NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

More top talent for 2016 Cape Town International Jazz Festival

25 Nov 2015 - 13:41

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The organisers of the annual Cape Town International Jazz Festival (CTIJF), espAfrika, this week shared more of the glittering names that will join the all-star line-up at next year’s festival on 1 and 2 April 2016. Now celebrating its 17th year, ‘Africa’s Grandest Gathering’ just got even grander!

Cassandra Wilson. Photo: www.lifestyleasia.com

American singer and songwriter Cassandra Wilson will grace the Rosies stage with her tribute to Billie Holiday. Many critics acknowledge Wilson as the pre-eminent jazz singer of our time, so for jazz lovers this rich and sublime experience is not to be missed.

Also enhancing the star quality of this glittering line-up is award-winning percussionist, vocalist and producer Sheila E. Her music fuses pop, R&B, funk, rock, Latin and jazz, creating a unique signature that has been heard in solo and as support for stars like Prince, Ringo Starr and Beyoncé.

Adding even more international weight to the 2016 line-up is JAV (Reunion Island/Mozambique/SA) and French hip-hop and soul mistress Laëtitia Dana.

Of the local talent on offer, new additions to the line-up include reggae band Dr Victor & the Rasta Rebels; Cape jazz master Ramon Alexander; versatile guitar virtuoso Cameron Ward; award-winning jazz pianist Bokani Dyer; guitarist Themba Mokoena, electronic producer Felix Laband; Cape Flats hip-hop crew Driemanskap; kora player and guitarist Derek Gripper; the much-loved Elsies River School Band (SA); the iconic Dorothy Masuka and Abigail Kubeka in 'Legendary Ladies in Song' ft. Lemmy ‘Special’ Mabaso; jazz pianist Tete Mbambisa’s Big Sound; psychedelic duo Christian Tiger School, and the supremely talented Sekunjalo Edujazz Big Band. Replacing Afrika Mkhize on the bill is pianist Nduduzo Makhathini’s 'Listening to the Ground' project ft. Eddie Parker (UK).

Previously announced artists for CTIJF 2016 include Malian blues duo Amadou & Mariam and top American talent in the form of Angie Stone, R&B trio SWV; bassist Victor Wooten and Meshell Ndegeocello. Lesser-known international acts include instrumental jazz trio Badbadnotgood (Canada); tenor saxophonist Mark Turner (USA); jazz and R&B vocalist Lizz Wright (USA); santoor and classical artist Rahul Sharma (India) performing with jazz saxophonist George Brooks (USA) and jazz pianist Roberto ‘Solo’ Fonseca (Cuba); and supergroup Jazz Attack ft. Peter White, Rick Braun and Euge Groove (USA).

Local talent already announced includes Mafikizolo ft. Tsepo Tshola (Sankomota); Nathi with special guest Vusi Nova; rising songbird Tribute ‘Birdie’ Mboweni; Muzart performing with rapper Khuli Chana; the bassist Benjamin Jephta Quintet; Thandi Ntuli; Cape Town favourites TopDog; and introducing the exciting new music experience of Tumi Mogorosi and Project ELO.

Commenting on the extraordinary line-up, Festival Director Billy Domingo said: “These artists are representative of the diversity of jazz. Each year we set out to select performers who provide depth and range of music craft, as well as broad entertainment value to our ever discerning audiences. Providing clear proof that Africa is growing as a desirable destination for international artists and tourists alike, I believe we have delivered a line-up that celebrates our diversity, provides variety and one that is certain to appeal to the CTIJF’s local and foreign, faithful ‘Festinos’ and newcomers alike.”

Although weekend passes are officially sold out, day passes are still available at R590 each from Computicket. Limited Rosies Stage tickets cost R30 per performance and will also be available on www.computicket.com from 7 December 2015. For more details visit the CTIJF website. Watches highlights of the 2015 CTIJF in the video below.

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