NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Moshito music conference returns to Johannesburg

16 Aug 2016 - 10:03

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The 13th annual Moshito Music Conference and Exhibition will take place from 7 to 10 September at the SABC heaquarters in Auckland Park, Johannesburg.

Gigi Lamayne and Roger Lucey are the faces of this year's Moshito conference. Photo: hartroc.com

Moshito 2016 has lined-up a series of interesting topics, showcases and concerts where music industry practitioners, musicians, festival promoters, booking agents, music managers and exhibitors from various international music markets will come together to interact, discover talent and strike deals necessary for the growth of the music industry.

With over 100 panelists discussing over 12 relevant topics, as well as five breakaways, five plenaries, two workshops, one music managers' meeting and plenty of live showcases from fresh talent, Moshito 2016 is poised to be a place where music meets business and business meets music.

Live events

As was the case last year, Moshito is offering a range of live musical entertainment at night after each day’s conference proceedings. Among its side events is a concert on Thursday 8 September dubbed ‘Censored: An Afro World Music Night’ at the Joburg Theatre. The night’s line-up will include Sipho ‘Hotstix’ Mabuse, The Soil, Tlokwe Sehume, Roger Lucey and Mbuso Khoza featuring the KZN Heritage Ensemble.

On Friday 9 September Moshito’s Beat Festival will take place at Zone 6 Venue in Soweto, where music lovers will be entertained by the hottest urban stars in Bucie, Kwesta, Major League DJs, Emtee, Reason, L-Tido, Gigi LaMayne and more.

On Saturday 10 September the Moshito Street Festival will be held in Melville on the corner of 7th Street and 4th Avenue. Local favourites such as Tidal Waves and Blk Jks will join upcoming talent such as Carli J Myers and Ayanda Tshabalala as well as a host of international acts, including Mozambican rapper Azagaia, Mounawar (Reunion), Tritonik (Mauritius), DJ Scratchy (UK), Sauvage DJ (Reunion) and Hollywood & Vine (Netherlands).

Censorship theme

This year’s theme for Moshito is ‘Censored: When the Revolution Could Not be Televised’, which aims to recognise the voices who bring the plight of marginalised people to public attention through song, for the world to know. The theme speaks to the fact that music can highlight the prevailing socio-economic and political realities of the day, which public authorities can then either take heed of or censor. Indeed all over Africa, censorship versus freedom of speech is a key issue affecting the continent’s music industries.

This theme is particularly significant given South African musicians’ long history of censorship. Ironically it Moshito’s host venue, the SABC, that has been at the forefront of censoring music in South Africa, not only during apartheid but still today. The troubled organisation recently made the controversial move to remove visuals of violent protests ahead of the country’s local elections in early August, a step that saw dissenting journalists summarily axed for speaking their minds (which was subsequently deemed unconstitutional by the Independent Communications Authority of South Africa). The cash-strapped organisation’s recent steps to drastically boost local content quotas almost overnight, to dish out cash payouts to 180 lucky musicians and to set up a dedicated music TV channel have also raised questions over which genres and musicians might be sidelined as a result.

Under this theme, anti-apartheid activist and artist Roger Lucey is featured as the 'face' of this year’s event. He was one of three musicians (and the only surviving one) to be honoured with a Lifetime Achievement Award at the SAMAs earlier this year. The other ambassador of this year’s event is young female rapper Gigi Lamayne, although it’s not clear on how exactly she fits into the theme itself, having only been born in 1994 at the dawn of South Africa’s democracy.

For more details or to book your place, visit the Moshito website or Facebook event page.

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