NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Nigeria’s Waje to work with Ivorian Serge Beynaud for Coke Studio Africa

09 Aug 2016 - 13:44

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Nigerian singer Waje has been in Nairobi, Kenya for the fourth season of Coke Studio Africa to further her desire to collaborate with other African artists and to expand her audience to the rest of the continent.

Nigerian artist Waje. Photo: www.bellanaija.com

In the new season, which will be her third appearance on the show, the Nigerian diva has been paired with Ivory Coast’s Serge Beynaud to record a new theme song for the popular show. The resulting collaboration will be produced by Ugandan producer Bushingtone, a long-time collaborator of Radio and Weasel.

'Breaking barriers and entering new territories'

Speaking to Music In Africa in Nairobi recently, Waje revealed her desire to continue exploring the African sound and breaking into new territories.

Even though she has been on Coke Studio more than once, Waje says she is grateful for the opportunity to build her brand every year and learn more about what other artists are doing around the continent. “I look forward to exploring and discovering other sounds from around the continent," she says. "I want to push myself to new horizons."

Waje reckons that her pairing up with Serge is a great thing as she is inspired by the energy the Ivorian star exudes in his songs. “His songs are very energetic. I want to maintain this strength and energy, moreso because of the cultural significance his songs have," she explained.

Guided by the show's focus this year on 'discovering' Africa’s music and culture, Waje says the continent's music has grown to a point that fusion is key. Looking at Coke Studio as one way for her to collaborate with outstanding artists in the African music sector, Waje explains: "I found out that the Coupé-Décalé dance itself is a movement in Ivory Coast. I want to maintain that message. For me it’s about breaking barriers and entering into new territories. With my collaborations at the show I want to send a message to the world, for the platform offers a chance to tell the world that though I am a Nigerian artist, on a greater level I am an African artist who has respect for where our music is coming from and where it is headed to.”

'We need to maintain our traditional instruments'

She also called for African musicians to return to the indigenous instruments of their countries. Noting that every country has various instruments that are significant to the nation’s culture, Waje is concerned that these instruments are no longer part of the music that is coming out of Africa.

“I believe that we need to maintain our traditional music instruments," she says. "With the current generation, because we always looked to the West for inspiration, we ended up abandoning our musical instruments and relegated them to the background, forgetting that we can creatively look for a way to fuse them in our music. We need to find ways to bring these instruments back so that our children and the generations to come are able to learn about the genesis of our music and how we got to where we are now."

Mentoring young talent

Born Aituaje Iruobe, Waje emerged on the Nigerian music in 2007 while still a student at university. In 2013 she released her self-titled debut album.

When not in studio or on stage, Waje is involved in various projects that aim to build the music sector in her country. Recently, alongside other Nigerian stars 2Baba, Patoranking and Timi Dakolo, Waje was one of the mentors on the Nigerian edition of the talent search The Voice, where she mentored four aspiring artists - one of whom, Agharese Emokpae (popularly known as A'rese) emerged as the winner.

Although her participation in The Voice was by chance, Waje says she will continue to mentor A'rese. “After listening to A'rese and watching her grow throughout the competition, the whole process made me realize that it would be great for me to invest in someone," she says, adding: "Investment doesn’t really mean money; investing knowledge is also important.”

In 2015 Waje collaborated with fellow Nigerian artist Patoranking on the single ‘Left for Good’. She is currently working on a new album.

Waje's collaborator on Coke Studio Africa, Serge Beynaud emerged on the Ivorian musical scene in 2007 as a producer before transitioning to a performing artist. In 2012 he released his debut album, Only God, to much acclaim and success. His rise to fame was cemented by a 2012 concert at the Palace of Culture in Abidjan, where he filled 5000 seats. He is regarded as one of the artists to have kept Coupé-Décalé thriving in Ivory Coast.

Coke Studio Africa is a non-competitive show that seeks to bring together and showcase the diversity of Africa's musical talent. It also gives upcoming artists the opportunity to work with established performers and producers. For more details visit the show's website.

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