NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Nelson Mandela Day playlist: The music that freed Madiba

18 Jul 2022 - 07:34

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Mandela Day commemorates the birthday of the late political figure and first black president in South Africa. The day was officiated by the UN and first celebrated in 2010. 

Nelson Mandela was known for his love of music and dancing.

For many South Africans, Nelson Mandela symbolised hope, freedom and perseverance in a country defined by inequality and the violation of human rights. Mandela’s legacy was rooted in immense contributions and sacrifices to overturn an oppressive segregationist system.

Perhaps less mentioned is Madiba’s deep love for music, which he saw as an important vehicle for social change. “Politics can be strengthened by music, but music has a potency that defies politics,” he once said.

On Mandela Day, Music In Africa has compiled a playlist with songs about the great statesman.

Asimbonanga by Johnny Clegg and Savuka

A constant spokesman for social change, Johnny Clegg and Savuka released ‘Asimbonanga’ in 1987. The song stirred much controversy for featuring band members of different races, and became an anthem for freedom. The title of the song, which translates to ‘we have not seen him’, illustrates the fury and frustration of black South Africans who were pining for Mandela.

My Black President by Brenda Fassie

The bold and daring hit was immediately banned when it was released in 1989, a year before Mandela’s release from jail. The Black Madonna ponders about a nation governed by a black President, prophesising the release of Mandela who would become that black president.

We Miss You Manelow – Chicco Twala

Released in 1989 during an era that saw many protest songs banned and their creators exiled, Manelow, a pseudonym for Mandela to avoid the wrath of the brutal National Party government, resonated with ordinary South Africans as they demanded for change.

Nelson Mandela by Youssou N'Dour

Music icon Youssou N'Dour released the Nelson Mandela album in the mid-80s. In 1988, the Senegalese musician performed its title song at Amnesty International’s Human Rights Now! world tour, which featured big names like Sting, Tracy Chapman, Peter Gabriel and Bruce Springsteen & the E Street Band. The closest the tour got to Mandela’s South Africa was Harare, Zimbabwe, on 7 October 1988, when criticism against the apartheid government was arguably most amplified.

Freedom Now by Tracy Chapman

At the height of her career, the vocal powerhouse used her lyrical prowess to speak against a society that kills and destroys that which it doesn’t understand. The song was dedicated to Mandela around the time of his 70th birthday.

Nelson Mandela by The Specials

Produced by Elvis Costello, the mood on this track took a departure from most meandering and contemplative political songs. It unfolds in cheerful chants, celebratory lyrics and a township jive, but still served the urgency of Mandela’s release. It was written by Jerry Dammers with lead vocals by Stan Campbell.

Bring Him Back Home (Nelson Mandela) by Hugh Masekela

The late jazz maestro recorded this track in 1987, where he imagines the moment Mandela is freed. “I want to see him walking down the streets of South Africa tomorrow,” he sings.

House of Exile by Lucky Dube

Considered Africa’s most successful reggae artist, the legendary Lucky Dube’s honest approach to music allowed him to be speak out against injustices without fear. Here, he portrays a patriot who’s steadfast in his aim to see the people of his nation treated equally regardless of race, colour and religion.

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