NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

More African acts added to line-up for WOMEX in Spain

08 Jul 2016 - 10:02

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Several more African artists and DJs have been added to the line-up for this year’s World Music Expo (WOMEX), set to take place from 19 to 23 October in Santiago de Compostela in Spain.

Moroccan musician Mehdi Nassouli will perform at WOMEX in Spain. Photo: www.boulevard.ma

Following a call for applications earlier this year, this year's selection of showcase artists will see around 60 acts from all over globe to showcase to the expected 2500 delegates at WOMEX this year.

The first 23 acts for the WOMEX Showcase Festival were announced late last month.

Now with WOMEX’s second announcement of showcase artists as well as DJs, Africa’s representation at this year's WOMEX has more than doubled, with more acts still to be confirmed.

They will join already confirmed African acts in the form of Mauritanian ‘desert blues’ singer Noura Mint Seymali; Mali’s 21st century griots Trio Da Kali; Belgium-based Tunisian band Bargou 08; and Angolan-Portuguese outfit Throes + The Shine.

Recently added to the bill from Africa is Moroccan multi-instrumentalist Mehdi Nassouli, who blends the many indigenous sounds of Morocco – including Arabic, Gnawa and Amazigh. Always open to new fusions of genres, Nassouli has traveled several continents collaborating with some of the major names in world music.

Also added to the the WOMEX Showcase Festival is South African guitarist Derek Gripper, who presents kora music in a different light. His 2012 album, One Night on Earth: Music from the Strings of Mali, interprets kora compositions on solo guitar, a feat that classical guitar legend John Williams said he thought was “absolutely impossible until I heard Derek Gripper do it”. When Malian Kora maestro Toumani Diabaté heard these recordings he soon invited Derek to collaborate with him in Mali, which saw Derek performing at the Acoustik Festival in Bamako in early 2016, the first international festival held in Mali since 2012.

Representing Senegal at WOMEX will be Faada Freddy, the former MC of Daara J Family who has since embarked on a successful solo career leading his ‘a cappella gospel-soul revue'. He is popular performer both at home and in Paris, where he has staged concerts at two of its most prestigious live music venues, the Olympia in October 2015 and Le Zénith in May 2016.

From DR Congo, meanwhile, WOMEX will welcome Jupiter Bokondji and his band Okwess International. Representing ‘the dark side’ of Congolese music, Jupiter blends rumba, rock and more in an energetic live show. In late 2014 the band was invited by Music In Africa to perform at the opening of the Goethe-Institut in Kinshasa.

Kondi Band is an inspired collaboration between blind Sierra Leonean kondi (thumb piano) player Sorie Kondi and American techno producer and DJ Chief Boima, who himself has Sierra Leonean roots. They connected via Youtube and Boima remixed one of Kondi’s tracks, which soon started appearing in DJ playlists and led to coverage by The Fader magazine. After a successful Kickstarter campaign, Sorie travelled to the US for the first time for a five-date tour, during which he and Boima worked on new ‘lamellotronica’ recordings that form the nucleus of the debut Kondi Band album Belle Wahalah.

Also added is French rapper MHD (aka Mohamed Sylla), born in Paris to Guinean and Senegese parents, who has been hailed as the young king of Afro-Trap.

Recently added to the line-up from other parts of the world are Adnan Joubran (Palestine/France), Bella Ciao (Italy), the Edmar Castaneda Trio (Colombia/USA) and La Negra (Spain). They will join already confirmed acts Bixiga 70 (Brazil), Black String (South Korea), C4 Trio (Venezuela), Delgres (Guadeloupe/France), Dudu Tassa & The Kuwaitis (Israel), Gisela João (Portugal), Gulzoda (Uzbekistan), Maïa Barouh (Japan/UK), New York Gypsy All Stars (Macedonia/Turkey/Greece/USA), Okra Playground (Finland), Oligarkh (Russia), Ponk (Czech Republic), Puerto Candelaria (Colombia), Radio Cos (Spain), The East Pointers (Canada), Trad.Attack! (Estonia), Tulegur (China), United Vibrations (UK) and Vassvik (Norway).

Uganda, Angola and Morocco to be represented at WOMEX DJ Summit

One of the most popular portions of the WOMEX programme is the DJ Summit, which hosts late-night sets from up-and-coming acts at the Sala Capitol club. Now in its fifth year, the WOMEX DJ Summit has become a drawcard for professionals and musicians seeking club sounds and electronic music from across the world. This year’s DJ Summit will consist of five artists showcasing global club music, including WOMEX's first ever Ugandan performer, DJ Rachael. Alongside her will be Angola’s DJ Satelite, Morocco’s Hatim Belyamani (aka officerfishdumplings), Acid Arab (France) and El Remolon (Argentina)

The DJ Summit selection is made from proposals, and for 2016 was chosen by special curator Guy Morley. "Dance music culture is a really important element of world music; helping to both excite new audiences and move on preconceptions," explained Morley. "The self-confidence of 'homegrown' dance music is charged-up around the globe creating popular musical archetypes that threaten the dominance of US and European ‘pop’ culture. Native markets grow stronger and a new generation make their mark, often more reliant on neighbouring markets than on ones further afield, in Europe or North America. The evidence for this can be seen in through this year’s DJ submissions, where there were really strong fields from both Africa and South America. These days how this all works together with notions of counter-culture is a complex task, but I hope visitors to the WOMEX DJ Summit get some insight!"

For updates and more details visit the WOMEX website.

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