NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Newcomers top SAMAs nominations

24 Apr 2017 - 13:34

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It seems like the Mabala Noise record label might be saved for the time being from the ‘noise’ that accused it of influencing the results of this year’s Metro FM Music Awards, which saw South African rapper Nasty C bag four awards. Now the young artist tops the list of nominees for the 2017 South African Music Awards (SAMAs) with a total of six nominations. 

Nasty C and Amanda Black are among the artists who are leading the nominations.

The SAMAs nominee announcements were held at the Destiny Exclusive Hotel in Kempton Park, Johannesburg, on Thursday evening. The 23rd edition of the awards ceremony will be held at the Sun City Superbowl near Rustenburg on 27 May. The nominations list is dominated by new artists who released their debut or follow-up album in the previous year.

“This is the year newcomers take most of the limelight undoubtedly,” Recording Industry of South Africa (RiSA) CEO Nhlanhla Sibisi said. “It is truly encouraging to see so many young and new artists dominate the list. It can only bode well for the industry. The future is bright and we couldn’t be happier for them.”

Nasty C, gospel artist Dr Tumi and Afro-pop singer/songwriter Amanda Black are among the newcomers.

Nasty C’s debut album Bad Hair Extensions has earned him a nomination in the Album of the Year and Best Rap Album categories, while his videos ‘Don’t Do It’ and ‘Good Girls’ have him in the running for the Best Music Video Award. He has also been nominated for the Best Male Artist of the Year and Best Newcomer accolades.

Nasty C (real name David Junior Ngcobo) could not hide his excitement and took to Twitter. “God comes through every single time,” he wrote.

Kwesta, a rapper and songwriter signed to Urbantainment, bagged nominations for Best Album of the Year, Best Male Artist of the Year and Best Rap Album. He also got two nods in the Best Collaboration category to earn a total of five nominations.

Amanda Black, who led the pack with five nominations at the 2017 Metro FM Music Awards, is in fourth position with four nominations. She received nods in the Best Newcomer of the Year, Best Album of the Year, Best Female Artist of the Year and Best R&B Soul Reggae Album categories.

The Best African Artist category was dominated by Zimbabwean artists Oliver Mtukudzi and Jah Prayzah. Botswana’s Vee Mampeezy, who was also among the nominees for the Metro FM Awards’ One Africa Award, receives a nomination together with Patoranking (Nigeria) and Vuyo Katsha (South Africa). Gospel musician Sfiso Ncwane, who passed away in December last year, is nominated in the Best Traditional Faith Music Album category. He will be competing posthumously against Spirit of Praise, Teboho and Zaza.

Meanwhile, top rapper Cassper Nyovest snubbed the SAMAs by not submitting his music for consideration. Last year, the musician wrote on social media: "I don’t want to win a SAMA any more. I’m good without them.”

Nonetheless, he has been credited on three songs that he featured on – a collaboration with Kwesta, a collaboration with Major League and a Coke Studio production.

Founded in 1995, the SAMAs are owned by RiSA and are held in late April or May every year, with the judging process starting about six months prior to the ceremony.

According to RiSA, artists who wish to enter their music for the SAMAs are required to pay a fee. RiSA members pay R650 ($50) excluding VAT while non-RiSA members pay R3 500. Artists are permitted to enter for one genre category only and are required to pay extra if they wish to enter the same album for technical categories such as Best Produced or Best Engineered album. In March this year, RiSA announced that it had attracted more than 700 entries for the nomination process.

Here is the full list of nominees:

Best Newcomer of the Year

  • Soul Kulture
  • Babes Wodumo
  • Sketchy Bongo
  • Nasty C
  • Amanda Black

Best Album of the Year

  • Kwesta – Dakar II
  • Black Motion – Ya Badimo
  • Amanda Black – Amazulu
  • Nasty C – Bad Hair Extensions
  • ThandiswaBelede

Best Duo/Group of the Year

  • The Soil
  • Jaziel Brothers
  • Soul Kulture
  • The Parlotones
  • Black Motion

Best Female Artist of the Year

  • Lebo Sekgobela
  • Babes Wodumo
  • Kelly Khumalo
  • Amanda Black
  • Thandiswa

Best Male Artist of the Year

  • Dr Tumi
  • Kwesta
  • Musa
  • Nasty C
  • Nathi

Best Rock Album

  • The Sweet Resistance – Where There Is Hope
  • Lost & Found – Lost & Found
  • Richard Stirton – Middle Ground
  • The Parlotones – Trinkets, Relics & Heirlooms
  • Albert Frost – The Wake Up

Best Pop Album

  • Matthew Mole – Run
  • LocnvilleTaste The Weekend
  • GoodLuck – The Nature Within
  • Sketchy Bongo – Unmasked
  • TiMO ODV – Origins (Digital Edition)

Beste Pop Album

  • 4Werke – 4 Warm
  • ADAM – Hoogtevrees
  • Dewald Wasserfall – Jy Is Die Storm
  • Kurt Darren – Sal Jy Met My Dans
  • Snotkop – HKGK

Best Adult Contemporary Album

  • Elvis Blue – Optics
  • Hugh MasekelaNo Borders
  • Majozi – Fire
  • Mango Groove – Faces to the Sun
  • Msaki – Zaneliza: How The Water Moves

Beste Kontemporêre Musiek Album

  • Adam Tas – Patatas en Pyptabak
  • Coenie de Villiers – Emoji
  • Joshua na die Reën – Die Wêreld Binne My
  • Refentse – My hart bly in ‘n taal
  • Ricus Nel – Ouskool Boerseun

Best African Adult Album

  • Dumza Maswana – Molo
  • Kelly Khumalo – My Truth
  • Nathi – Umbelelo Wam
  • Nozipho – Thando
  • Soul Kulture – Ngeliny'ilanga

Best Alternative Music Album

  • Arno Carstens – Die Aandblom 13
  • Chris Chameleon – Firmament
  • Native Young – Kings
  • Somerfaan – Alien Boogie Stuff
  • Tailor – Trust Part 1

Best R&B Soul Reggae Album

  • Afrotraction – Love and respect
  • Amanda Black – Amazulu
  • Brenda Mtambo – So Much More
  • Karabo – Matters of the heart
  • Tima Reece9

Best Rap Album

  • A Reece – Paradise
  • Khuli ChanaOne Source
  • Kwesta – Dakar II
  • Nasty C – Bad Hair Extensions
  • Stogie T – Stogie T

Best Kwaito Album

  • Babes Wodumo – Gqom Queen Vol 1
  • Bullistic – N.W.O (New World Order)
  • Dr Malinga – Goodwill
  • Taylor K – Paper Chase
  • Trademark & Zinhle Ngidi – Trademark & Zinhle Ngidi

Best Dance Album

  • DJ Clock – The 5th tick
  • Black Motion – Ya Badimo
  • Durbans' Finest – Durbans’ Finest – Reloaded
  • Mobi Dixon – Live The Music
  • NaakMusiQ – Born to Entertain

Best Traditional Faith Music Album

  • Deborah Fraser – Uhambo
  • Sfiso Ncwane – Wethembekile Baba
  • Spirit Of Praise – Spirit Of Praise Vol 6
  • Teboho – Nkutlwele Bohloko
  • Zaza – Blowing the horn of chronicle

Best Contemporary Faith Music Album

  • Dr Tumi – Heart of a king
  • Dr Tumi – Love and grace
  • Khaya Mthethwa – The Dawn
  • Lebo Sekgobela – Restored
  • We Will Worship – Mmuso

Best Traditional Music Album

  • Candy – Easy Come Easy Go
  • Dr Thomas Chauke Na Shinyori Sisters – Shimatsatsa No 34: Xiganga
  • Mmaausi – Monna Oa Sokelwa
  • Qadasi & Maqhinga – Lashis' Ilanga
  • Shabalala Rhythm – Yebo Ngiyavuma

Best Maskandi Album

  • Imfez'emnyama – Monalisa
  • Imithente – S’yawuvala Umlomo
  • Khuzani – Inyoni Yomthakathi
  • Shwi noMtekhala – Kwabhalwa Etsheni
  • Thokozani Langa – Amabrazo

Best Jazz Album

  • Darren English – Imagine Nation
  • Dave Reynolds & Pops Mohamed – Live in Grahamstown
  • Nduduzo Makhathini with Umgidi Trio and One Voice Vocal Ensemble – Inner Dimensions
  • Sydney Mavundla – Luhambo
  • Thandiswa – Belede

Classical Instrumental Album

  • Bongani Radebe – Buyelekhaya Sax Rendition
  • Charl du Plessis Trio – Baroqueswing Vol. II
  • Imilonji KaNtu Choral Society – And Then I Heard a Voice by SJ Khosa
  • The Voice of Angels – The Voice of Angels Volume 2
  • University of Pretoria – Love and War

Best Afro-pop Album

  • Jaziel Brothers – Jaziel Brothers
  • Musa – Musa
  • Robbie MalingaRobbie Malinga
  • The Soil – The Soil
  • Vusi Nova – Vusi Nova

African Indigenous Gospel Album

  • Amadodana Ase Wesile – Amadodana Ase Wesile
  • Jerusalema E Ncha – Jerusalema E Ncha
  • Lejwe la Motheo – Lejwe la Motheo
  • Living In Christ Legends – Living in Christ Legends
  • T.C.C.C. Mass Choir – T.C.C.C. Mass Choir

Best African Artist

Live Audio Visual Recording Album

  • Joyous Celebration – Joyous Celebration 20 – Part 2 – The Alumni
  • Joyous Celebration – Joyous Celebration 20 Live at The Moses Mabhida Stadium
  • Khaya Mthethwa – The Dawn
  • Krone & Various Artists – Krone 3 DVD
  • Spirit Of Praise – Spirit Of Praise Vol.6

Best Collaboration

  • Black Coffee – ‘Your Eyes’
  • Kwesta – ‘Mayibabo’
  • Kwesta – ‘Ngud’
  • Miss Pru – ‘Ameni’
  • Musa – ‘Mthande’

Best Music Video of the Year

  • Khuli Chana – ‘One Source’
  • Miss Pru – ‘Ameni’
  • Nasty C – ‘Don't Do It’
  • Nasty C – ‘Good Girls’
  • Reason ft AKA & Khuli Chana – ‘Yipikayay’

Best Produced Album

  • Afrotraction – Love and Respect
  • Brenda Mtambo – So Much More
  • Matthew Mole – Run
  • Rubber Duc – The Secret Sun
  • SjavaIsina Muva

Best Engineered Album

  • The Soil – Echoes of Kofifi
  • Arno Carstens – Aandblom 13
  • Mango Groove – Faces To The Sun
  • Jesse Clegg – Things Unseen
  • LeAnne Dlamini – Warrior

Remix of the Year

  • Distruction Boys – ‘Wololo (Dbanj Remix)’
  • DJ Mizz – ‘Close to You (Mizz Afro Remix)’
  • Evida – ‘The Woods (Evida Remix)’
  • Kyle Deutsch – ‘Can't Get enough (Official Remix)’
  • Vic – ‘Wena Wedwa (MusicCraftMAN Mix)’

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