NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

MIAF and Goethe-Institut release Southern Africa CCI report 

27 Jun 2024 - 08:22

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The Music In Africa Foundation (MIAF) and Goethe-Institut have released a research report into the cultural and creative industries (CCIs) in Southern Africa. 

The testing stage of a new VR project in northern Mozambique that was supported by the Sound Connects Fund. Photo: Bruce Buttery

The publication of the report forms part of the conclusion of the Sound Connects Fund (SCF), a multifaceted initiative aiming to develop cultural projects in nine Southern African countries, namely Angola, Botswana, eSwatini, Lesotho, Malawi, Mozambique, Namibia, Zambia and Zimbabwe.

The CCI report provides insightful information about the cultural and creative sector in the aforementioned countries. It suggests possible interventions to develop the CCIs in order to empower individual practitioners and organisations that are actively engaged in fields such as music, film, dance, animation, gaming, broadcasting, events, education and cultural management, among others.

Report highlights

The report is based on previously available data and detailed surveys with sector practitioners and government representatives. It identifies the key policies and legal frameworks that have been put in place across all nine countries, broaching subjects such as CCI funding, CCI professionalisation, legislation, public support, intellectual property rights and freedom of expression.

Unsurprisingly, the report confirms the endemic challenges experienced in the Southern African CCIs, which, in their current state, are largely underdeveloped, requiring bolstered support and concerted advocacy efforts. Some of the challenges unpacked in the report are a lack of transparency, funding structures, industry-specific data, policy formulation and ratification, access to technology, and effective communication mechanisms.

Music In Africa Foundation executive director Eddie Hatitye said: “The end of the Sound Connects Fund is a good opportunity for players in the Southern African CCIs to regroup and demand for important changes in their industries. Through the implementation of the fund, we got a chance to get up close and personal with the biggest challenges that CCI organisations are grappling with at the moment.

“These experiences were recorded, processed and interpreted for this report, which can serve as an updated roadmap about the next steps we need to take if we want our cultural and creative practitioners to do well in their respective fields. We encourage all stakeholders working in the Southern African and African CCIs to employ this report in their strategic efforts towards a prosperous industry defined by more collaborative work and export opportunities for their creative goods.”

The Sound Connects Fund was implemented over 40 months to professionalise, capacitate and provide funding opportunities to 36 CCI organisations in Southern Africa. Apart from funding, the initiative upskilled the grantees through annual networking events and the Sound Connects Academy – a learning platform that was developed to facilitate sessions on a series of industry-related subjects. The Sound Connects Fund also hosted the 2024 Sound Connects Conference in Maputo, Mozambique, where cultural professionals gathered to network, take part in engaging panel discussions and learn about the funded projects.

The CCI report has been published alongside a sibling Sound Connects Fund report about the work of the 36 funded organisations. That report also includes a section on the learnings from the organisations’ implemented projects

Read and download the two reports via the Sound Connects Fund website.

The Sound Connects Fund was made possible with funding from the ACP-EU Culture programme, a project implemented by the Organisation of the African, Caribbean and Pacific States (OACPS) and the European Union (EU).

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