NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

No wins for African artists at BET Hip Hop Awards 2024

17 Oct 2024 - 13:15

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African artists walked away without a single award from this year’s BET Hip Hop Awards taped in Las Vegas, US, on 8 October and aired on 15 October.

African artists including Afrobeats star Burna Boy recorded zero wins at this year’s BET Hip Hop Awards. Photo: Nickie Rose

Nigeria’s Burna Boy and Odumodublvck as well as South Africa’s Maglera Doe Boy and Blxckie, were nominated in key categories, including Best International Flow and Best Live Performer. However, the night concluded with no trophies for the continent’s contingent.

“This year’s nominees exemplify the creativity and diversity of hip hop and the culture,” BET’s EVP, specials, music programming and music strategy, Connie Orlando, said ahead of the event.

Burna Boy lost the Best Live Act category to veteran US rapper Missy Elliott, while Odumodublvck, Maglera Doe Boy and Blxckie, lost the Best International Flow category to UK act Ghetts, Last year, that category was won by Ghanaian musician Black Sherif.

Meanwhile, US rapper Kendrick Lamar emerged as the night’s biggest winner, taking home eight awards, including the coveted Hip Hop Artist of the Year, Song of the Year for ‘Not Like Us’, and Lyricist of the Year. Other notable winners included Nicki Minaj for Hip Hop Album of the Year with Pink Friday 2, Sexyy Red, who won Best Breakthrough Hip Hop Artist, and 50 Cent, who was named Hustler of the Year.

Below is the full list of winners:

Best Live Performer

  • Burna Boy
  • Busta Rhymes
  • Cardi B
  • Drake
  • GloRilla
  • Kendrick Lamar
  • Megan Thee Stallion
  • Missy Elliott
  • Nicki Minaj
  • Travis Scott

Best international flow

  • Maglera Doe Boy – South Africa
  • Blxckie – South Africa
  • Odumodublvck – Nigeria
  • SDM – France
  • Leys Mc – France
  • Racionais Mcs – Brazil
  • Budah – Brazil
  • Ghetts – UK
  • Bashy – UK
  • Stefflon Don – UK

Hip Hop Artist of the Year

  • 21 Savage
  • Cardi B
  • Drake
  • Future
  • GloRilla
  • Kendrick Lamar
  • Megan Thee Stallion
  • Nicki Minaj

Song of the Year

  • ‘Agora Hills’ – Doja Cat
  • ‘Bent’ – 41 (Kyle Richh, Jenn Carter, Tata)
  • ‘Fe!N’ – Travis Scott feat. Playboi Carti
  • ‘FTCU’ – Nicki Minaj
  • ‘Get It Sexyy’ – Sexyy Red
  • ‘Like That’ – Metro Boomin, Future, Kendrick Lamar
  • ‘Mamushi’ – Megan Thee Stallion feat. Yuki Chiba
  • ‘Not Like Us’ – Kendrick Lamar
  • ‘Yeah Glo!’ – GloRilla

Hip-hop Album of the Year

  • American Dream – 21 Savage
  • Ehhthang Ehhthang – GloRilla
  • For All the Dogs Scary Hours Edition – Drake
  • In Sexyy We Trust – Sexyy Red
  • Megan – Megan Thee Stallion
  • One of Wun – Gunna
  • Pink Friday 2 – Nicki Minaj
  • Utopia – Travis Scott
  • We Don’t Trust You – Future & Metro Boomin

Best Hip Hop Video

  • ‘8 AM in Charlotte’ – Drake
  • ‘Band4band’ – Central Cee feat. Lil Baby
  • ‘Bent’ – 41 (Kyle Richh, Jenn Carter, Tata)
  • ‘Big Mama’ – Latto
  • ‘Boa’ – Megan Thee Stallion
  • ‘Enough (Miami)’ – Cardi B
  • ‘Not Like Us’ – Kendrick Lamar
  • ‘Type Shit’ – Future, Metro Boomin, Travis Scott & Playboi Carti

Best Breakthrough Hip Hop Artist

  • 41
  • 310babii
  • Bossman Dlow
  • Cash Cobain
  • Lady London
  • Sexyy Red
  • Skilla Baby
  • Tommy Richman

Best Collaboration

  • ‘At the Party’ – Kid Cudi feat. Pharrell Williams & Travis Scott
  • ‘Band4band’ – Central Cee feat. Lil Baby
  • ‘Bongos’ – Cardi B feat. Megan Thee Stallion
  • ‘Everybody’ – Nicki Minaj feat. Lil Uzi Vert
  • ‘First Person Shooter’ – Drake feat. J. Cole
  • ‘Like That’ – Metro Boomin, Future, Kendrick Lamar
  • ‘Mamushi’ – Megan Thee Stallion feat. Yuki Chiba
  • ‘Wanna Be’ – GloRilla feat. Megan Thee Stallion

Best Duo or Group

  • ¥$ – Kanye West & Ty Dolla $ign
  • 2 Chainz & Lil Wayne
  • 41 (Kyle Richh, Jenn Carter, Tata)
  • Common & Pete Rock
  • Earthgang
  • Flyana Boss
  • Future & Metro Boomin
  • Rick Ross & Meek Mill

Lyricist of the Year

  • 21 Savage
  • Cardi B
  • Common
  • Drake
  • Kendrick Lamar
  • Lil Wayne
  • Megan Thee Stallion
  • Nicki Minaj

Video Director of the Year

  • 20k Visuals
  • A$AP Rocky
  • Cactus Jack
  • Cole Bennett
  • Dave Free & Kendrick Lamar
  • Dave Meyers & Travis Scott
  • Doja Cat & Nina McNeely
  • Offset

Producer of the Year

  • Atl Jacob
  • Cash Cobain
  • Hit-Boy
  • Hitmaka
  • Metro Boomin
  • Pete Rock
  • Q-Tip
  • The Alchemist

DJ of the Year

  • Big Von
  • DJ D-Nice
  • DJ Drama
  • DJ Khaled
  • Kaytranada
  • Metro Boomin
  • Mustard
  • The Alchemist

Best Hip Hop Platform

  • Bootleg Kev
  • Club Shay Shay
  • Complex
  • Drink Champs
  • Million Dollaz Worth of Game
  • On the Radar
  • The Breakfast Club
  • The Joe Budden Podcast
  • The Shade Room
  • XXL

Hustler of the Year

  • 50 Cent
  • A$AP Rocky
  • Cam’ron & Ma$e
  • Cardi B
  • Drake
  • Fat Joe
  • GloRilla
  • Kendrick Lamar
  • Megan Thee Stallion

Sweet 16: Best-featured Verse

  • 21 Savage – ‘Good Good’ (Usher, 21 Savage & Summer Walker)
  • A$AP Rocky – ‘Gangsta’ (Free Nationals, A$AP Rocky & Anderson .Paak)
  • Cardi B – ‘Wanna Be’ remix (GloRilla, Megan Thee Stallion & Cardi B)
  • Drake – ‘Meltdown’ (Travis Scott feat. Drake)
  • J. Cole – ‘First Person Shooter’ (Drake feat. J. Cole)
  • Kendrick Lamar – ‘Like That’ (Future, Metro Boomin & Kendrick Lamar)
  • Lil Wayne – ‘Brand New’ (Tyga, YG & Lil Wayne)
  • Megan Thee Stallion – ‘Wanna Be’ (GloRilla, Megan Thee Stallion)

Impact Track

  • ‘Blessings’ – Nicki Minaj feat. Tasha Cobbs Leonard
  • ‘Fortunate’ – Common & Pete Rock
  • ‘Get in With Me’ – Bossman Dlow
  • ‘Hiss’ – Megan Thee Stallion
  • ‘Humble Me’ – Killer Mike
  • ‘Not Like Us’ – Kendrick Lamar
  • ‘Precision’ – Big Sean
  • ‘Yeah Glo!’ – GloRilla

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