing. This text provides an overview of the reawakening of the live music scene in Rwanda. 

Fans enjoy music at past edition of KigaliUp festival. Photo by Kimberly Ross Photography

Venues

For starters, hotels, bars and restaurants in Kigali are becoming more creative in a bid to retain clients as competition in the entertainment industry continues to take an upward trajectory.One way that establishments are encouraging customers to remain in their seats has been the introduction of live-band performances, locally known as ‘Igisope’

While high-end bars normally spew out modern hip-hop, rock or Afrobeat songs throughout the week, regular bars have carved a niche by going for live performances by different bands that are cropping up. The culture of live bands, referred to locally as ‘orchestras’, is not new to Rwanda. Through the 1980s until the genocide in 1994, any hangout that did not have an orchestra playing risked losing its clientèle.

Although most bars play mainstream music, they always set aside a day or two for live band performances by various orchestras. Orchestras from the 1980s such as Ingezi and Impala still have their music played live by other ensembles. Abamararungu, Ingeri and Nyampinga are among the other new music ensembles that can be found performing around Kigali. Rwanda only has a handful of artists who stage album launches with live bands; the majority of musicians still prefer to do playbacks.

For example, Hotel Des Mille Collines by Kempinski[i] hosts live band music at their Pool Bar. The music is typically a mixture of slow Rn'B, soul and zouk by a talented in-house band. They also host visiting bands like the Gakondo Band, which specializes in traditional music and is made up of the talented Intore Masamba, Diana Teta and Jules Sentore, along with other instrument players. They usually play on Fridays.

Located within a kilometre of the Kigali International Airport, the Alpha Palace Hotel[ii] is another venue that offers live music in the form of jazz music at the snack bar. On top of the live jazz band music, there's live DJ mixing for revelers who want to dance the night away.

Festivals

Beyond daily or weekly music events, each year KigaliUp festival brings together local and international artists in live performances and also conducts music workshops for local artists and music professionals from the region and beyond. The festival is the brainchild of one of Rwanda's most talented musicians, Mighty Popo, together with other stakeholders, to celebrate African music and musicians through hosting top talent in traditional, gospel, reggae and soul music. KigaliUp marked its fifth edition in July 2015.

The festival has managed to bring together well known Rwandan musicians as well as international musicians. This include Senegalese star Ismael Lo, Burundi’s Kidum, award-winning Rwandan artist Jean Paul Samputu, Tumi & the Volume from South Africa and the late Mbira songstress Chiwoniso from Zimbabwe.

Apart from KigaliUp, Primus Guma Guma Super Star (PGGSS) is another avenue that is being used to promote live music. This singing competition debuted in 2011 and brings together local artists on a countrywide tour. However, it only stages live music performances during the final rounds of the competition, while the biggest part of it is dedicated to playbacks. In 2015 musicians were only allowed to sing using playbacks in the verses but not for the chorus - which is termed 'semi-live'. PGGSS rewards winners at the end of the competition, which usually runs for six months, from March to August.

Hobe Rwanda cultural festival[iii] serves a rich variety of music. This festival is usually a two-day event and is aimed at promoting Rwandan culture through education, music and poetry. In 2015 the event was held between 5 and 6 September at the Serena Hotel and the Petit Stade. Rwanda's finest traditional and folk musicians livened up the event, including Mariya Yohana, Jean-Marie Muyango, Inganzo Ngali, Intore Masamba, Daniel Ngarukiye and Kalisa Rugano.

Renowned artist Pablo Picasso once said, “The purpose of art is washing the dust of daily life off our souls” - and that's exactly what the Ubumuntu Arts Festival[iv] is all about. Ubumuntu (literally translated as ‘humanity’) uses art to send a message about the importance of preserving and respecting humanity. It premiered in 2015 during the 21st commemoration of the genocide against the Tutsi. It immediately took the country by storm and is set to become an annual event, with dates for the second edition scheduled for 14-17 July 2016. The full commemoration usually takes 100 days, while the festival itself will take place in June at the Kigali Memorial Centre.

Promoters

Event organizing and promotion hasn't been fully embraced in Rwanda and it still lacks momentum. Many event management companies lack expertise, coordination and proper planning and several have been forced to close shop due to mismanagement. However, there are still a few that are making progress in the business.

East African Promoters (EAP)[v] are the brains and manpower behind Primus Guma Guma Superstar competition. Run by Joseph Mushyoma, EAP boasts of an experienced team with formidable and committed young people. The promoters also handle the Miss Rwanda beauty pageant and the end-of-year East African Party.

Positive Productions have managed to stand out among event management companies in the country. Managing director Judo Kanobana has handled some of the biggest events in the country, including the Groove Awards, which they co-hosted with Moriah Entertainment, and organising the annual KigaliUp festival. They were also preparing to welcome Belgian musician Stromae before he cancelled his 2015 concert.

Cube was launched in Rwanda in 2013 and has since established itself when it comes to events marketing, branding, public relations and digital marketing, among others. They provide services for the private sector and government agencies, as well as non-governmental organizations. They were the event organizers for concers by touring Nigerian stars Davido and P-Square.

The success of the above events and festivals and the growing capabilities of local event organizers have managed to put Rwanda on the entertainment map. A lot may still be lacking as far as diversity in live music is concerned, but the scene continues to grow in size, professionalism and popularity.

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