NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

No HIFA in 2016 as organisers prepare ‘Next Level’ revamp

09 Dec 2015 - 12:03

cc-img flag-img

This is old news but very few publications have reported this important change at one of Africa’s top music festivals.

There will be no Harare International Festival of the Arts (HIFA) in 2016. The cancellation was confirmed by the festival founder Manuel Bagoro during a press briefing at the Royal Harare Golf Club in Zimbabwe’s capital on Thursday 29 October.

A scene from HIFA 2015. Photo: www.hifa.co.zw

However, unlike the recent cancellation of Sauti za Busara in Zanzibar due to a lack of funding support, Bagoro stated that the Zimbabwean festival’s traditional six-day programme will be replaced by various activities spread throughout the course of the year, building up to a new look HIFA in 2017. He said the festival hopes to expand and to include more people.

“HIFA 2015 was really remarkable, but after the festival we began to ask ourselves how to illuminate the initiative not only for our organisation but for the whole arts sector in Zimbabwe,” said Bagoro.

“We have decided to embark on a mission of developing local artists in different ways so we have introduced a new programming set that is going to sustain the festival in 2017.

“By combining our key strengths in line with our mission, we came out with five new programmes, each serving a different purpose, which will sustain the festival in the next 18 months. The five are HIFA Events, Presents, Engaging, Amigos and the new sporting venture, HIFA Play. Through these five branches, we will be expanding our reach into various parts of the country and engaging with artists in those areas at a more intense level.

“Through areas such as HIFA Events, we will be hosting world-class concerts at key dates during the year. This will see us bringing in international acts in collaboration with embassies and the cooperate sector. These might be one-off concerts or we can have a full weekend of events featuring various artists. HIFA Events will be focusing on developing world-class show producers. HIFA Engage will see us going into the community and engaging with various key players to develop arts at grassroots level, while the Amigos bit will see us educating people more about who we are.

“The new factor to our programming is HIFA Play, which will see us venturing into sport. What we are basically trying to do is to fuse art and sport. We are saying, when a huge crowd gathers for a match, where does art fit in? Therefore we are looking at half-time shows where a local band can entertain the crowd before the match resumes.

“A lot of work is involved during the 18 months and this is an employment opportunity for many,” revealed Bagoro, as reported in Zimbo Jam.

Mixed reactions

While the news came as a disappointment to many musicians and music lovers, organisers of other music festivals in Zimbabwe felt HIFA’s cancellation could benefit them, arguing that HIFA hogged the spotlight in terms of the sponsorship allocated to local arts festivals. Raisedon Baya, director of Intwasa Arts Festival in Bulawayo, told B-Metro: “The assumption is the HIFA gets the lion’s share of sponsorship that goes towards festivals. With that being the case, the hope is that things will be more decentralized and these sponsors will be prepared to bring the big artistes to other festivals.”

“It’s never a good thing to celebrate something negative. This is a dark cloud that is engulfing the arts community and while every cloud has a silver lining, it is not good to concentrate on the silver lining. We must look at the bigger picture,” said Baya. “What this means is that artistes will have to look at alternatives because most of their work is geared towards a debut at HIFA. The general sentiment is that the works of artistes should be showcased at HIFA before it is show to other festivals afterwards.”

Next Level

HIFA was established in 1997 and held its first festival edition in 1999. The country’s biggest arts event, HIFA has come to be seen as an important symbol of positivity in Zimbabwe during times of ongoing political turbulence and economic uncertainty. HIFA’s organisers have dispelled the notion that 2016 will be a gap year, reminding critics that what was once an annual six-day arts fiesta will in 2016 change its format to host a number of activities spread across the year as build up to 2017.

The festival’s executive director, Maria Wilson, insisted that HIFA was not going anywhere. “We are here to stay,” she said, in an article published in New Zimbabwe. “What you are about to see is expansion that will create more platforms for artists and their development. For the next 18 months, we will be building up to the next HIFA as you know it will be in 2017.”

The 2017 edition will be held under the theme ‘Next Level’, said Wilson.

In early November, the festival announced on Facebook, "HIFA's always been more than a six-day event", and unveiled the logos for the 2017 projects. On their website, the organisers revealed more information about the five new programmes:

  • HIFA Presents: Over the next 18 months, HIFA will present major shows with visiting and local artists as well as 2/3-day celebrations of particular artistic genres. It hopes to inspire and surprise audiences with innovative thinking, creative ideas and unexpected collaborations.
  • HIFA Engage: This programme will work on Outreach and Development projects, using arts and culture as a vehicle for change and nation-building. This programme will establish four major creative learning and community projects running over the next 18 months, culminating with performances/exhibitions at HIFA 2017:
    • The Travelling Carnival: a professional development, skills exchange and field support programme working across the country.
    • Voices of 1000: a national schools creative learning project leading to a major mass choral happening at HIFA 2017.
    • The City Project: a public art programme exploring and transforming aspects of public transport in Harare.
    • HIFA Access: meetings, symposia and collaborative brainstorming conversations aimed at strengthening and emboldening the Zimbabwean cultural sector.
  • HIFA Play: A programme presenting sports events with an emphasis on high production and entertainment values. Through these projects, HIFA plans to explore ways to marry sports with arts and culture while promoting Zimbabwean artists and corporate partners.
  • HIFA Events: A programme providing first-class professional services for conferences, brand launches as well as corporate private events.
  • HIFA Amigos: A bold audience development programme for HIFA Presents events throughout the year, as well as for the Zimbabwean arts sector more broadly.

The website also offers this message: “We all need to hold on to our hopes, dreams and imaginations – the arts and creative thinking help us to do that. HIFA is going to the next level to develop a meaningful and dynamic role in celebrating the arts in Zimbabwe – we hope you’ll step up with us!”

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media