NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

National Arts Festival returns to Makhanda with expanded 2026 programme

18 Jun 2026 - 12:57

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The National Arts Festival (NAF) will return to Makhanda from 25 June to 5 July 2026, presenting a programme of music, theatre, visual arts, dance, comedy and cultural events across multiple venues in the Eastern Cape town.

This year’s programme aims to showcase a broad range of South African artistic voices, featuring both established performers and emerging talent.

The 2026 edition will introduce a new late-night music venue at the Great Hall, alongside established festival spaces including the Black Power Station, Village Green, the Long Table pop-up restaurant and the Oldies entertainment hub.

Organisers said this year’s programme aims to showcase a broad range of South African artistic voices, featuring both established performers and emerging talent.

The music line-up includes performances by Thandiswa Mazwai, Msaki, Concord Nkabinde, Soweto String Quartet, Standard Bank Young Artist for Music Ndumiso Manana, Standard Bank Young Artist for Jazz Gabi Motuba, gospel musician Betusile Mcinga, the Bala Family, Nomfundo Moh and Nontokozo Mkhize.

The theatre programme will feature new work by Standard Bank Young Artist for Theatre Jason Jacobs, as well as FAMEHUNGRY by British artist Louise Orwin, an interactive production that unfolds simultaneously on TikTok. International productions also include the Canadian work 2021, which explores digital reconstruction after death, and the Australian circus production Wolf.

Visual arts highlights include Standard Bank Young Artist for Visual Art Bronwen Katz’s exhibition Ta a-b kebab ada kaxu-da, ti khoe-du'e and the MTN x UJ New Contemporaries Award 2025/26 exhibition, curated by Amogelang Maledu. The winner of the award is scheduled to be announced on 26 June.

National Arts Festival Artistic Director Rucera Seethal said the programme reflects contemporary social and cultural concerns.

“This year's Curated Programme is a selection of work that is resonant with the discordant themes of our times. As the global ground moves beneath our feet, coming to the National Arts Festival is a way to find ground, common ground and roots, but also a place to stand in creative unity with others, in real contact and real connection,” Seethal said.

More than 200 new productions will be presented through the Fringe programme, covering theatre, comedy, dance and experimental performance. Artists from all nine provinces are expected to participate.

The Fringe continues to serve as a platform for emerging artists, with the Ovation Awards recognising outstanding productions. Additional support for artists is being provided through the Department of Sport, Arts and Culture’s Mzansi Golden Economy programme, which includes workshops, networking opportunities and engagement with local and international producers.

“The National Arts Festival remains one of the most important platforms for South African artists to claim ground, experiment and share new work,” said NAF Associate Producer Zikhona Monaheng.

“This year's programming balances artistic ambition with accessibility, ensuring that exceptional cultural work reaches audiences across economic and geographic boundaries.”

Festival organisers have partnered with ride-sharing platform CrabaRide to provide lower-cost travel options for visitors travelling to Makhanda. The initiative allows travellers to share transport costs by offering or booking seats in private vehicles.

Ticket prices for festival events will range from R20 to R300.

New additions to the festival experience include the Great Hall live music venue, which will host performances, a bar and late-night DJ sessions. A Festival Canteen will also operate at the Monument Restaurant from 26 June to 4 July, offering low-cost meals to festivalgoers.

The festival remains one of South Africa’s largest arts events and is expected to generate economic activity for Makhanda and the wider Eastern Cape through employment, tourism and spending in hospitality, technical services and cultural sectors.

Contributors: Sisi Nkabinde, Mbongeni Yaka, Muvhango Ndou, Lefa Kgotso and Satiate Chauke

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