NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Nigerian country music: Ogak Jay talks debut album

05 Sep 2016 - 17:14

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Country music may not be the dominant sound on Nigerian radio anymore, but the genre retains a modest followership across the country.

Ogak Jay. Photo: OJ

Ogak Jay, one of such followers, has played country music for years, and has encouraged others to listen to the genre. He is currently president of Country Music Club of Port Harcourt (CMCPH), a country music club based in a city in south-south Nigeria.

Ogak Jay has just released his debut album of country and gospel songs. Titled Another Day, the album is a collection of ten 10 songs on such subjects as God, family, and spirituality.

In this interview with Music in Africa, Ogak Jay, a Christian, speaks about growing up a country music fan in Nigeria, his background, and how his semi-gospel album might be of value to the non-Christian.

Family:

My birth name is Mgboawajiogak Jonah Oke. I am mostly known as Ogak, so I adopted the stage name Ogak Jay. I was born to Christian parents in Ikuru Town in Rivers State, Nigeria but I grew up in the capital city Port Harcourt. I'm the first child of my parents, Mr & Mrs Jonah Oke.

Influences:

My biggest influence in country music was my dad. Country and reggae music are his favourite genres. The music of Don Williams, Jim Reeves, Kenny Rogers and Dolly Parton were his best so at a tender age I got used to their songs as dad would hum or play on his radio in the morning and evening when back from work. Genetically, I think I must have inherited the musical gift from one or both of my parents. My mum’s got a good voice and I was told her late mum was the chief soloist of the women group in her days.

My interest in country music was sustained through a country music programme called Country Classics Show on Radio Rivers 99.1FM, hosted by Mr Tony Vite whom the fans call the “The Sweet Music Man”. His expository and interactive manner of presenting the show made fans including me to tune in every Monday 10pm - 12:00am to that show till date, .

The church, friends, and student Christian fellowship during my university days provided a platform for my training in music. I recall that in the 1990s, my pastor’s wife, Mrs Odum, asked the choir to take me in, that I have a good voice and can sing any part. But I didn't join the choir until I went to the university and joined the campus fellowship, Christ Ambassadors Students Outreach (CASOR) in 2002, and subsequently, the choir of the two major churches I’ve been with - Assemblies of God church and New Covenant Anglican Church in Elelenwo, Port Harcourt.

I learnt to play the guitar through some of my friends who would show me one or two things they know, and I enrolled for a tutorial with the money from my undergraduate savings.

Career:

I’m not a full time musician. I only have a strong passion for music such that I couldn’t let my other profession take the whole of my time. I have a Master of Engineering in Power Systems & Machine from the University of Port Harcourt where I obtained my Bachelor of Engineering degree in Electrical/Electronics Engineering.

I have also had professional training and a couple of years work experience as an instrumentation & automation technician. In addition to these, I hold a Postgraduate Diploma in Education, and currently work as a teacher with the state’s Ministry of Education. My dream is to be a lecturer and a part-time musician.

Audience:

Another Day is both country and gospel; it was quite a daunting task for me to come up with something that will find an audience across religions. Six of the tracks are not purely gospel and anyone who has an element of spirituality in him or her, irrespective of religion, should be able to relate.

The album's title track, 'Another Day', is more of an inspirational song for anyone looking to make the best use of each day he or she sees. 'My Little Angel' is a dedication to the little children in our homes, so every family person should be fine with it.

Other tracks like 'He’s with Me' and 'Temptations' are purely spiritual and can cut across religions. Only four of the ten songs are pure gospel music for Christians.

Promotion:

I have plans for touring, though not on a massive scale. There is a network of country music fans in Port Harcourt, Nigeria, Africa and elsewhere in the world. In Africa, outside of Nigeria, the network is even stronger as we have country music radio presenters, artists, and fans. Some presenter-friends were waiting for the official release of the album so they can play the album on their shows.

I will partner with the Country Music Club of Port Harcourt (CMCPH), a club whose mission is to promote country music and build friendships. I’m currently the president of the club, and will be performing my songs with other artists during our regular monthly “Together Again” and “Country Gospel” musical shows which takes place at various venues in Port Harcourt. Plans are also underway to encourage more radio stations to have a show for country music in their programmes.


Another Day is out now. Buy the album at iTunes or Amazon. Stream Another Day on Spotify here

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