NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Namibia’s Shishani goes back to her roots on new album

20 Jun 2016 - 14:56

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Namibian musician Shishani is currently touring Europe with her new band, The Namibian Tales, in preparation for a new album, Itaala, to be launched officially later this year.

Shishani revisits Namibia's musical heritage on her new album, 'Itaala'. Photo: Victoria Torii Ashipala / shishani.nl

Combining the rich musical tradition of her native Namibia with western influences as soul and jazz, Shishani has teamed up with Hungarian cellist Bence Huszar, German-born Debby Korfmacher on mbira, kora and vocals and Dutch percussionist Sjahin During. Adding his kora, ngoni and guitar skills will be Malian guest musician Zoumana Diarra, currently based in the Dutch town of Nijmegen, who is is expected to join them in studio in August and for the CD release tour in 2017. ​

In preparation for the upcoming album and current tour, the band recently released a video of a live performance of the songs from the new albums: ‘Itaala’, ‘Salifa’ and ‘Kuku’. The medley was recorded live in Amsterdam in May. The artist told Music In Africa: “We recorded this video in the living room of percussionist Sjahin During in Amsterdam. This is where we rehearse and create music together, so we wanted to keep that personal, intimate feel. What I personally love about this space is the light wood and beautiful wooden furniture hand made by Stefan During, Sjahin’s father. The house oozes a vibe of creativity, space and special attention to every little detail.”

Speaking about the upcoming album, Shishani explained: "Itaala means ‘believe’ in Oshiwambo, language of the Aawambo people in Namibia, my mother's tongue. Itaala is a journey of me going back to my Namibian roots and where all the musicians are bringing new influences along, in a way carrying new gifts and goods into Namibia as part of this dialogue. These influences stem from Turkey, Hungary, Netherlands, USA, India, Cuba - the many countries we hail from and/or have been inspired by."

Though rooted in ancient traditions, the band create unexpected harmonies and rhythms in songs that are contemporary and refreshing. Shishani explains: “Our music is a dialogue of the present - looking into both my personal past and the country's history. We're in a way also whispering to the future, where the idea of the global village is coming closer and closer; where the whole world is exchanging all sorts of influences, and yet we celebrate particular artistic and cultural practices. Coming from Christianisation and apartheid, where so much of the local beliefs and practices where shunned, Itaala is also a way to praise the country, the people, the languages, the traditions, the music.”

The upcoming album is a conscious attempt by Shishani and her bandmates to explore Namibia’s musical traditions. “In 2015, Sjahin During and I created this new project, Namibian Tales, to dive into the different musics from Namibia,” she explained. “We're especially interested in researching the traditional music practices from various ethno-linguistic groups in Namibia and creating new work inspired from this, mixing it with our many influences. For me this is a personal journey going deeper into my Namibian roots. Growing up in Europe, I had no access to any Namibian music - this was before the internet. So I've spent most of my life feeling cut off from these rich musical cultures. This project is our way of honouring Namibian heritage through our personal creativity and celebrating our cosmopolitan lives and influences."

Shishani’s new songs represent a clear departure from her earlier work, both as a solo artist and fronting the band The Dub Colours with musicians from Greece and Belgium. “This project definitely represents a change from my earlier work: I now also sing in Oshiwambo whereas this was only English and some French before. We create songs based on traditional Owambo rhythms, sounds inspired by music of the San people and other countries in Africa. So Africa is the starting point, and we take it from there.”

Shishani and the Namibian Tales kicked off their European tour in May with performances at Oosterpark Festival (1 May) and Mezrab (12 May) in Amsterdam ahead of the Amersfoort Jazz festival on 28 May. Their upcoming gigs include various performances in The Netherlands until September this year, before the band heads to the World Music Expo (WOMEX) in Spain in October, then home to Namibia in November.

  • 25 June: InJazz Showcase - Rotterdam, Netherlands
  • 2 July: Westwaarts Festival - Amsterdam, Netherlands
  • 3 July: Amsterdam Roots Festival - Amsterdam, Netherlands
  • 28 Aug: Itaala CD recording - Netherlands
  • 3 Sept: Korzo Uithaags Festival - Den Haag, Netherlands
  • 11 Sept: Buiksloterkerk - Amsterdam, Netherlands
  • 19 Sept: Zilveren Notenkraker Prijs. Paradiso - Amsterdam, Netherlands
  • 14 Oct: official release of Itaala
  • 19-23 Oct: WOMEX - Spain
  • 1 -15 Nov: Namibia tour, special project with the San people
  • 22 Nov: Stadschouwburg - Haarlem, Netherlands
  • 20 Jan 2017: CD release concert - Korzo Den Haag, Netherlands

Asked how it feels to be representing Namibia on European stages (along with the likes of Elemotho), Shishani explained: “It's wonderful to be able to talk to people about Namibia. Many have never heard anything from Namibia, nor do they know much about the country, the people or the history. So I feel honoured to be able to share my experiences, stories and music. I realise so many people become curious and want to know more, so they start googling the map to find out where it is and research more about other Namibian artists.

“What we do in this project is not traditional music; it's very much a contemporary take on these influences. But it's definitely a celebration to share what we do in Europe,” she continued. “The response is great, they love the sounds and the language, it's something new. There is definitely a difference in response between audiences in Europe and Namibia: whereas Europeans love to listen quietly and attentively, in Namibia people rise, dance, and support you loudly if they feel it! Both energies are great - at the core it's love people are sharing. I feel privileged to be able to travel between both.

Looking ahead to the future, Shishani said that the band will be heading home to Namibia in November and plans to tour Southern Africa with the new album next year. “We are very excited about that because we will also start a new research project on some musical traditions while we are there. We will be doing our album release tour in 2017, so we hope to visit South Africa, Zimbabwe and more African countries during our travels.”

For more details and updates on her upcoming album and tour dates, visit her website or keep an eye on her Facebook page.

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