NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Reviews

Mr. P and Niniola make sex and dance duet

25 Apr 2019 - 14:43

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The P-Square break-up could have killed the careers of the twin brothers. It hasn’t. Why?

Mr P and Niniola have released a video for 'One More Night'.

The guys understand that pop music likes familiarity and, as individuals, have merely continued where the group stopped. There might have been a chance for reinvention but that would take them to build an audience when there is a sibling to beat.

As it stands, Rudeboy seems to favour the more traditionally Nigerian sound the group sometimes had; Mr. P has doubled down on the group’s more foreign influences and its dance-driven videos. In other words, Rudeboy took the last iteration of P-Square. Mr. P went back to P-Square around the time of 'Senorita'.

The main change for them is that as solo acts, they seem more eager to collaborate with their colleagues. In January, Rudeboy had a song with Phyno and Olamide; Mr. P has Niniola feature in his delightful new video for ‘One More Night’.

If you are familiar with pop music, that title might tell you something else that Mr. P has taken from his P-Square days: He is still making songs and videos with very clear references to older songs:

  • The title is the same as that of the Phil Collins 1985 hit.
  • An echo repeats a line from Kool & the Gang's 'Get down on It'.
  • A chunk of the video’s choreography comes from Michael Jackson videos.
  • At the end of the first verse, a Marvin Gaye line from 1982’s 'Sexual Healing' appears.
  • You would find the shaku-shaku and zanku dance moves in any number of recent Nigerian videos.
  • As a corollary to the above, one dance combination is almost exactly as it features in Olamide’s video for ‘Woske’.
  • The video’s last major dance step is from Missy’s 2002 hit, 'Work It'.

And yet, the video is hard not to love. The choreography, the set, the art direction—nothing is original here but everything is enjoyable.

The one original thing comes from Niniola. She takes a verse, steals the show lyrically and provides a locus of dance and sensuality to the video. The spine of the beat is typical house music, the sound that made her name. And, of course, the song is about Niniola's favourite topic: sex. Within her verse, she goes for the Nigerian pop act’s most famous class of metaphor, food for sex. Her body is "like tomato" at one point. Then there is this:

He said, Baby, you’re too contagious
I take you to Lagos
You want balanced diet, balanced diet

What exactly is “balanced diet” as used by Niniola? Let the inquest begin. The last time there was something new in the food-sex corpus was back in 2016, when Tekno introduced “cassava” to the culture. “Balanced diet” would not be as successful but this doesn’t mean we should call off the investigation.

Since Mr. P’s exit from P-Square, he has become more flamboyantly sexual in his lyrics, as though he has only recently become an adult. ‘One More Night’ is the clearest departure from the coy ethos of P-Square—even so, it is an homage to the pop music tricks he learned back when he sang and performed, to great success, with his twin brother. As they say, the more things change, the more they remain the same.

If the twins never get back together, it would be nice if Mr. P does more songs with Niniola, especially if he intends exploring his newfound sexual liberation. She's better at it and infuses his bag of P-Square tricks with a brand of originality he couldn't find with family. Charity might begin at home—but you usually have to leave home to find sex.

Song: One More Night
Artist: Mr. P x Niniola
Label, Year: PClassic Records, 2019

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